Why Democrats Lost

Cartoon by Barry


It’s another timelapse drawing video! See me change my mind about the final figure’s pose! See me make a last minute decision to add in a kicker panel! See me go through dozens of possible colors which felt to me like it took forever but in the video goes by in like a second!


TRANSCRIPT OF CARTOON

This cartoon has nine panels, plus a small “kicker” panel under the bottom of the cartoon. In each panel, a woman with black hair held in a ponytail, is being spoken to by a new character.

PANEL 1

An older man wearing a necktie is explaining as Ponytail listens.

MAN: It’s not the Democrats’ fault – incumbent parties worldwide got a shellacking this year.

PANEL 2

A long haired woman leans into the panel, shaking a fist angrily.

WOMAN: It’s because the Democrats denied how working class people are suffering from inflation!

PANEL 3

A woman with short black hair and glasses pushed on top of her head appears, holding up a graph to illustrate her point.

WOMAN: The economy was great! We lost because the GOP lied about crime and the economy and the media let them!

PANEL 4

A panicked older woman with white hair in a bun is holding Ponytail by the shoulders and shaking her.

WOMAN: Our ground game was so superior! The voting machines must have been rigged!

PANEL 5

An intense looking man comes in, holding a tablet in the air.

MAN: Ground game means nothing now! What matters is winning the online information war, and the Dems had nothing!

PANEL 6

A young man with messy black hair waves his hands in the air as he speaks angrily.

MAN: The Democrats spat in the bases’ faces by supporting genocide in Gaza! Of course the base stayed home!

PANEL 7

Lord Voldemort, the evil antagonist of the Harry Potter books, comes in glaring. Ponytail turns her back on him.

VOLDEMORT: It’s the fault of the transsssesss… It’s always trans’ fault… hisss!

PONYTAIL: Oh, #&*!@ off!

PANEL 8

Four more people come in, on every side of Ponytail, all barking theories at her. She looks around in confusion.

PERSON: Should’ve stuck with Biden

PERSON: Sexist racist voters

PERSON: The Cheneys

PERSON: Bitter young men

PERSON: Biden stayed in too long

PANEL 9

A bearded, grinning man wearing a necktie leans into the panel to talk to Ponytail. Ponytail facepalms.

MAN: And now that we know why we lost, we can make sure it doesn’t happen next time!

KICKER PANEL UNDER THE BOTTOM OF THE STRIP

The bearded man from panel 9 holds out a hand to Ponytail, palm up. Ponytail glares at him.

MAN: The first step is give us more money.

CHICKEN FAT WATCH

“Chicken fat” is an outdated cartoonists’ term for little details that don’t matter but might amuse someone (or at least amused the cartoonist).

PANEL 1 – Ponytail has a tattoo on her arm saying “you are here.”

PANEL 3 – The back of the woman’s shirt says “My baking skills make the pope cry.”

PANEL 4 – The man appears to be Charlie Brown at age 60 or so. He’s got a tattoo of Snoopy napping on a doghouse on his arm.

The man’s tablet has small print on it which says “Scientist says that you, yes, you, are swell and smell nice. Congrats!”

PANEL 7 – The bottom of Voldemort’s wand has a screaming face on it. Some poor captured soul, or is Lord Voldemort a secret whittler?


Why Democrats Lost | Patreon

Posted in Barry's favorites, Elections |

Things Were So Much Better Then

Cartoon by Barry


This cartoon is drawn by Jenn Lee, who added so many great 1970s details!


TRANSCRIPT OF CARTOON

This cartoon has seven panels. Each panel shows different characters and scenes. The first six panels are all set in the 1970s.

PANEL 1

Two women lie in bed chatting and petting a cat; one of them is holding a newspaper which has the simple headline “NIXON!”

WOMAN 1: Hmm… Should I spend today waiting in line at the gas station or the unemployment office?

WOMAN 2: Gosh, they both sound so enticing!

PANEL 2

In a bar, a blue-collar looking man is waving a disco LP around angrily while drinking. Another man, in a suit and tie, smiles agreeably.

BLUE COLLAR: “Disco” music is liked by Blacks and gays and even gay Blacks! Let’s burn records and riot!

SUIT: That seems reasonable.

PANEL 3

At the counter of a 7-11 style convenience store, one that has tons of cigarettes for sale, a clerk is selling a pack of cigarettes to a ten year old girl. A boom box radio is on the countertop.

RADIO: First they let women have bank accounts, now they want to make it a crime for us to rape our own wives! Whatever happened to family values?

PANEL 4

We are looking at a large (by 1970s standards) TV, much heavier and thicker than any TV today would be. On the screen, a news reporter is reading from a script while he holds a lit cigarette in his other hand. The air around him is filled with cigarette smoke.

TV REPORTER: Our forecast says smog will be high today. So if you must leave your home, avoid unnecessary breathing.

PANEL 5

A well-off-looking man stands on the front steps of an expensive looking club, talking to a couple of reporters.

MAN: Merely because our club doesn’t allow Jews or women or Blacks or Hispanics or Orientals or gays is no reason to call us prejudiced! I consider that a slur!

PANEL 6

A bohemian-styled woman and a punk-styled man are walking together on a city sidewalk. She looks like she’s pondering something, one hand holding her chin. He is struggling with a high stack of thick hardcover books he’s carrying and has a big grin.

WOMAN: I need to look up some basic facts…

MAN: That’s why I always carry an encyclopedia!

PANEL 7

An enormous caption says DECADES LATER.

A middle-aged man sits in a chair at the barber shop, reading something on his smartphone and looking a little sad, while a barber is using clippers on the back of the man’s neck.

MAN (thought balloon): Sigh… Things were so much better when I was a kid.

1970s DETAIL WATCH

Jenn slipped in so many 1970s details to this cartoon! And she sent me this list! Take it away, Jenn:

I just realized that I have, yet again, illustrated a Barry strip that end with a grown man yearning for the way things were in his youth. For most of the 1970s I was single digit in age and am mostly glad I survived it what with riding free in the back of pickup trucks, bouncing all the way, playing in junkyards, skateboarding without a helmet and all the rest. What follows are the details I remember from that time:

PANEL 1

Wicker Headboard

As with many 1970s decor, this probably started in the later 1960s but held on in popularity for at least another decade. They were most commonly natural as seen here, or painted white.

Green walls

So many green walls, anywhere from avocado to fern.

Spider plant

Most everybody had a hanging spider plant.

Macrame plant hanger

Those and macrame wall hangings. Such great dust catchers, not unlike the wicker headboard.

Faux oil lamp electric bed lamp

Colonial touches like these were hugely popular in the run up to the U.S.A.’s Bicentennial in 1976. Anything alluding to 1776, musicals, Mr. Magoo cartoons, movies, Halloween costumes, furniture and so many decoupaged plaques of colonial America scenes with torn edges.

