The Criminalizing Homelessness Cycle

Cartoon by Barry

TRANSCRIPT OF CARTOON

This cartoon has four panels, arranged so that they can be read in a clockwise circle. Each panel shows the same character – a homeless man wearing jeans, a hoodie, and a knit cap. I’ll call him “Knit.”

TOP PANEL

Knit is lying on a park bench, looking like he just woke up, and with a confused expression on his face. A cop holding a billy club stands over him.

COP: Get up! Public sleeping is now a crime. You’re going to jail.

An arrow leads from that panel to:

RIGHT HAND PANEL

Knit, looking confused and unhappy, is being kicked out of a building that has a sign over the door: “JAIL.” Knit looks confused and unhappy. We don’t see anything of the person kicking Knit out except for the shoe and leg that are doing the kicking.

KICKING GUY: You’ve served your time. Get out!

An arrow leads from that panel to:

BOTTOM PANEL

Knit, with a disappointed expression, is listening to a businessman-looking type wearing a necktie talk. The businessman has a stern expression.

BUSINESSMAN: You’ve been in jail! I’d never hire you, or rent to you.

An arrow leads from that panel to:

LEFT HAND PANEL

It’s dark out; the only light is coming from a door which has been open a crack. Knit stands in front of the door. A sign above the door says “SHELTER.” A woman inside is speaking to Knit through the crack.

WOMAN: Sorry, out of beds. Good luck.

An arrow leads from that panel back to the TOP PANEL.

CHICKEN FAT WATCH

“Chicken fat” is an obsolete cartoonists’ term for little details the cartoonist puts in which don’t matter at all, but they amused the cartoonist.

TOP PANEL: A newspaper lying on the ground, “Background Tribune,” says “IF YOU CAN READ THIS, YOU MAY HAVE WON A MILLION BUCKS!” Below that, in smaller print, it says “but probably not.”

And the bench has a little graffiti, a heart with “E + MC2” written inside it.

RIGHT HAND PANEL: Through the open door to the jail, we can see a poster on the wall, with a smiling cartoon bear wearing a guard’s cap and giving us a thumbs up. Above the bear, in large letters, it says “Protect Yourself From RSI.” In smaller letters below the bear, it says “always stretch before beating prisoners.”

One of the stones of the building’s wall is missing, and a man with a handlebar mustache is looking out nervously.

Another stone has a little barred window in it, and a mouse inside has its hands on the bars and looks out forlornly.

LEFT HAND PANEL: Woodstock from “Peanuts” is standing atop the building.

The Criminalizing Homelessness Cycle | Patreon

Posted in Barry's favorites, Social Justice |

A Concise History of Keeping The Immigrants Out

Cartoon by Barry

This cartoon is drawn by Becky Hawkins.

Click here to read Becky’s post about drawing this cartoon, and to see some of the reference photos she used!

TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different scene in a different era.

PANEL 1

CAPTION AT TOP OF PANEL: 1871

Two wealthy-looking white Victorian men, middle aged and elderly aged, are sitting in armchairs in front of a fireplace in what looks like an expensive men’s club. One holds a glass of liquor, the other a cigar, as they talk to each other. In the background is a server with red hair, holding a tray with a bottle and glasses on it, and looking annoyed.

RICH GUY 1: We can’t let just anybody immigrate! The Irish are lazy and stupid!

RICH GUY 2: Better Irish than Chinese. I say keep ’em all out!

PANEL 2

CAPTION AT TOP OF PANEL: 1939

Two white women walk along the boardwalk. One woman is wearing a floppy hat, pearls, and a light purple dress, and is carrying a green umbrella to shield herself from the sun. The other woman is wearing a green sash and turban over a tan pantsuit. The second woman is pointing out to the ocean, where we can see a large ship which might be the MS St Louis.

SASH WOMAN: Even if Nazis are killing Jews – and we all know Jews lie – why is that our problem? We can’t afford thousands of Jews leeching off the rest of us!

PANEL 3

CAPTION AT TOP OF PANEL: TODAY

Two white women are walking through a park. One is wearing a broad hat, shorts, and carrying a backpack; the other is wearing a pink visor, and carrying a water bottle. In the background, a brown-skinned man carrying gardening shears watches them, not looking visibly annoyed but definitely aware of what they’re saying.

BACKPACK WOMAN: Central American “refugees” don’t want to work – they come here to live off welfare and crime!

PANEL 4

CAPTION AT TOP OF PANEL: 2146

Two people with ambiguous gender are standing. They’re wearing some sort of hover shoes, so they’re actually floating about a foot above the ground, with a yellow haze shooting out the bottom of their shoes. One is wearing a blue onesie with a wide futuristic looking yellow collar, along with a yellow hat and a fanny pack in front; the other is wearing a shawl over a crop top with lace trim, and a long green cargo skirt. The woman with the shawl is rudely pointing at a few obvious aliens (with tentacles instead of legs, gray skin, and huge black eyes) who are just a couple of feet away. One alien holds a map, which both of them are looking at, while the other is holding an alien baby.

LACE TOP WOMAN: Immigrants in the old days became good Americans. But these so-called “refugees” are lazy criminals! I say keep ’em out!

A Concise History of Keeping The Immigrants Out | Patreon

Posted in Becky Hawkins collaborations, Racism & Racists, Social Justice |

Honest Miranda Warnings

Cartoon by Barry

Timelapse video of me drawing this cartoon.

TRANSCRIPT OF CARTOON

This cartoon has four panels, each panel showing a different scene. A caption under the cartoon says HONEST MIRANDA WARNINGS.

PANEL 1

On a litter-covered city sidewalk, a cop is pushing a prisoner. The prisoner, a young Black man wearing an orange t-shirt with a cartoon cat on it, has his hands handcuffed behind his back.

COP: You have the right to remain silent. I have the right to brutalize or kill you, and even if there’s a video I’ll probably get away with it.

PANEL 2

We are in a tiny windowless room, where the arrested guy from panel one is sitting at a table, opposite a balding man wearing a suit. The arrested guy listens with a blank, somewhat surprised expression while the suit-wearing man talks to him, one palm held open in a “let me explain this” gesture.

SUIT GUY: You have the right to be provided with an insanely overworked public defender like me. I won’t have time or resources to defend you as well as I’d like, and I’ll tell you to take a plea bargain even if you’re innocent.

PANEL 3

We’re in a prison visiting area, the kind with a sheet of glass between prisoners and visitors. The same young man is on the prisoner’s side of the glass. On the visiting side of the glass is a woman with her black hair in a bun, wearing a business jacket over a black blouse and blue pinstriped pants. She’s pointing at the prisoner, and grinning as she talks.

WOMAN: As your prosecutor I have the right to lie in court to withhold key evidence, and basically to do everything I can to destroy you while I remain totally unaccountable.

PANEL 4

We’re in a prison cell. There are two prisoners here, our main character, who is still looking stunned, and his cellmate, a bald man whose arm and neck are covered with tattoos. The cellmate is lying with his eyes closed on the lower bunk of a bunk bed, and speaking. The main character is sitting on a plastic chair.

CELLMATE: We’ve got the right to be beaten by other prisoners and by the guards. We’ve got the right to be charged $50 a day for this crap.

MAIN CHARACTER (thought): Sometimes I want fewer rights.

CHICKEN FAT WATCH

“Chicken fat” is an outdated cartoonists’ expression for unimportant but hopefully amusing little gags and references in the art. Lots of chicken fat in this one, for some reason.

PANEL 1

On the main character’s t-shirt is a picture of Jiji, the cat from Kiki’s Delivery Service.

The cop’s tattoo shows a tic-tac-toe game in progress. “O” is a terrible player and “X” is guaranteed to win.

Graffiti on the wall behind them says “Barry was here.”

A newspaper page lying on the sidewalk says “Local News: Litter Bug Drops Paper.”

Other little scraps of paper say “Don’t read this” and “or this.”

There’s a single glove lying on the sidewalk. That’s not much of a gag, it’s just that I always see single gloves – or worse, single shoes! – lying on the ground and wonder how that came about.

PANEL 2

A sheet of paper the lawyer brought with him has the heading “Blah Blah” at the top.

The main character is wearing the same t-shirt, but the character on the shirt is now a different Studio Ghibli creature – a susuwatari from “My Neighbor Totoro.”

PANEL 3

A sign on the “visitors” side of the glass partition says “do not give prisoners cigarettes porn or hope.”

PANEL 4

Four books are stacked on a wall shelf. Their spines say “Snoopy” “Charlie” “Lucy” and “Linus.”

A poster on the wall behind the bunk bed shows an angry/determined looking superhero flying through the air in the classic Superman flying pose. The caption above the hero says “Super Hero Film Franchise.” The smaller caption below the hero says “The only kind of story anyone needs!”

A poster on a different wall shows Andy and Ellis from the movie “The Shawshank Redemption.” The large caption above them says “Please Don’t Move Poster.” The smaller lower caption says “There’s no hidden escape tunnel honest.” (The poster is obviously hiding a tunnel, we can see the sides of the tunnel where it’s wider than the poster.)

Honest Miranda Warnings | Patreon

Posted in Social Justice |

Free Speech on Campus

Cartoon by Barry

TRANSCRIPT OF CARTOON

This cartoon has three panels. The first two panels are normal-sized, while the third panel is gigantic.

PANEL ONE

A man and a woman are walking together, the woman speaking. Neither of them are students, judging from their age and their professional dress.

The man has white-blonde hair and glasses, and is wearing a blue shirt with a black tie. He looks worried. The woman has a red blouse and a black skirt, and has her hair pulled up into a bun. She is holding up a finger in a “this is my point” gesture, and is calm but a bit fervent.

For this and the next panel, the background is blank.

WOMAN: Students have a right to speak their minds without fear of being shamed or shunned. free speech on campus is in danger of being wiped out!

PANEL TWO

The two continue walking. The woman, waving her arms a bit as she gets passionate and a bit angry, continues speaking.

WOMAN: At some schools, students protested and heckled speakers! We must protect free speech from woke student totalitarians!

PANEL THREE

The man and women have come to a stop, and are looking at a protest. The man, looking concerned, speaks to the woman. The woman looks over the protest with a pleased expression, her arms folded.

The main focus in this panel is the protest – and even more, the cops in full riot gear attacking the protest. A huge line of cops in formation are marching towards the protest. Cops are leading away handcuffed protesters; one protester is being held on the ground and beaten. The protesters who aren’t being arrested look terrified. Protest signs lie on the ground.

MAN: So is this a threat to free speech?

WOMAN: No, this is fine.

Free Speech on Campus | Patreon

Posted in Imperialism & War, Social Justice |

Let’s Outlaw Being Homeless! That’ll Work!

Cartoon by Barry

A cartoon by me and R.E. Ryan.

TRANSCRIPT OF CARTOON

This cartoon has four panels. All the panels show a gritty commercial doorway – the kind that’s recessed a few feet into the building – on a city sidewalk. There’s litter and graffiti here.

There are two characters in the comic strip. The first character is a homeless man sleeping in the doorway, wearing a zip-up sweatshirt over a t-shirt and a dull red knit cap, and with a full beard.  The other character is a muscular-looking cop dressed in a police uniform and carrying a baton. In defiance of tradition, he is cleanshaven. I’ll call these two characters KNITCAP and COP.

PANEL 1

Knitcap, covered by a brown blanket and with his head pillowed on some rolled-up clothes, is lying in a doorway, apparently asleep. The cop is using his baton to poke knitcap in the side. The cop has a somewhat sadistic grin.

COP: Hey, you! Get up! We’ve outlawed sleeping in public! You’re not allowed anymore!

PANEL 2

Knitcap is sitting up, rubbing sleep out of his eyes with one hand. He speaks calmly. The cop watches, smirking, arms akimbo.

KNITCAP: In that case, I guess I’ll sleep in a hotel tonight.

PANEL 3

A close-up of Knitcap. He’s stroking his chin with a hand, as if thinking through his options.

KNITCAP: Or should I sleep in my townhouse instead? Or my Hamptons place? I’ll call my butler and ask what he thinks!

PANEL 4

Knitcap, grinning, is now holding a hand next to his face, thumb and pinky finger extended, pretending it’s a phone as he talks. The cop is glaring and slapping his baton against his palm.

KNITCAP: Smithers? Smithers old boy! My super fun street sleeping holiday is done. Which of my mansions shall I sleep in tonight.

COP (thought): Next step: Outlaw sarcasm.

CHICKEN FAT WATCH

Chicken fat are unimportant but fun details cartoonists sometimes sneak into comic strips.