You also saw the outside of houses adopting decorative window shutters, porch pillars redone in the Georgian style or an eagle plaque over the door.

Pet Rocks

Rocks with painted eyes were a thing that people actually paid money for.

A digital equivalent is Tamagotchi which had a recent revival. I confess I had one decades ago that I let “die” will watching “Trainspotting” with Barry and others at Cinema 21, which seems relevant all around.

Ziggy Mug

Ziggy was a popular sad sack character that had a certain charm. He was a comforting proletarian character you could imagine hugging.

Orange comforter

Orange was a prominent color in many soft goods.

Nixon!

He was talked about for years after Watergate. Rich Little’s impressions helped that along I’m sure.

Gas lines

Not only were there gas lines, but you were only allowed to get gas on certain days depending on if your license plate ended in an even or odd number. I remember trekking a half mile in the snow to check for my mother if it was an even or an odd day based on the cars being served. (She had just gotten off a double shift as a nurse in the CCU [Cardiac Care Unit] and needed to catch up on her sleep).

PANEL 2

Wood paneled lounges and bars

I remember these all the time as restrictions on minors in these places were loose and variable.

“Animated” waterfall beer pictures

Many beer brands had these alternating light advertisements in bars, sometimes with a clock jammed in there. Fresh water of distinct source was something many beers boasted about. They were often yellowed by tobacco smoke and made a grinding noise as the mechanism simulated running water.

Disco Album

Most compilation albums of disco music featured rainbow coloration.

Blue collar worker

Actually wore blue shirts or overalls by and large.

Billy Beer

President Carter’s brother Billy was shameless in leveraging his connection to Jimmy. Absolutely not appropriate but was a fart in a hurricane in comparison to today’s indiscretions.

Mustache

Mustaches were quite a thing in the 1970s. Not so much beards.

Wide lapels and ties

Haute couture in business wear then.

Brown suits

Very common. Along with a touch of light blue, a combination I am actually fond of.

Harvey Wallbanger

An iconic 1970s cocktail will vodka, orange juice and radioactive maraschino cherries.

Red leather Padded bar edge

Classy.

PANEL 3

Convenience Stores

A little bit of everything but mostly cigarettes, candy and magazines. Overcrowded and informal, often with a spinner rack of comics and brown paper wrapped porn mags, but also easy access to Heavy Metal magazine.

Tic-Tacs

These zig-zag displays were always delightful to me. And dusty.

Portable radio

How music was streamed, along with car radios. I have a play list in Tidal called “Red Panasonic Clock Radio”  of 1970s songs I actually like. I had to explain the title to my daughter who was appalled I had no control over the music I ‘streamed’ as a kid and had no option but to endure commercials.

Tacky uniform shirt

Bright colors of a poison dart frog in polyester. Garnished with a name tag. Did not breathe and smelled funky in combination with body heat, no matter how many times it was previously washed.

Kid buying cigarettes

This was me, with a note from my mom saying I could buy cigarettes for her. Though, instead of Marlboros, she smoked Benson & Hedges Menthol 100’s Ultra Lights. Which did cost 47¢ back in the day. Though I actually usually bought a carton of 10. (Yes she was the Assistant Head Nurse of CCU. I was aware of the irony even then.)

You’ve Come a Long Way, Baby

I loved the Virginia Slim Ads that pictured back in the day versus the more liberated attitude to women smoking now. Mostly for the elaborate reconstruction of the “then” scenes.

Keep on Truckin’

Back when memes were carried through bumper stickers and t-shirts. My favorite one being a take on the Christian Bumper sticker of “My boss is a Jewish carpenter” altered to “My carpenter is a bossy Jew.”

PANEL 4

Television as furniture

Real wood casing of a bulky cathode tube TV unit where the max screen size was limited to 30 inches and color was still not the default. And no remote controls. Any channel over 13 was UHF where the public access channels lived, the equivalent to You Tube today. The fact my family had one of these beasts was due to a generous gift from my mother’s parents. Also we displayed our nativity scene on top of it every Christmas.  (The mantel for our stockings was draped over an accordion style steam heat radiator which made Santa extra magical).

Orange shag carpet

Nothing more 1970s than that. I remember ours as uncut loops.

Dried pampas grass in floor vases

A decor choice that extended into the 1980s and 1990s, only the color and treatment of the vases changed. This was another great dust collector of the time, along with aluminum vertical blinds. Lots of my memories of the 1970s involve dust.

Fuzzy toile wallpaper

Everywhere, meant to imitate velvet flocked Victorian wall paper. But was just more dust filled polyester (hat tip to Barry for this touch).

Anchor smoking on TV

Never actually happened as far as I know. But people did smoke EVERYWHERE. On line in the pharmacy, in restaurants, staff rooms, you name it. And I’m sure anchors would smoke on air if they could.

Leaded gasoline

Speaking of air borne toxins from car exhaust, there’s a theory that there were so many serial killers in the late 1960s to early 1980s due to the lead added to automobile gas to get rid of ‘knocking’ noises in car engines starting in the 1920s. With the invention of the catalytic converter in the mid 1970s, the ‘need’ for the lead was eliminated and eventually made illegal nationwide n the 1990s. (When Barry and I and others first moved to Oregon, there were still leaded gasoline pumps).

Cigarillo

A short thin cigar considered classy in the 1970s.

PANEL 5

Men’s Clubs

Were a big deal as that was the main place deals were struck in business, politics and other fields and so an important barrier to overcome for any non Anglo-Saxon male member of society.

The BO Club

I named it the BO club as a reference to Boys Only but also the Warner Bros. Cartoon Insult for body order, usually delivered after the target said something objectionable.

The adult onesie

A ridiculous piece of impractical ‘unisex’ wardrobe. The only men who made this outfit look remotely cool are the BeeGees on the cover of “Saturday Night Fever.”

Blond feathered hair

The unisex hairstyle was there for Farah Fawcett and Peter Frampton.

Tanned skin

A resurgence of the leisure class’s ability to cultivate an even and pleasing tan from the 1920s as a sign of health and natural good looks.

Female reporter

Long natural hair, bulky turtle neck in a natural color and hand written notes.

Male photographer

Bulky specialized camera, army surplus utility vest and strapped knit top. Also natural hair afro.

PANEL 6

The OG BoHo Lady

Honestly the Boho trend is a call back to the “peasant” look of the 1970s, an urban “gypsy’” with flowing hair, loosely tied hair scarf, oversized tinted sunglasses, peasant blouse, bangles and a large beaded necklace.

Metal Trash Can

Oscar the Grouch’s home, the ordinary made magical, a big theme in the the 1970s in all sorts of media.

Punk

The other proletariat movement, a more confrontational one with Mohawks, piercings, safety pins and studded black leather. Never mind the music and its anti-establishment message. But just regular folk for the most part.

Encyclopedia

From the Greek for “general education,” the pride of any home before the internet, the jumping off point for any serious research at a library. Huge double shelf volumes of varying spine widths with annual updates.