In panel one, in the lower-right-hand corner of the panel, two rats are sitting, holding playing cards and apparently playing poker, or some similar card game. In panel two, a cat walks in, apparently stalking the rats. The rats look at the cat. And in panel four, the cat has been dealt in and is playing the game with them.

In all the panels, Knitcap is wearing a t-shirt with some words that are hard to make out. But what it says is “No, you’re Spartacus.”

In panel three, there’s a lot of mostly-unintelligible graffiti, but just below the doorknob someone has painted “BACKGROUND DETAILS RULZ.”

Let’s Outlaw Being Homeless! That’ll Work! | Patreon

Posted in Economic cartoons, Social Justice |

Believing (Some) Women

Cartoon by Barry

─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ──

This comic was drawn by a new collaborator, Kelly Lawrence.

─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ──

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each of the panel shows two young women in an outdoor area with trees and a paved walking path – maybe a college quad.

One woman, standing behind the table, holds a megaphone and is speaking out to the world in general. She has neck-length hair, fashionably choppy, and is wearing a blue hoodie over jeans and a gray shirt. (I’ll call her “HOODIE”.) Her table is surrounded by banners saying “real men don’t buy women” and “sex work is violence against women”; her table has stacks of pamphlets, as well as a thermos and some pens, and a little pop-up sign which says “prostitution is rape.” (Nice detail work from Kelly!).

The other woman is walking past in the first panel. She has her hair in a high ponytail, is wearing jeans and a pink t shirt, and is carrying a small purse. (I’ll call her “PONYTAIL.”)

PANEL 1

Hoodie is talking with conviction into her megaphone, throwing a fist into the air. Ponytail is walking by.

HOODIE (loudly): WE MUST ALWAYS BELIEVE WOMEN!

PANEL 2

Ponytail’s attention has been drawn, and she pauses and turns to face Hoodie.

HOODIE (loudly): WE MUST ALWAYS LISTEN TO WOMEN!

PANEL 3

Hoodie continues shouting with her megaphone, looking even more passionate. Ponytail, excited by what she’s hearing, holds her hands up and speaks to Hoodie.

HOODIE (loudly): BELIEVING WOMEN AND LISTENING TO WOMEN… THAT’S THE ESSENCE OF FEMINISM!

PONYTAIL: Yes! Exactly!

PANEL 4

Hoodie has swung her megaphone around and is yelling through it, right into Ponytail’s face; Ponytail winces back, looking surprised and annoyed.

PONYTAIL: I’m a sex worker and–

HOODIE (loudly): NOT WOMEN LIKE YOU.

─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ──

Believing (Some) Women on Patreon

Posted in Social Justice |

The Free Speech Absolutist

Cartoon by Barry

Please, please pass me that water, he said. Oh sure I said but first have you considered supporting my Patreon? Water for God’s sake just pass me the water he said. Absolutely! But by the way, you can pledge really low amounts, I’m talking just one dollar. God dammit I don’t care about your patreon I’m literally on fire burning to death here, he said. And doesn’t that make you want to support some swell political cartoons?, I asked. Then he died.

TRANSCRIPT OF CARTOON

This cartoon has six panels. Each panel shows the same two people walking through a hilly park area while talking.

One character, who I’ll call “Glasses,” is wearing glasses (imagine that!), a cable knit sweater, and black jeans with the cuffs rolled up. She has long reddish hair falling in front of her shoulders, and some of it is in a bun on top. The other character, who I’ll call “Hat,” is wearing a light green hat with a black band and a brim. She’s also wearing a button-down collared shirt, in off-white, and a black skirt.  She has curly black hair falling down the back of her neck.

PANEL 1

Glasses and Hat are walking on a path through a hilly park area, talking cheerfully as they walk. They’re walking one in front of the other, not facing each other.

HAT: I’m a free speech absolutist!

GLASSES: That’s great! Me too!

PANEL 2

Glasses is talking eagerly, while Hat shrugs, looking a little bewildered.

GLASSES: So you speak out against prison censorship?

HAT: I’m not sure what that is.

PANEL 3

Glasses eagerly raises a forefinger, as if to say “this is it,” while Hat (still not looking back at Glasses) has a neutral to bored expression.

GLASSES: Okay… So you want to stop copyright law being used for censorship?

HAT: Meh.

PANEL 4

Glasses now looks a little puzzled rather than happy, rubbing a hand against her chin. Hat glances back, now looking a bit annoyed.

GLASSES: Do you want labor laws protecting workers from being fired for off-work speech?

HAT: Nah. But the people criticizing the speech should shut up.

PANEL 5

A much closer shot of the two of them; in fact, Hat is mostly off-panel, and we only see the back of her head. Glasses is looking annoyed, and leans forward a bit towards Hat’s back to press her point.

GLASSES: Immigrants targeted by I.C.E. for their speech? Sex workers silenced by credit card companies?

HAT: Don’t know, don’t care.

PANEL 6

The “camera” pulls way out, so we’re seeing both characters in full figure. They’re on the top of a hill, with blue sky behind them. Glasses has shoved her hands into her pockets in a glum way, while Hat is grinning and raising her hands into the air, clearly energized and excited by her issue.

GLASSES: Er… So what makes you a “free speech absolutist?”

HAT: I want students who heckle speakers expelled!

This cartoon on Patreon

Posted in Right-wingers, Social Justice |

There’s Never Been a Worse Time for Free Speech!

Cartoon by Barry

Another collaboration with Becky Hawkins!

If you like these cartoons, you can help make more happen by moving to Portland, Oregon, and specifically into the shed next to my house, and every morning wake up and break into my house and stand over me saying “write! write! draw! draw you scum draw!” over and over, for hours, until I break, and don’t forget to support the Patreon.

TRANSCRIPT OF CARTOON

This cartoon has seven panels. Each panel shows a different scene from a different era, with the first panel set in the 1890s, and each subsequent panel set in a later time period, until the final panel which is set in the present day.

PANEL 1

A bright summer day in the 1890s. In the foreground, a Black woman is watching three white men with an aggrieved posture. She’s wearing a blue dress. In the background, a uniformed police officer is talking to two other white men, one in a brown three-piece suit with matching bowler hat, while the other man looks more working-class with a white button-up shirt, no necktie, and suspenders.

Behind the men, we can see the still-smoking ruin of what was once a building.

MAN IN SUIT: We only burned down Ida Wells’ newspaper because she wrote against lynching.

COP: That seems reasonable.