PANEL 7

Traces of retro:

Lava lamp

First a feature of the 1960s, it continued as an item prized in the 1970s and has been revived several times since.

Smiley Face sticker

First introduced in the early 1960’s, it remained popular as a prototype emoticon in the 1970s.

Flower power “Love Bug” Sticker

The first “Herbie the Love Bug” movie was released in 1969 about a sentient Volkswagen Bug with sequels throughout the 1970s. Along with “Benji” movies, following the trials and tribulations of the all American mutt.


Things Were So Much Better Then | Patreon

Posted in Barry's favorites |

The Criminalizing Homelessness Cycle

Cartoon by Barry


TRANSCRIPT OF CARTOON

This cartoon has four panels, arranged so that they can be read in a clockwise circle. Each panel shows the same character – a homeless man wearing jeans, a hoodie, and a knit cap. I’ll call him “Knit.”

TOP PANEL

Knit is lying on a park bench, looking like he just woke up, and with a confused expression on his face. A cop holding a billy club stands over him.

COP: Get up! Public sleeping is now a crime. You’re going to jail.

An arrow leads from that panel to:

RIGHT HAND PANEL

Knit, looking confused and unhappy, is being kicked out of a building that has a sign over the door: “JAIL.” Knit looks confused and unhappy. We don’t see anything of the person kicking Knit out except for the shoe and leg that are doing the kicking.

KICKING GUY: You’ve served your time. Get out!

An arrow leads from that panel to:

BOTTOM PANEL

Knit, with a disappointed expression, is listening to a businessman-looking type wearing a necktie talk. The businessman has a stern expression.

BUSINESSMAN: You’ve been in jail! I’d never hire you, or rent to you.

An arrow leads from that panel to:

LEFT HAND PANEL

It’s dark out; the only light is coming from a door which has been open a crack. Knit stands in front of the door. A sign above the door says “SHELTER.” A woman inside is speaking to Knit through the crack.

WOMAN: Sorry, out of beds. Good luck.

An arrow leads from that panel back to the TOP PANEL.

CHICKEN FAT WATCH

“Chicken fat” is an obsolete cartoonists’ term for little details the cartoonist puts in which don’t matter at all, but they amused the cartoonist.

TOP PANEL: A newspaper lying on the ground, “Background Tribune,” says “IF YOU CAN READ THIS, YOU MAY HAVE WON A MILLION BUCKS!” Below that, in smaller print, it says “but probably not.”

And the bench has a little graffiti, a heart with “E + MC2” written inside it.

RIGHT HAND PANEL: Through the open door to the jail, we can see a poster on the wall, with a smiling cartoon bear wearing a guard’s cap and giving us a thumbs up. Above the bear, in large letters, it says “Protect Yourself From RSI.” In smaller letters below the bear, it says “always stretch before beating prisoners.”

One of the stones of the building’s wall is missing, and a man with a handlebar mustache is looking out nervously.

Another stone has a little barred window in it, and a mouse inside has its hands on the bars and looks out forlornly.

LEFT HAND PANEL: Woodstock from “Peanuts” is standing atop the building.


The Criminalizing Homelessness Cycle | Patreon

Posted in Barry's favorites, Social Justice |

Election Year, Squishy Progressive Style

Cartoon by Barry


TRANSCRIPT OF CARTOON

This cartoon is a twelve-panel grid, with each panel labeled in large letters at the top with a month – January, February, and so forth. For this transcript, rather than labeling the panels “panel 1” and so on, I’ll use the name of the month.

In addition, there’s a tiny kicker panel under the bottom of the cartoon. Each panel shows the same character – a fat dude with round glasses, a circle beard (the name for “a chin strap and a mustache that meet to form a circle”), and dark hair held in a short pony tail. Put another way, it’s my self-caricature, so I’ll call this dude “Barry.”

JANUARY

Barry, wearing a long black coat and a scarf, is standing on a sidewalk yelling to the sky, his hands clutched in fists.

BARRY: The Democrats are sell-outs!

FEBRUARY

Barry stands outside, wearing a heavy coat with a hood and (again) a scarf. It’s snowing hard. Barry’s arms are crossed and he has a “don’t try talking to me, I already know everything” expression.

BARRY: They’re owned by corporations, just like the GOP!

MARCH

Barry is wearing a Hawaiian shirt with a floral patter over a black t-shirt. He looks angry and is waving a fist in the air.

BARRY: F#&@! the Democrats!

APRIL

Barry is talking into the phone, smirking a little.

BARRY: Democrats want my money? I’d rather donate to cancer.

MAY

Barry is explaining something to a somewhat impatient looking friend (or maybe just an unfortunate person who wound up at the same bus stop, who knows?).

BARRY: We so desperately need a third party!

JUNE

Barry is standing in a living-room type room; there’s a window in the background, and an armchair. Barry’s talking on the phone, a concerned expression on his face.

BARRY: Yes, Republicans winning would be a disaster.

JULY

Barry sits at a table, head resting on his palm, looking at an open laptop.

BARRY (thought): Actually, the Dem candidates are pretty good. On some issues.

AUGUST

Barry is standing outside, in front of a stone wall lined with flower boxes on top, talking to a friend (or, again, maybe just an unlucky passerby). Barry has both arms raised in the air jubilantly.

BARRY: I still hate them but I really like them!

SEPTEMBER

Barry stands looking pensively out a window.

BARRY: Hate? Like? Hate? Like?

OCTOBER

Hi, I’m a volunteer for the Democrats. Have you made a plan for voting?

NOVEMBER

Barry, looking extremely anxious, is standing and looking at a computer monitor, hands pressed against the sides of his face, sweating.

BARRY (thought): Please please let the Dems win…

DECEMBER

Barry is walking on a sidewalk past a hillside. It’s dark out, and Barry is wearing a long coat and a scarf again. He’s talking on his cell phone with an angry expression.

BARRY: God, I hate the Democrats!

TINY KICKER PANEL BELOW THE BOTTOM OF THE CARTOON

A woman is talking to Barry.

WOMAN: So you’re saying hypocrisy is bad?

BARRY: Sorta bad, sorta useful.

CHICKEN FAT WATCH

“Chicken fat” is an old cartoonist’s expression for unimportant but possibly amusing details the cartoonist sticks into the art.

JANUARY: A flyer taped to the wall shows a glaring bunny with a cigarette dangling out of its mouth. The text says “BEWARE evil bunny.”

FEBRUARY: A snowman in the background appears to be a snow alien, with three eyes and two antenna.

MARCH: Barry’s t-shirt has a picture of the evil bunny, surrounded by letters that say “evil bunny 1968 world tour.” Barry has a tattoo on his arm which says “I Have No Tattoos.”

JUNE: A man wearing a black fedora is peering in the window at Barry. On the wall is a framed picture of the evil bunny. A cat sits in the armchair, slouching like a human and looking at a smartphone it’s holding in its front paws.

AUGUST: Barry’s t-shirt has a drawing of the Death Star from “Star Wars,” and under the Death Star is a caption saying “Cici n’est pas une lune.” This is a real t-shirt that was described to me by Packy Anderson in the comments of a previous cartoon.

SEPTEMBER: Barry’s t-shirt has the planet logo from the covers of the “Hitchhiker’s Guide To The Galaxy” book series.

OCTOBER: Barry’s t-shirt says “your ad here.” The place on the back of the laptop where the manufacturer’s logo usually goes has a picture of Saturn.

NOVEMBER: Barry’s arm has a tattoo of Beaker from the Muppets. I’ve snuck Beaker into a lot of my cartoons because I just like him.

DECEMBER: A bird in the air in the background has Richard Nixon’s head instead of a bird head. A piece of paper lying on the sidewalk says “Last Panel. Phew! 12 panels is a lot.” And in the background, near a tree, is the evil bunny, smoking a cigarette.


Election Year, Squishy Progressive Style | Patreon

Posted in Barry's favorites, Elections |

Unions Have Always Done The Impossible!

Cartoon by Barry


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a different scene with different characters.

PANEL 1

On a city sidewalk, a line of workers is standing. They are wearing identical t-shirts with a drawing of a coffee mug surrounded by a circle, and lettering in the circle says “Baristas United.” One of the workers holds up a sign that says “NO JUSTICE NO COFFEE.”

Two workers talk; the first worker is excited and grinner, spreading her arms in the air, and the second worker (who is holding the sign) is a bit annoyed and cynical.

FIRST WORKER: If workers all pull together, we can accomplish so much! Living wages! Four day work weeks! Universal basic income!

SECOND WORKER: Forget it! It’ll never happen!

PANEL 2

A large caption at the top of the panel says 1950.

We are in a mine. Mine cart tracks are on the ground, disappearing into a tunnel in the background. It’s dim here, other than the lights attached to the fronts of the miners’ hats.

Two miners, one carrying a bucket of stones, the other holding a shovel, are talking as they examine the aftermath of a rock collapse.

FIRST WORKER: Worker safety laws!

SECOND WORKER: Forget it! It’ll never happen!

PANEL 3

A large caption at the top of the panel says 1930.

Two women wearing old-fashioned looking blouses are seated at the same long table. In front of each woman is a sewing machine; each of them are working on sewing a piece. They both have long hair done up in buns. A high pile of folded clothe is on the table in front of them. They look hot and sweaty.

FIRST WORKER: We could abolish child labor!

SECOND WORKER: Forget it! It’ll never happen!

PANEL 4

A large caption at the top of the panel says 1890.

Two farm workers with broad-brimmed hats are talking to each other. They’re wearing plain, rough-but-sturdy-looking clothing. The first worker is holding up a palm in the air in front of her, “I have a vision” style. The second worker is making a dismissive gesture. There is a wheelbarrow and straw baskets, all filled with some sort of unspecifically drawn picked vegetation.

FIRST WORKER: Eight hour days! Two days off every week!

SECOND WORKER: Forget it! It’ll never happen!

CHICKEN FAT WATCH

“Chicken fat” is an old-fashioned cartoonist expression for unimportant but hopefully amusing details in a cartoon.

In panel one, a piece of paper littering the ground says “I’m listening to ‘Doppleganger’ as I draw this cartoon.” (And I was! It’s a recent book by Naomi Klein. I enjoyed it.)

In panel two, if you look along the bottom edge of the panel, you can see the feet of an unfortunate minor sticking out from under the rock pile.

And in panel four, the big straw bag on the ground in front of the first worker has the head of a rather bewildered looking bunny sticking out of it.


Unions Have Always Done The Impossible | Patreon

Posted in Barry's favorites, History, Labor rights & Unions |

THEY MURDERED MY CHILDHOOD!

Cartoon by Barry


This cartoon is by Jenn Manley Lee and I.


TRANSCRIPT OF CARTOON

This cartoon has four panels.

The first three panels feature the same two women in each panel. Or maybe a woman and a teenager. They’re both dressed in stylized Roman soldier outfits. The older woman, on the left, is dressed in what the artist called a “bondage adjacent costume,” with straps and high heels and a skimpy one-piece made of brown leather. She’s wearing pteruges – you know, straps hanging down from her waist to sort of form a skirt.  She also has an amazing mane of red hair cleverly arranged to resemble a Roman Galea helmet.

The younger woman, on the right, is wearing a brown leather vest over a dark green bodysuit, flat boots, and a Roman Galea helmet. She has protective armor on her forearms and calves.

Both of them wear red capes and carry round shields and swords. The older woman’s shield features a stylized letter “G” in yellow on a red background; the same symbol, in the same colors, is on the younger woman’s belt. I’ll call the two characters “Original G” and “New G.”

PANEL 1

The two women are back-to-back and in a battle, fending off swords left and right. They’re in a building with pillars. In the background, we can see ancient buildings, an active volcano, and what I think is a dragon flying.

Despite all this, the two women are calmly and cheerfully chatting with each other. (I love that, and that was all Jenn.)

ORIGINAL G: Who are you? You look familiar…

NEW G: I’m you! A redesigned version of you, anyway.

PANEL 2

The two women are now at a little table in front of the display window of a modern comic book store. They’re both carrying coffee. Original G is sitting down, while New G is already seated, legs crossed at the ankles, looking relaxed.

ORIGINAL G: So does this mean I don’t exist anymore?

NEW G: Nope – there are thousands of toys and comics and animations with you that no one can take away! But now my version of you exists, too!

PANEL 3

Original G leans towards the display window, tapping on it like people tap on goldfish bowls. On the other side of the window, we can see action figures of both versions of G, displayed on pillars.

ORIGINAL G: I get it. This way, we can entertain different audiences, right?

NEW G: Exactly! Who could complain?

PANEL 4

We’re now looking at the cashier counter in a comic book store. A tired-looking cashier leans on one elbow, rolling her eyes. In front of the counter, two adult men are screaming in horror. One man, in a green shirt, is holding out a comic book with the “G” symbol on the front cover, wide eyes staring at it. The other man is actually sitting on the floor, hands tearing at his hair, legs kicking like an unhappy toddler, as he stares at an action figure of New G.

GREEN SHIRT: THEY MURDERED MY CHILDHOOD!

HAIR PULLER: THIS IS THE WORST ATROCITY OF ALL TIME!


They Murdered My Childhood! | Patreon

Posted in Barry's favorites, Media criticism |

G.O.P. Approved History

Cartoon by Barry


Welcome back to artist R. E. Ryan! This is the second cartoon he’s done with me; I certainly hope there’ll be more.


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a different scene with different characters.