PANEL 2

In the background, we can see a group of suffragettes in 1910s dresses and hats, crowded together and looking calm but nervous.  A couple of them are wearing sashes that read “votes for women.” Most of the suffragettes we see are white, but one is Black and another is Asian. The Asian woman is wearing a traditional Japanese kimono and hairstyle (modeled on Komako Kimura’s outfit and hair photographed at a 1917 suffragette march).

In the foreground, with their backs to us (so facing the women), a couple of cops are talking. One of them is slapping a palm with a billy club.

COP 1: These suffragettes were picketing the White House.

COP 2: Let the beatings begin!

PANEL 3

A wealthy looking couple, dressed in 1920s fashion (her in a blue hat with a red ribbon with flower decoration, and a matching blue jacket with puffy off-white cuffs and neck; him in an off-white suit, a straw boater with a red ribbon, blue necktie and red vest) are looking at the building across the street with some distress.

The building across the street has a sign saying “Apollo Theatre” over a revolving door entrance. A big theatre marquee over the entrances tells us that “The God of Vengeance” is playing, although the words are partly blocked by a word balloon. Another nearby sign says “Times Sq.”

WOMAN: A play with Jewish lesbians kissing?

MAN: Let’s call the police!

PANEL 4

An Asian man sits in a chair, holding up a sheet of paper. So many long horizontal strips have been sliced out of the paper that it’s made as much of holes as it is of paper. He’s wearing a collared blue shirt.

Behind him, an Asian woman leans forward to look over his shoulder. She’s wearing a red skirt and buttoned-up blouse, with a blue sweater over it. The hairstyle and clothing suggest the 1940s.

WOMAN: What’s that?

MAN: Letter from my friend Takashi in the internment camp.

PANEL 5

This panel shows two cops, a postman, and a woman in a dress. In the background, we can see a small but well-kept looking yellow house, with a tree in front and a planter under the front window.

One of the cops is putting the woman into the back seat of a police car. Judging from the woman’s hairstyle and pink, high-collared dress, this is the 1960s.

In the foreground, the postman is talking to the other cop, while pointing backwards with his thumb towards the woman. The cop is taking notes.

POSTMAN: We opened Virginia Prince’s mail and found lesbian love letters and something called “Transvestia Magazine”!

PANEL 6

We are looking at a TV set, on a table. Judging from the make of the TV and the style of the tablecloth under the TV, this is the 1970s.

On the TV a dignified-looking Black man, with white hair styled to be high on top of his head, black round glasses, and wearing a suit and tie, is speaking. (The man is Bayard Rustin.)

RUSTIN: I was arrested in the 1940s for being anti-war… In the 50s for being gay… And in the 60s for protesting Jim Crow.

PANEL 7

A current-day TV studio. Cameras and lights point at two people sitting at a table, one a middle-aged man wearing a gray suit with a blue tie, the other a younger-looking woman with black hair, glasses, and a blue short-sleeved dress. The man is spreading his arms out in an annoyed fashion while speaking, and the woman is pounding a fist on the table in front of her.  “Clap clap clap” sound effects on the bottom right of the panel indicate that the unseen audience is clapping for what the woman is saying.

MAN: Nowadays straight white men can’t say anything without being criticized!

WOMAN: There’s never been a worse time for freedom of speech!

SFX: Clap clap clap clap

This cartoon on Patreon

Posted in Becky Hawkins collaborations, Conservatives, History, LGBT cartoons, Racism & Racists, Sexism & Misogyny, Social Justice |

The News Could Not Be More Objective!

Cartoon by Barry

If you like these cartoons, please help us make more!

This cartoon was drawn by the one and only Kevin Moore!

The protest signs in panel 3 weren’t made up by me; I saw them all in photos of sex worker demonstrations. The “fuck the patriarchy but not for free” sign in particular was too great not to use.

TRANSCRIPT OF CARTOON

This cartoon has five panels, each of which shows a different scene.

PANEL 1

Three people sit on the ground, warming themselves around a small fire burning in a large tin can. We can see their tento behind them; from their clothes and context, we can infer that they’re homeless.  All three of them are watching the screen of a smartphone that the woman in the center is holding. A TV Anchor’s voice comes from the smartphone.

ANCHOR: Welcome to WMSM, where we bring you the objective news!

ANCHOR: Tonight’s stories begin with homelessness! Our reporter spoke with homeowners who say they want fewer tents and trash. No homeless people are interviewed.

PANEL 2

A fat man sits in a coffee shop (we can see the coffee shop’s logo on the window behind him). He’s holding an open laptop in his lap, and watching the screen. The News Anchor talks from the computer.

ANCHOR: A new report on how the obesity crisis is crushing America! We’ll interview a weight loss guru and the author of a new diet book.

ANCHOR: But no fat people, let alone fat acceptance advocates.

PANEL 3

A group of protestors, dressed in warm winter clothing, stands outside of a building, holding up protest signs. The signs say “sex work is work!,” “Outlaw poverty not prostitutes,” “rights not rescue,” “nothing about us without us,” and “fuck the patriarchy but not for free.”

In the foreground, a woman with pink hair and cat eye sunglasses is frowning at her smartphone as she watches something on it. A news anchor’s voice comes from her phone.

ANCHOR: We’ll then have a segment about prostitution, which will quote “rescue” groups and the police—

ANCHOR: But no sex workers or sex worker advocates.

PANEL 4

A waitress in a diner is about to pour coffee into a customer’s mug, but has paused and is giving major side eye to a news anchor on a small TV placed on top of a display case filled with pies. The waitress is wearing an apron over her outfit, and a name tag, and we can see a pen tucked behind her ear. This is the first time in this cartoon we’ve seen the anchor’s face, which is grinning hugely.

ANCHOR: Next, the minimum wage: Does it mean you’ll never work again? To find out, we’ll interview restaurant owners—

ANCHOR: But no workers or union organizers.

PANEL 5

This panel shows the news studio where the anchors – there are two of them, the man we saw on TV in panel 4, and a woman sitting next to him at the news desk – are speaking to a large TV camera. A bored looking cameraman stands behind the camera. Behind the anchors, we can see a backdrop showing a graphic of skyscraper silhouettes, and to the side is the backdrop for a weather report. Both anchors have huge, inane grins, and the female anchor is giving the camera the finger.

MALE ANCHOR: WMSM news — we literally could not be any more objective!

FEMALE ANCHOR: And if anyone says otherwise, you won’t see them here!

This cartoon on Patreon

Posted in Fat Acceptance, Labor rights & Unions, Media criticism, Social Justice |

Teach MLK Not CRT

Cartoon by Barry

I make a living drawing cartoons because of lots of people pledging small amounts to my Patreon. $1 or $2 helps a lot!

Sadly, I had to cut all the MLK quotes way down to fit this tiny four-panel format. At the end of this post you’ll find more complete quotes, with links to sources.

TRANSCRIPT OF CARTOON

This cartoon has four panels, plus an additional tiny “kicker” panel below the bottom of the cartoon.

The cartoon shows two people talking outside what looks like a school building. One of the people is a Black man,  bald on top and chubby and wearing glasses, a shirt and a tie – he looks like he could be a school principal. The other person is a white woman, wearing a sweater-vest and a patterned skirt, with her hair in a pony tail. She’s carrying a protest sign that says “Teach MLK not CRT.”

PANEL 1

Sweatervest holds out a little booklet to Necktie. She looks angry, he looks unsure.

SWEATERVEST: Look at these quotes from your school’s assigned readings! This trash teaches white kids to hate themselves. Martin Luther King would never teach this!

NECKTIE: Okay, let me take a look…

PANEL 2

Necktie bends over the booklet a little, reading aloud. Sweatervest screams in anger.

NECKTIE: “White America needs to understand that it is poisoned to its soul by racism… The White Man’s Police are the ultimate mockery of law… America is a racist country.”

SWEATERVEST: See? See? They’re teaching our kids to hate white people, cops and America!

PANEL 3

A close-up of Sweatervest, her lips drawn back in anger, as Necktie continues reading aloud from off-panel.

NECKTIE: “The roots of racism are very deep in our country…  The doctrine of white supremacy was imbedded in every textbook…  It became a structural part of the culture.”

SWEATERVEST: “Roots of racism!” “Structural racism!” It’s all so hateful! Why not teach what MLK said? “Judge by the content of their character….”

PANEL 4

Looking puzzled, Necktie points to something in the booklet. Angrier than ever, Sweatervest leans forward to yell.

NECKTIE: But these quotes are all from Dr. King.

SWEATERVEST: And I’m sure he feels just sick about that!

TINY KICKER PANEL UNDER THE CARTOON

This small black-and-white panel shows a smiling Sweatervest looking proud, holding a hand on her chest, while Necktie reads another passage aloud from the booklet.

SWEATERVEST: I don’t need to read MLK’s writings! “I had a dream” is all I need to know!

NECKTIE: Here’s another MLK quote: “White people believe that they have so little to learn.”

SOURCES FOR THIS CARTOON

To fit all these quotes into a tiny four panel format, I had to cut them way down, which frankly I feel bad about. Here are the fuller quotes, with links to the sources:

“If the Negro needs social sciences for direction and for self-understanding, the white society is in even more urgent need. White America needs to understand that it is poisoned to its soul by racism and the understanding needs to be carefully documented and consequently more difficult to reject.”

“When we ask Negroes to abide by the law, let us also demand that the white man abide by law in the ghettos. Day-in and day-out he violates welfare laws to deprive the poor of their meager allotments; he flagrantly violates building codes and regulations; his police make a mockery of law; and he violates laws on equal employment and education and the provisions for civic services. The slums are the handiwork of a vicious system of the white society; Negroes live in them but do not make them any more than a prisoner makes a prison. Let us say boldly that if the violations of law by the white man in the slums over the years were calculated and compared with the law-breaking of a few days of riots, the hardened criminal would be the white man.”

–Martin Luther King Jr., in his speech “The Role of the Behavioral Scientist in the Civil Rights Movement”

“However difficult it is to hear, however shocking it is to hear, we’ve got to face the fact that America is a racist country. W e have got to face the fact that racism still occupies the throne of our nation. I don’t think we will ultimately solve the problem of racial injustice until this is recognized, and until this is worked on.”

—Live Q&A with Martin Luther King Jr. at the sixty-eighth annual convention of the Rabbinical Assembly, March 25, 1968.

“It lies in the ‘congenital deformity’ of racism that has crippled the nation from its inception. The roots of racism are very deep in America. Historically it was so acceptable in the national life that today it still only lightly burdens the conscience. No one surveying the moral landscape of our can overlook the hideous and pathetic wreckage of commitment twisted and turned to a thousand shapes under the stress of prejudice and irrationality.”

“Soon the doctrine of white supremacy was imbedded in every textbook and preached in practically every pulpit. It became a structural part of the culture. And men then embraced this philosophy, not as the rationalization of a lie, but as the expression of a final truth.”

“Whites, it must frankly be said, are not putting in a similar mass effort to reeducate themselves out of their racial ignorance. It is an aspect of their sense of superiority that the white people of America believe they have so little to learn. The reality of substantial investment to assist Negroes into the twentieth century, adjusting to Negro neighbors and genuine school integration, is still a nightmare for all too many white Americans.”

–Martin Luther King Jr., in his book Where Do We Go From Here

And finally, a “Teach MLK Not CRT” sign was reported by Learner Liu in the far-right newspaper Epoch Times,  and then quoted by social justice activist Arnie Alpert at InDepthNH.org.

This cartoon on Patreon.

Posted in Barry's favorites, History, Racism & Racists, Social Justice |

One Day At The Critical Race Theory Menace Convention

Cartoon by Barry

If you like this cartoon, help me make more by supporting my Patreon. Thanks!

TRANSCRIPT OF CARTOON

This cartoon has four panels. The first three panels show a podium, on a stage, with a light purple curtain behind it. A sign on the podium says “The Critical Race Theory MENACE Conference.”

PANEL 1

A white man with a tidy beard and mustache and nice hair, wearing a collared shirt and a striped necktie, is standing behind the podium, yelling.

NECKTIE: Critical Race Theory is how the Marxist left brainwashes our children!

NECKTIE: Critical Race Theory is the new face of Jim Crow!

PANEL 2

Now smiling pleasantly, Necktie man takes a step back from the podium, waving to a bald white man wearing glasses, a suit jacket, and a wine-red turtleneck. Turtleneck man is also smiling pleasantly as he walks to the podium.

NECKTIE: Thank you very much. Our next speaker is columnist Richard Thomas, here to tell us more about Critical Race Theory. Welcome, Richard.

TURTLENECK: Thank you.

PANEL 3

Turtleneck man is now standing behind the podium, yelling and waving his arms wide.

TURTLENECK: Critical Race Theory is a plague! A pestilence!