PANEL 1

A bald white man wearing a brown suit is speaking directly to the reader. He has a gun-shaped flame lighter in one hand, a flame coming out the end, and a book in the other hand. The book’s title is “Woke Gender Stuff,” and the book is on fire.

MAN: You’ve probably heard woke liberal media lies about Republicans banning books from schools. But we love learning! We just want students to hear the truth! So sit down and learn some G.O.P. APPROVED HISTORY.

(The last three words of the Man’s dialog are in huge, friendly letters, forming the title of this strip.)

PANEL 2

Two Black men are wearing Victorian-era suits and ties; one is wearing a tall black top hat. They are seated in plush armchairs in what looks like an exclusive men’s club; they are smoking cigars and drinking from wine glasses.

The first man grins as he speaks to us; the second man is leaning forward in his chair, as if he’s intent on us getting this point.

1st MAN: I’m a Black African in 1526! My friends and I created the intercontinental slave trade and whites had nothing to do with it!

2nd MAN: Remember that, kids – whites are totally innocent!

PANEL 3

A modern-looking boxing ring. There are two boxers in the ring. The one on the left, who doesn’t look very strong, is wearing a royal crown over a white powdered wig, red boxing gloves, and a “Che” t-shirt. The one on the right has red hair, is shirtless (and has huge muscles), has stars-and-bars themed boxing gloves and shorts, and has a giant tattoo covering his back which says “We The People” in the distinctive handwriting of the Declaration of Independence.

Let’s call them KING GEORGE and THOMAS JEFFERSON. George looks tired, while Thomas looks very energetic and is grinning at us.

KING GEORGE: I’m King George (they/them), here to fight Tom Jefferson!

JEFFERSON: I’m Tom Jefferson! I invented freedom. I’m so kind to my slaves, and did I mention I’m definitely not a rapist?

PANEL 4

Abe Lincoln, Ronald Reagan, and Jesus have their arms around each other as they smile out at us. Abe is wearing his signature top hat and holding a can of beer. Jesus has a halo floating over his tricorn hat, is gently glowing all over, and is wearing a yellow “Don’t Tread On Me” t-shirt.

LINCOLN: I’m Abe Lincoln, and I’m a Republican! That’s all you need to know about me.

REAGAN: I’m Abe’s best friend Ronald Reagan!

JESUS: And I’m Jesus! We’re all Republicans!


GOP Approved History | Patreon

Posted in Barry's favorites, Conservatives, History, Racism & Racists, Right-wingers |

Why We Need Don’t Say Gay Laws

Cartoon by Barry


This cartoon was drawn by the wonderful Nadine Scholtes. The unicorns and rainbows were Nadine’s idea, and I love them.


TRANSCRIPT OF CARTOON

This cartoon ahs four panels, plus a tiny “kicker” panel below the bottom of the cartoon.

PANEL 1

Two teenagers are standing in a library, and talking directly to the reader. Billy, the boy, is wearing a football uniform and carrying a football. The girl, Sally, is wearing a cheerleader outfit. Billy has his arm around Sally’s shoulders, and Sally is affectionately holding the arm.

BILLY: Hi! I’m Billy Allamerican, and this is my girlfriend Sally.

SALLY: We’re both extremely typical heterosexual high schoolers!

PANEL 2

A person wearing a rainbow-colored sweatshirt, matching their rainbox colored hair, and wearing a big peace sign pendant, and a pinback which says “THEY THEM,” comes in, talking to Billy and Sally. They’re holding up a book with a sparkling cover with the title BE GAY. Billy looks surprised, and Sally looks puzzled.

BILLY: Oh look, it’s Ms Woke, our school librarian!

WOKE: Hi, Kids! Have you read this gay book?

SALLY: What’s “Gay”?

PANEL 3

This panel has a large caption at the top, which says “LITERALLY ONE DAY LATER” in pink lettering.

The panel shows Billy and Sally, standing out on a field. There are smiling unicorns with rainbow manes and tails rearing up on either side of them, and a rainbow behind them. Everything is sparkling.

Billy is now dressed and posed as a stereotypical flaming gay man, wearing a pink shirt and tan capris. Sally is wearing black boots with big buckles and dark shorts and shirt, and is holding an electric razor and shaving one side of her head. Even though it’s been barely a day and her legs were totally hairless in panel one, we can see hair growing on her legs.

BILLY: Now that we’re gay, Sally, I’ve quit the football team to become a communist florist!

SALLY: That’s so cool, Billy! I’m going to shave my head and become a witch!

The panel border between panels 3 and 4 is a thought balloon.

PANEL 4

The right panel border of panel 3 is a thought balloon border, which leads to the head of the first speaker in panel 4 (indicating that panel 3 was in his imagination). There are two guys here; they’re sitting at a bar, with beers in mugs.

The first man is a gray-haired man with a beard and mustache, wearing a white button-up shirt with the sleeves rolled up, and a red necktie. He’s holding up one finger as if he’s making a point. We’ll call him NECKTIE.

The second man is bald and a little chubby, with a beard and mustache, and wearing a red plaid shirt. We’ll call him PLAID.

NECKTIE: And THAT’S why we need “Don’t Say Gay” laws!

PLAID: Makes sense.

TINY KICKER PANEL UNDER THE BOTTOM OF THE CARTOON

Necktie and Sally (with a crew-cut and wearing dark makeup) are talking; Necktie is in a panic, while Sally is cheerful.

NECKTIE: Why would anyone be straight if we let them know there are other options?

SALLY: Exactly!


Why We Need Don’t Say Gay Laws | Patreon

Posted in Barry's favorites, Conservatives, LGBT cartoons, Nadine Scholtes collaborations, Right-wingers |

Eventually You Gotta Inhale

Cartoon by Barry


As far as I know, I’m the only political cartoonist who regularly does cartoons about fat acceptance! If you like that these cartoons exist, and can spare it, please support my Patreon. A $1 or $2 pledge really helps!


TRANSCRIPT OF CARTOON

This cartoon has nine panels, arranged in a three by three grid. The cartoon has two characters. The first character is a fat woman with a pixie haircut and glasses, wearing a polka dot shirt and a skirt. Let’s call her “DOT.”

(I don’t know if I’ve EVER seen anyone in real life wear a polka-dot shirt, but Bill Watterson sometimes drew adult characters in polka-dot shirts, and as longtime readers know it’s my firm opinion that if Watterson did it then it by definition is good cartooning).

The second character is a thin character with curly hair, wearing a button-up shirt with large black buttons. Let’s call her CURLY.

PANEL 1

Dot has her hands raised – open hands facing inward, a tiny bit above elbow height, which is so much the go-to for cartoonists trying to show a character explaining something that the cartoonist Joe Matt once drew this pose with a caption arrow pointing towards the hands saying  “Good ol’ explaining hands.” Curly is cheerful and smiling, and holding one hand out with palm down in a dismissive gesture.