TURTLENECK: Critical Race Theory is the boil on America’s butt and it must be lanced!

PANEL 4

A new scene. We’re now in a coffeeshop, where Necktie Man and Turtleneck man, talking sedately, are sitting at a small round table with coffee cups in front of them. Turtleneck man also has a muffin. Necktie is rubbing the back of his head with one hand, looking puzzled, and Turtleneck man is shrugging.

NECKTIE: So, um… What is critical race theory?

TURTLENECK: I dunno. Some academic thing?

This cartoon on Patreon.

Posted in Racism & Racists, Social Justice |

Look Who’s Oppressed Now!

Cartoon by Barry

I can do these cartoons because lots of people support me with small donations! Join our cult!

TRANSCRIPT OF CARTOON

This cartoon has two panels. Each panel features a variety of people on abstract pillars of various heights – a Black woman, an Asian person in a wheelchair, a Latina woman, a gay male couple, and a couple more in the background who we can’t make out in any detail. On top of the central pillar, wearing a suit, is a prosperous-looking white man in a suit and tie. The well-off white guy’s pillar is significantly taller than any of the others.

PANEL 1

A large caption at the top of the panel says “Fifty Years Ago.”

The white man’s pillar is so tall that the top of his head is actually out of the panel. He’s cheerfully/aggressively talking down to all the others, who variously look annoyed at him or are ignoring him.

WHITE MAN: I don’t see what you’re all whining about.

PANEL 2

A large caption at the top of the panel says “Today.”

It’s the same scene, but now the wealthy white man’s pillar is shorter than it was in panel 1 – but still taller than anyone else’s pillar. The white man, now sad-looking, is weeping and screaming. The others look up at him with annoyance, except that one of the gay men is pointing and laughing at him.

WHITE MAN: Look how I’ve fallen! Now I’M the oppressed one!

This cartoon on Patreon.

Posted in LGBT cartoons, Racism & Racists, Sexism & Misogyny, Social Justice |

How Politicians “Lead”

Cartoon by Barry

Help me make more of these cartoons by supporting my Patreon! A $1 or $2 pledge really matters.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each of the panels shows the same location: A abstract, mostly empty space. But there’s a white line dividing the space in two. On the left side of the space are three activist-looking people – a woman wearing a sleeveless turtleneck and glasses, a man wearing a hoodie and a knit hat, and a woman with a short spiky hairdo.

On the right of the line is a handsome man in his 40s or 50s, with neatly combed hair, wearing black pants and a business shirt with a necktie. He basically looks like a politician. Also to the right of the line is some sort of pole sticking straight up from the ground (I was thinking it was a lamppost when I drew it, but since we’re only seeing the bottom six or seven feet of it, we don’t see the “lamp” part in this cartoon).

PANEL 1

The Politician is clinging to the lamppost with both hands. A rope is tied around his ankles, and Glasses, Knit Cap, and Spiky are pulling hard on the rope, as if they’re in a tough game of “tug of war,” trying to pull the Politician to the left. They’re pulling so hard that the politician’s legs and body are horizontal, and he’s a couple of feet off the ground. The three activists have expressions of effort and determination; the Politician is wailing.

GLASSES: C’mon!

KNIT CAP: We’re going this way!

POLITICIAN: Can’t we be patient?

PANEL 2

As the three continue to pull on the, the politician has lost his grip on the lamppost. His fingernails are leaving scrapes on the ground as he struggles not to be pulled left.

GLASSES: Why is he being so stubborn?

SPIKY: Heave!

POLITICIAN: Nooooooo! It’s not the time yet! It’s not safe!

PANEL 3

The Politician has been pulled to the left of the line and is looking around fearfully. The three activists are panting, bending over or sitting on the ground or leaning against the side of the panel, clearly exhausted.

PANEL 4

The politician has stood up and is taking a prideful pose, The activists are reacting to what he says with surprise.

POLITICIAN: I’m proud my leadership got us over the line!

Posted in Elections, Social Justice |

Interviewing the Heartland

Cartoon by leftycartoons

Help me make more cartoons like this one by supporting my Patreon! A $1 or $2 pledge really helps.

 

TRANSCRIPT OF CARTOON

This cartoon has four panels, plus a small additional “kicker” panel under the bottom of the cartoon. Each of the four panels shows a very simple TV set; two bucket stools facing each other, a decorative potted plant, a wall in the back with a few horizontal stripes for color, and a boom mic. Also in every panel, there’s a TV interviewer – a white man with carefully blow-dried hair and wearing a red tie and blue pinstripe two-piece suit – and Chris, a Black woman dressed in a casual-but-nice fashion, with a red shirt and orange skirt.

PANEL 1

Pinstripe is facing away from Chris, towards an off-panel camera. He is speaking to the camera with a big grin. Behind him, Chris smiles and waves.

PINSTRIPE: I’m here in the real America – the heartland – so I can find out what real Americans are thinking! My first interview is Chris Johnson, of Kansas City.

CHRIS: Hello!

PANEL 2

Pinstripe as turned to face Chris and is taken aback. Chris has put one hand on her chest in a “I’m explaining about myself” gesture, and looks surprised; she is no longer smiling.

PINSTRIPE: Er… Sorry. I came here to interview a heartland person.

CHRIS: I am a heartland person! I was born right here in Missouri!

PANEL 3

Pinstripe makes a dismissive “stop talking” palm-out gesture towards Chris. He has turned away from Chris and is talking to someone off-panel. Chris looks offended, crossing her arms and frowning.

PINSTRIPE: Sorry, you’re not the type we’re looking for. Send in a real heartland interview, already!

PANEL 4

A new character, Aaron, has walked on panel, cheerfully waving. He is wearing jeans and a polo shirt, and a yarmulke (the small round hat worn by observant Jewish men and some observant Jewish women).  Pinstripe, seeing Aaron, reacts with frustration, waving his arms and yelling. Behind Pinstripe, Chris is amused by the situation.

AARON: Shalom! I’m Aaron from Witchita.

PINSTRIPE: OH COME ON!

TINY KICKER PANEL BELOW THE BOTTOM OF THE STRIP

Pinstripe is making demands of a fat man with glasses and tied-back hair (i.e., a self-portrait of Barry, the cartoonist.) Pinstripe looks angry, Barry looks a little bewildered.