DOT: DIETS DON’T WORK! Studies show that for nearly everyone the weight comes back.

CURLY: Nonsense! Eat less and you’ll lose weight! That’s physics!

PANEL 2

Dot continues explaining, now using a pointing finger, while Curly eagerly leans forward, hands clasping each other, and her eyes replaced with dollar signs.

DOT: While I reply, could you hold your breath? I’ll pay you $1000 if you do it till you faint!

CURLY: $1000? Okay!

PANEL 3

Dot continues explaining; Curly is holding her breath and looking confident.

DOT: Physics says you can do it… if you don’t breathe in, oxygen can’t get to your system, and you’ll pass out.

PANEL 4

A close-up of Curly, still smiling, with her cheeks puffed out, but her eyes are widening. Dot speaks from off-panel for this and the following three panels.

DOT: But this is about biology, not physics. Right now, your brain is sending chemical signals to your body saying “inhale!”

PANEL 5

Curly is still smiling, but she’s obviously straining a bit to keep holding her breath.

DOT: The same thing happens when you diet. The brain thinks you’re starving and sends out signals saying “you’re hungry! EAT!” It’ll send those signals for years if it has to.

PANEL 6

Curly isn’t smiling and doesn’t look confident. She’s still holding her breath, but has balled her hands into fists and is trembling.

DOT: The brain also releases hormones to make your body hold onto more fat. we evolved that way to get through famines.

PANEL 7

Curly has her hands on her cheeks now, and is trembling a lot more, and her eyes are huge and almost popping out.

DOT: And a tiny fraction of people lose weight forever! But for most people, no matter how much willpower they’ve got, eventually…

PANEL 8

In the foreground, Dot looks – let’s face it – a bit smug as she smiles. The panel is mainly taken up by Curly, who has opened her mouth hugely and is gasping. A huge sound effect, drawn so that the letters are converging towards Curly’s open mouth, says “GASP.”

PANEL 9

Dot is back to explaining hands, but with one forefinger pointed up. Curly has turned her back on Dot, arms folded, and has a sour grapes expression.

DOT: THAT’S biology! See my point?

CURLY: Screw THIS! I’m getting a lung bypass!


Eventually You Gotta Inhale | Patreon

Posted in Barry's favorites, Fat Acceptance |

Dragscrolling

Cartoon by Barry


Welcome to new collaborator Nadine Scholtes!


TRANSCRIPT OF CARTOON

This cartoon has seven panels, all showing the same thing: A woman, seated at a desk in what looks like an apartment, clicking a mouse as she looks at her computer. Her blonde hair is held out of her face by a purple hairband, and she’s wearing a dark blue blouse with pink trim shaped like flower petals, and capri jeans.

PANEL 1

From behind, we see the woman looking at her monitor as she clicks her mouse (SFX: click click click). An orange and white cat sits on the floor, patting her leg with a paw to try and get attention. A window behind her shows daylight.

WOMAN (thought): There’s always a new one up…

PANEL 2

The woman leans her face on one hand, looking a bit frustrated and still manipulating her mouse (SFX: scroll scroll scroll). The cat is climbing up the chair, and the window behind her is getting darker.

WOMAN (thought): Where IS it?

PANEL 3

The woman continues to search (SFX:click scroll click), while the cat sits on the desk, tapping her on her arm with one paw.

WOMAN (thought): C’mon… I’ll find one somewhere.

PANEL 4

The woman leans forward a little, still looking annoyed. The cat, also annoyed, glares at her. It’s even darker outside.

WOMAN (thought): I’ll check the newsgroup.

PANEL 5

The woman rubs a hand through her hair, now looking not just frustrated but a little  mad as she keeps searching (SFX: scroll scroll scoll click). Her cat, unnoticed, jumps off the desk.

PANEL 6

The camera zooms in closer as the woman, fully angry now, pounds her fist on the desk. Behind her, we can see that it’s full dark and there are stars in the sky.

PANEL 7

This panel is larger than the other panels. The woman pushes her chair back, pointing a finger at the screen, and yells angrily. In the foreground, the cat walks away but looks back at her resentfully.

WOMAN: AHA! A picture of a MAN in a DRESS! WHY must they SHOVE it in my face?


Dragscrolling | Barry Deutsch on Patreon

Posted in Barry's favorites, Conservatives, LGBT cartoons, Nadine Scholtes collaborations |

Might As Well Face It, We’re Addicted To Fear

Cartoon by Barry


If you like these cartoons, you can help me make more by supporting the Patreon.


TRANSCRIPT OF CARTOON

This cartoon has four panels. They all show the same scene: A middle-aged man, balding and with a beard, is watching (and yelling at) his television set. He appears to be at home; he’s sitting in a cozy armchair, and we can see a little side table with a lamp on it. The room seems pretty barren otherwise.

PANEL 1

The man squirms in his chair as he angrily yells at the TV.

TV: Stay tuned for nuanced reporting about crime, with important context and reasonable statistics.

MAN: No! That’s NOT what you’ve conditioned me to want!

PANEL 2

The man is now standing on the seat of his armchair, leaning forward and waving the remote control in a threatening manner as he yells. The TV leans away from the man as it responds.

MAN: I’LL CHANGE THE CHANNEL!

TV: But… Don’t you think accurate news is important.

PANEL 3

A closer shot of the man as he jumps up above his chair, yelling even bigger than before. (The TV speaks from off-panel). The remote control, forgotten, flies into the air near his hand.

The coloring in this panel is done in shades of red, emphasizing the man’s fury.

MAN: You KNOW what I want!

MAN: GIVE IT TO ME NOW!

TV: Okay! Okay!

PANEL 4

The TV, leaning forward aggressively, speaks in red lettering. The man, looking sated and happy, collapses back into his cozy chair.

TV: YOU’RE SURROUNDED BY VIOLENT CRIME! YOU’RE IN DANGER! YOUNG PEOPLE WILL RANDOMLY MURDER YOU!

MAN (thought balloon): Ahhhh… THAT’S the stuff.


Might As Well Face It, You’re Addicted To Fear | Barry Deutsch on Patreon

Posted in Barry's favorites, Media criticism |

June Davis Finally Wins, Which Is Not Allowed

Cartoon by Barry


This cartoon was thought of by Grace Alden, co-written by me and Grace, drawn by me, and colored by Frank Young. A team effort!


If you support these cartoons on Patreon, that will tip the balance of the universe just enough in the right direction so that Thanos will lose. I’m not saying that if you don’t pledge and then fifty percent of all living creatures are killed, then it’ll be your fault. But I’m not not saying that, either.


My new cartoon collection, Yet Another Example of Pervasive Anti-Billionaire Bigotry, is now available for anyone to buy, in either softcover or hardcover.

It’s really big – about 8.5×11″, containing about 200 cartoons, plus a ton of process drawings and prose. It could conceivably be a great birthday present for a progressive you love, or for a conservative you hate.