PINSTRIPE: Just find me a resentful middle-aged white Christian with a MAGA hat who’s sick of media stereotypes about the heartland

 

Posted in Media criticism, Racism & Racists, Social Justice |

Dear (Some Of) My Fellow Lefties

Cartoon by Barry

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TRANSCRIPT OF COMIC

This comic strip has nine panels. The first eight panels each show a single character (a different character in each panel), speaking to the viewer.

PANEL 1

There is a caption at the top of panel 1.

CAPTION: Dear (some of) my fellow lefties:

The art shows a man sitting at a desk, laughing. He’s wearing a white collared shirt and a necktie.

MAN: Ann Coulter is a man! Haw haw!

PANEL 2

An older woman, with white hair and a floral-print blouse, is holding up her hands and laughing, as if she’s telling a joke.

WOMAN: Clarence Thomas’ parents should have named him “Tom.” Get it? Like Uncle Tom?\

WOMAN: As a white liberal, it’s totally my place to say that!

PANEL 3

A man with an enormous beard, wearing sunglasses, a bowler hat, and a coat with big puffs around the collar and wrists, speaks to the viewer, smiling. There’s a bike parked next to him.

MAN: I bet all these anti-gay conservatives are secretly gay!

MAN: Let’s laugh at them for being gay!

MAN: (Not that there’s anything wrong with that.)

PANEL 4

A thin woman, wearing a red knit cap, a hoodie, and hoop earrings, is speaking angrily.

WOMAN: Trump just keeps pulling lies out of his big fat ass!

WOMAN: God fat people disgust me!

WOMAN: Er… I meant, Trump disgusts me!

WOMAN: Whichever!

PANEL 5

A man, wearing glasses and a “this is what a feminist looks like” tee shirt, stands pointing to something on the screen of his tablet. There’s a hillside with paths and a couple of trees behind him.

MAN: When I see pro-life women, I think, who’d even want to get them pregnant?

PANEL 6

A person sits at a small round table, a coffee mug in front of them. They have heavily tattooed arms, the side of their head is shaved, and they’re wearing a small ring on their nose and several more in their ear. They’re smiling and holding one hand up to their mouth as if telling a dirty joke.

PERSON: Guys obsessed with protecting big guns are just making up for they lack downstairs, ifyaknowwhatImean.

PERSON: You do know what I mean, right?

PERSON: I mean penises!

PANEL 7

A woman stands outdoors, dressed for a cool day. She’s got a jacket, a scarf, and a big knit hat. She’s looking a bit aggravated as she speaks.

WOMAN: You know who votes Republican? Inbred, flyover state hillbilly retards!

PANEL 8

A redheaded man sits on a curb, leaning on one hand. He’s wearing a button-up collared shirt, open, over a striped long-sleeved tee. He’s grinning.

MAN: I love it when right-wingers get sent to prison. “Don’t drop the soap!” Ha!

PANEL 9

There is no art in this panel. Instead, the entire panel is black, except for a caption in big white letters.

CAPTION: Shut up and get the hell off my side.

This cartoon on Patreon

Posted in Ableism, Barry's favorites, Fat Acceptance, LGBT cartoons, Racism & Racists, Sexism & Misogyny, Social Justice |

The Five Stages of Finding Out Your Fave is Trash

Cartoon by Barry

Help me keep drawing cartoons by supporting my Patreon! A $1 pledge helps, and is greatly appreciated.

TRANSCRIPT OF CARTOON

This cartoon has six panels.

PANEL 1

There is nothing in this panel but title lettering. The title lettering is done in large, friendly white lettering, but the letters are casting some gritty-looking shadows.

THE FIVE STAGES OF FINDING OUT YOUR FAVE IS TRASH

PANEL 2

This panel shows a woman with black hair yelling angrily at something she’s read on her tablet. She’s holding the tablet in one hand and pointing angrily to something on screen with the other hand.

CAPTION: ANGER

BLACK HAIRED WOMAN: Unfounded rumors! Jealous attention seekers!

PANEL 3

A man sits in front of his laptop. His hair is messy and his eyes are wide, and he looks desperate as he taps taps taps at the keyboard.

CAPTION: BARGAINING

MAN (typing): What he did was bad. But not Weinstein or Polanski bad, right? Right?

PANEL 4

A person lies in bad, with the bedsheet pulled up high enough so that all of their face is covered. They are, however, holding one hand up, forefinger extended, in a “making a point” gesture. Next to the bed, a somewhat bored-looking friend sits in a chair, her face resting on one of her hands.

CAPTION: DEPRESSION

PERSON (in a shaky word balloon): I never want to see a movie again. Or read a book. Or look at a picture. Or…

FRIEND: Er… Wanna try hiking?

PANEL 5

A cocktail party in an art gallery. We can see people milling about and chatting to each other in the background. In the foreground, a person wearing a bowtie is speaking somewhat self-importantly to a couple of other party goers.

CAPTION: DENIAL

PERSON: I never liked his work.

PANEL 6

Two women are in this panel. One, with curly hair, is looking inside a large book of art. Behind her, the black-haired woman from panel one, still holding her tablet, leans towards the curly-haired woman.

CURLY HAIRED WOMAN: Wow, these paintings are amazing!

BLACK HAIRED WOMAN: They are! Too bad the painter’s a creep.

Posted in Barry's favorites, Media criticism, Social Justice |

I am not a person who would ever do or say the things I said and did

Cartoon by Barry

Help me make more cartoons! Lots of people pledging $1 or $2 on my Patreon is what makes these cartoons possible.

TRANSCRIPT OF CARTOON

This cartoon has four panels, plus an small extra “kicker” panel below the bottom of the strip. Each panel features a man in a suit, standing at a podium, speaking directly at the viewer.

PANEL 1

The man presses one hand against his chest, in a “this is me” sort of attitude.

MAN: When I got drunk and said all those things about Jews and gays… That’s not me. It goes against everything I believe.

PANEL 2

The man spreads his arms wide, indicating that this is a big sentiment.

MAN: And when I was recorded using the “n word” over and over… That is not the type of person I am. I don’t have a racist bone in my body.

PANEL 3

He raises one index finger, making a concluding point.

MAN: As for pleading guilty for battering my wife… That’s not me. That’s not what I stand for.

MAN: And regarding my many other scandals: Nothing I’ve said or done has anything to do with me, my beliefs, or my character.

PANEL 4

He folds his arms and tips his head back, looking a bit above-it-all and a bit strict. He’s putting his metaphorical foot down.

MAN: And now that I’ve taken full responsibility, it’s time to move on. Let us never mention this again.