TRANSCRIPT OF CARTOON

This cartoon has eight panels. Every panel shows a runner on a track, and in all but the last panel she’s actively running a race. She has her hair done in two afro puffs, and is lean but muscular. Let’s call her June.

In every panel but the last two, June is wearing a different outfit, but all her outfits consist of a tank top with shorts. She also always has a paper taped to her shirt with a number on it, but the number changes form panel to panel.

There’s an additional tiny “kicker” panel under the last panel of the cartoon.

PANEL 1

We see three runners during a race, but the panel is laid out to focus on June, who looks tired and not like she’s winning this race. (One of the other girls we can see is well ahead of her.)

UNSEEN ANNOUNCER: And here’s June Davis in fifth place!

PANEL 2

A profile picture of June running; we can see bits of the runners ahead and behind her, but they’re mostly off panel. June again looks tired, her mouth open as if she’s gasping for air, cartoon sweat beads flying.

UNSEEN ANNOUNCER: …June Davis in sixth place!

PANEL 3

A close-up of June running, looking very determined. It’s raining, and big raindrops splash off of her shoulders and head.

UNSEEN ANNOUNCER: …in second place!

Panels four through six together take up the space of any of the other panels in the cartoon, as if one of those panels had been divided into three panels. This is meant to indicate that a lot of time, and a lot of races, are passing.

PANEL 4

A longish shot, showing June from the upper legs up. Again, June runs and we can see other runners behind and in front, although they’re mostly cut off by the panel borders. June looks determined but also annoyed.

UNSEEN ANNOUNCER: …in fourth place!

PANEL 5

A closer shot, showing June from the elbows up. She looks like she’s working hard, with a determined expression and her arms pumping hard.

UNSEEN ANNOUNCER: …in third place!

PANEL 6

A long shot shows June’s whole figure as she runs hard (and again, with girls in front and behind). She’s leaning forward, a picture of speed, with the background done as horizontal speed lines.

UNSEEN ANNOUNCER: …in fifth place!

PANEL 7

A shot of June, arms raised, happy but exhausted looking, as she hits the… What is that called? The big ribbon that the runner in first place gets to run through and break? Whatever that’s called, June has hit it; it’s stretching around her, about to rip.

UNSEEN ANNOUNCER: …it’s June Davis in first!

JUNE DAVIS (thought balloon): Finally!

PANEL 8

In the foreground, June is sitting on the track, leaning back on her arms and looking tired and sad. In the background, we can see two middle-aged people, both of whom look angry. They’re both dressed in “casual nice” clothing. The man has a black mustache and his arms crossed; the woman is raising and shaking a fist.

MUSTACHE MAN: Dammit! The trans “girl” won!

WOMAN: Unfair advantage! Real girls have no chance!

TINY KICKER PANEL UNDER THE BOTTOM OF THE STRIP

The mustache man is talking harshly to June, sticking his finger in her face. June, again, looks tired and sad.

MUSTACHE MAN: You can’t have a chance to win. It wouldn’t be fair.


June Davis Finally Wins, Which Is Not Allowed | Barry Deutsch on Patreon

Posted in Barry's favorites, LGBT cartoons |

Fat Suits in Movies

Cartoon by Barry


If you like these cartoons, then if you support them you’ll get a warm glow of well-being, fizzling outward from your brain until you can feel it tingling in your toes, and then you’ll feel really confident and cheerful about talking to strangers and then you’ll decide to go out dancing and wait no that’s not supporting my cartoons that’s just being on drugs never mind.


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a woman at her kitchen sink. Although each panel shows the same scene, each panel is shown from a slightly different angle, which would have required redrawing the perspective every panel. Gosh, that probably was a whole bunch of work by the cartoonist. I’m just saying that as a neutral observation from an objective observer, it’s not like these transcripts are written by the cartoonist himself. Cough. Cough.

The woman is fat, and is wearing blue jeans and a pink tee shirt that shows a planet sticking its tongue out on the back, and has the words “don’t panic” written in large friendly letters on the front. Her orange hair is in a messy bun.

On the countertop next to her is an open laptop, and throughout the cartoon the voices we hear are coming from the laptop. The laptop is positioned with the screen facing away from the “camera,” so we can’t see what’s on the screen.

PANEL 1

The woman is washing a dish over the kitchen sink. Voices are coming from her laptop, but she doesn’t appear to be paying attention.

VOICE 1 – TV HOST: You’ve been on People’s “hottest celebs” list six times… but in your new movie, you wear a fat suit! It’s a ”huge” transformation!

VOICE 2 – CELEB: Ha ha! It was quite a learning experience.

PANEL 2

The woman continues to wash dishes, but glances at the laptop screen.

TV HOST: Interesting! Can you tell us some things you learned?

CELEB: First, it’s disturbing to play a part designed to let audiences enjoy being grossed out by “my” body.

PANEL 3

A close up of the laptop on the counter.

CELEB: Second, I learned it’s exploitative to wear a marginalized person’s body as a costume. And I learned there are plenty of fat actors who’d love this opportunity but weren’t given a shot.

PANEL 4

The woman has stopped washing dishes and is leaning against the counter and watching the laptop screen. She looks amused.

CELEB: Finally, I learned that no one should see this stupid movie. Excuse me, my manager appears to be having a coronary.


This cartoon on Patreon

Posted in Barry's favorites, Fat Acceptance |

A Brief Taxonomy of Pro-Lifers

Cartoon by Barry


Support me on Patreon or there will be no more cartoons,” said the Boy who Cried No Cartoons. But the people didn’t support him on Patreon, and yet there kept being more cartoons, and that’s how everybody knew the Boy Who Cried No Cartoons was bullshit. So everyone in town got together and dragged the Boy out of bed and beat the Boy with sticks, until the Boy burst open and hundreds of new cartoons burst out, and then everyone had all the cartoons they could eat and more they could burn for warmth and life was good.


TRANSCRIPT OF CARTOON

This cartoon has twelve panels, arranged in a 3×4 grid. Each cartoon has a large caption, and below the caption, a character that the caption refers to.

At the very top of the cartoon, large letters in a friendly font say:

A BRIEF TAXONOMY OF PRO LIFERS

PANEL 1

A woman is weeping so copiously that the air around her is being filled with dozens of flying teardrops.

CAPTION: CRY BABY

WOMAN: Poor babies! Babies, babies babies! I’ll support anything to save babies!

WOMAN: (Just the unborn ones.)

PANEL 2

An older man wearing a suit and tie is speaking to an off-panel reporter (although we can see the reporter’s hand holding out a microphone. In letters so tiny no one will ever read them, a logo on the mic says “LOGO”).

CAPTION: WOMAN’S BODY KNOWER

MAN: In a rape the woman’s body just shuts that down, abortion is never needed to save a life, and if a woman swallows a pill it comes out her vagina. It’s just science!

REPORTER: Thank you, Senator.