“KICKER” PANEL BELOW THE BOTTOM OF THE STRIP

The same man, now smiling and holding up an Oscar.

MAN: And in conclusion, I’d like to thank the academy for this award…

Posted in Social Justice |

Fosta-Sesta and the Art of Not Listening

Cartoon by Barry

If you like these cartoons, please help me make more by supporting my Patreon! A $1 pledge really matters.

TRANSCRIPT OF CARTOON

This cartoon has four main panels, plus a tiny “kicker” panel below the bottom of the cartoon.

Panel 1

There is a large caption saying “THEN“.

Three women — one wearing a hoodie, one wearing a leather jacket, one wearing a pony tail and a “casual nice” office outfit – are talking to a middle-aged white man at a desk, who is wearing a vest and necktie. The women are of various ages and races, and are all looking at the dude in the necktie, who is a Senator. The Senator is holding up a finger in front of Pony Tail in a “wait just a sec” gesture, while he turns in the opposite direction and speaks to someone off-panel.

PONY TAIL: Senator, if the Fosta-Sesta bill becomes law, it’ll harm sex workers like us – the people this bill is supposed to protect!
SENATOR: Julie, bring me a sandwich, please.

Panel 2

The same set-up, but now Hoodie is speaking.

HOODIE: We use the internet to avoid pimps and screen clients. Fosta-Sesta will censor all that. Some of us will be forced onto the streets.
SENATOR: Make it roast beef.

Panel 3

Same set up, but now Leather Jacket speaks, looking angry and holding her hands extended, palms up, in a “come ON!” sort of gesture. The Senator is now holding a sandwich, which he eyes warily.

LEATHER: Fosta-Sensa will make more vulnerable to predators of all kinds. This bill will help pimps and traffickers!
SENATOR: Julie, there’s no mayo on this, is there?

PANEL 4

There is a large caption saying “NOW“.

The Senator is pictured on his own, reading a newspaper. We can see a huge headline on the front page – “Report: Fosta-Sesta Helping Pimps and Traffickers.” The Senator, with a mildly distressed expression, has turned his head and speaks directly to the viewer. (The newspaper’s masthead says it’s called “The Useful Trope.”)

SENATOR: No one could have known this would happen!

SMALL KICKER PANEL BELOW BOTTOM OF STRIP

The three women are again talking to the senator, the women looking stern, the Senator responding cheerfully.

HOODIE: So NOW will you listen to sex workers before making laws about us?
SENATOR: Definitely not.

Posted in Social Justice |

Doctors and Fat Patients

Cartoon by Barry

If you enjoy these cartoons, you can help me make more by supporting my Patreon. A $1 pledge really helps!

TRANSCRIPT OF CARTOON
This cartoon has four panels.

PANEL 1
The panel shows a doctor, with thick-framed glasses, neat shoulder-length white hair, and holding a clipboard, in an examining room talking to a patient. The patient is wearing striped pants and a square-collar short sleeved blouse, and has her dark hair in a bun. The patient is sitting on one of those patient examination tables they have in doctors’ offices.

The patient is using her right hand to hold out her left arm, which is not connected to her body, to show it to the doctor.

Important: The doctor is thin, the patient is fat.

The doctor is calm; the patient is also calm, but also concerned.

DOCTOR: Hi, I’m doctor Douglas. What seems to be the problem?
PATIENT: I woke up this morning and my arm had fallen off.

PANEL 2
The doctor, still speaking calmly, is looking down at the patient’s body. The patient, still holding her detached left arm in her right hand, looks a bit annoyed.

DOCTOR: Hmmmm…. First thing, let’s get you on a diet.
PATIENT: A diet? To reconnect my arm?

PANEL 3
A shot from behind the doctor, looking over the doctor’s shoulder at the patient. The patient is now quite angry, raising her voice.

DOCTOR: Your weight is the real issue here… How many times a day do you eat fast food?
PATIENT: I’M HERE ABOUT MY ARM!

PANEL 4
The doctor, now alone, sits at a desk in an office (desk lamp, degree on wall, books on a shelf). The doctor is typing on a laptop, and looks peeved. Above her, we see words in the air showing what she’s typing.

DOCTOR (writing on laptop): “Patient was uncooperative…”

Posted in Barry's favorites, Fat Acceptance, Health care, Social Justice |

Border Deaths

Cartoon by Barry

If you’d like to support the making of these cartoons, you can do that at my Patreon. Even a one dollar pledge helps a lot!

TRANSCRIPT OF CARTOON

This cartoon has six panels.

PANEL 1
Two men are walking through what looks like a hilly park. The man walking in front has a high hairline and glasses; the man walking in the back is bald with a goatee. The man in back is wide-eyed and looks distressed.

GOATEE: Over seven thousand immigrants have died int eh desert trying to cross the U.S. border. Seven thousands!
GOATEE: Some town morgues are overwhelmed by the sheer number of corpses!

PANEL 2
Glasses has stopped and turned back to face Goatee. Glasses has his arms crossed; Goatee has his arms extended, palms up, in a supplicating fashion.

GLASSES: So what do you want, an “open door” policy?
GOATEE: Maybe! Or if we have a closed door policy, design it to stop our closed door from causing thousands of deaths!

PANEL 3
A shot from behind Glasses, looking towards Goatee. Glasses has a hand upraised in a “stop!” gesture; Goatee has put one hand on his cheek and still looks wide-eyed and distressed.

GLASSES: Well, I think we should get stricter. If more of them die, that’s not our problem.
GOATEE: But these are human beings!

PANEL 4
A close-up of glasses, looking stern and angry, one forefinger raised.

GLASSES: That’s where we disagree. I don’t think of them as human.
GLASSES: They gave up their claim to being human by disrespecting our laws!

PANEL 5
Same shot as the previous panel, but now Glasses is transforming like a wolfman; he’s grown fur, his ears have gotten pointy, his nose has pushed forward into a snout.

GLASSES: When people act uncivilized, they stop being human!

PANEL 6
A long shot shows that Glasses has now almost fully transformed into a dog-like creature. Goatee is raising his hands defensively and backing up.

GLASSES: These are animals, and if they die I don’t grrrrr growf! GROWF!
GOATEE: Er…

Below the bottom of the strip, there is a quote.
“These aren’t people. They’re animals.” –Donald Trump, May 16, 2018

Posted in Immigration, Racism & Racists, Social Justice |

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