PANEL 3

A man with a mustache holds up one hand, palm out, while his other hand holds a bible against his chest. He has his eyes closed and looks reverent. In the background, we can see some church-style fancy windows.

CAPTION: DEFINITELY NOT A THEOCRAT

MAN: I only want to force everyone to follow my religion’s rules. How does that make me a “theocrat”?

PANEL 4

A redheaded woman is, through a cartoon effect, turning her head rapidly and showing two different expressions. The first expression is angry (and she’s shaking a fist on that side); the second expression is extremely calm, and she’s holding up an index finger as if making an academic point.

CAPTION: THE SLUT SHAMER

WOMAN: DIRTY SLUTS MUST BE PUNISHED!

WOMAN: I mean, “take responsibility for their choices.”

PANEL 5

An angry white man, with messy hair and radiating waves of angry energy, is holding up his smartphone facing towards us, as he yells at us.

CAPTION: RACE OBSESSED WHITEY

MAN: Some Blacks have abortions which makes liberals the real racists MARGARET SANGER RACIST GENOCIDE!

MAN (smaller letters): Watch these videos they’ll only take 3 or 4 hours.

PANEL 6

A teenage girl looks at the reader with wide, sincere eyes. She’s holding a big sign which says “Abortion Murders Babies.”

CAPTION: THE SPECIAL ONE

GIRL: I’m different! I needed my abortion! My whole life could have been upended!

PANEL 7

A woman wearing a ringer tee-shirt with a smiley-face “Woman” symbol on it speaks angrily towards the viewer, waving her arms.

CAPTION: THE PRO-LIFE “FEMINIST”

WOMAN: Nothing’s more sexist than allowing women to make essential personal choices for ourselves!

PANEL 8

A handsome man with tidy hair is grinning hugely as he speaks to us. He’s sweating copiously and his tongue is hanging out of his mouth, both cartoonese for “this person is a horny pervert.”

CAPTION: SADIST BY JESUS-PROXY

MAN: BABY-KILLER! Jesus will burn you in hell for a million years! Endless pain in the flames!

MAN (smaller letters): heh heh heh yeaaah

PANEL 9

A man with well-coiffed hair, wearing a gray suit with a black tie, is sitting at a long table of the type Justices sit at during Senate confirmation hearings. He’s smiling and speaking into a microphone attached to the table.

CAPTION: JUSTICE IS SHAMELESS

MAN: If confirmed, I will overturn Roe, and we all know it. But I won’t be confirmed if I say that, so I’ll just say “it’s precedent.”

PANEL 10

A man with short-cropped hair and a small pointed chin-beard is typing furiously into a laptop. His word balloon points to the laptop, indicating what he’s typing.

CAPTION: POOR OPPRESSED MALE

MAN: Men can’t have abortions! So abortion has to be illegal! That’s what equality means!

PANEL 11

A hand is holding a smartphone. On the smartphone screen, we see a man with tidy hair and a worried expression cupping an ear with his hand, as if he’s miming listening to something.

CAPTION: DEAD BABIES LIVE MONEY!

MAN ON PHONE: Listen carefully and you’ll hear the unborn babies talking to you! They’re saying “donate $50 today!”

PANEL 12

This panel shows two people standing side-by-side, a man and a woman, speaking directly to the reader. They are both well-dressed, him in a suit and tie, her in a blouse with puffy short sleeves, and carefully done makeup and hair. They’re both smiling.

CAPTION 1: THE HUMANITARIANS

MAN: So our laws make doctors turn away victims of pregnancy complications and child rape…

WOMAN: Well, boo hoo!

PANEL 13

A woman stands alone in a field, talking directly to us with an angry expression while she points to something on her smartphone.  She has curly black hair and is wearing a black dress with a square-cut neckline.

CAPTION: MISS PRIORITIES

WOMAN: Sure, our abortion bans might kill people – but what’s REALLY horrible is that a columnist used the term “pregnant PEOPLE!”

PANEL 14

A young, wide-eyed teen is talking to an adult woman who is waring a white coat and has her hair in a bun. The woman is grinning but also pointing an accusing finger at the teen.

TEEN: Your ad said to come here for information about abortion?

WOMAN: We’re here to provide non-judgmental help! So tell me, why are you considering becoming a baby murderer?

CAPTION: CRISIS PREGNANCY SCARE

PANEL 15

This panel has two captions, a title caption at the top like the previous fourteen panels had, and a smaller caption floating in the middle of the panel. The panel is otherwise blank.

CAPTION 1: REALLY CARES ABOUT WOMEN

CAPTION 2: No examples found.


This cartoon on Patreon

Posted in Abortion, Barry's favorites, Sexism & Misogyny |

The Adventures of Timmy the Six Week Fetus!

Cartoon by Barry


This one’s a collaboration with Kevin Moore.


TRANSCRIPT OF CARTOON

This cartoon has six panels.

PANEL 1

This panel shows two teenage boys. One of them, John, has floppy blonde hair and is wearing a red t-shirt with a big horizontal yellow stripe. The other, John’s friend, has messily-cropped orange hair, zits, and a blue t-shirt.  John is rolling his eyes and looking aggrieved.

JOHN: I’m going out to hang with the boys, Ma!

MA (off-panel): John, you can go if you take your little brother.

JOHN: Aw, Ma, do I have to? Timmy’s such a drip!

PANEL 2

This panel is mostly taken up by the title, which is written in a big, cheerful-looking font that’s colored red and pink, with shiny white highlights.

THE ADVENTURES OF TIMMY THE SIX WEEK FETUS

Below the title lettering is a drawing of Timmy, a six week fetus, which looks sort of like a red lizard curled up into itself. Timmy has a little cartoon smile. A little curly label pointing to Timmy says “1/4 inch.”

TIMMY: I’m just like any other kid!

PANEL 3

John’s friend, in the foreground, is leaning forward and peering through a magnifying glass. In the background, John has his hands shoved into his pickets and is pouting.

FRIEND: You brought your stupid little brother with you, John?

JOHN:  It sucks! Ma made me take him!

PANEL 4

This panel shows two men with bandanas covering their lower faces riding by on bikes. They’re each holding a machine gun of some sort (I’m sure that someone will let me know that it’s not really a machine gun, it’s technically an [insert specific type of gun here], and let me assure you in advance that I really don’t care) , which they’re firing towards the sidewalk. Sound effects by the guns read “brapp brapp brapp.”

CAPTION: Suddenly… A random drive-by Antifa shooting!

ANTIFA DUDE: Ha ha ha! Take this!

PANEL 5

A shot of John, looking shocked and frightened. A bullet is on a path to hit John in the heart, but Timmy (who is too small to be seen, but we can see the zip line indicating his path) jumps in front of the bullet, which bounces off Timmy to the side.

JOHN: Gasp! Timmy jumped in front and took the bullet for me! And now Timmy’s dead!

TIMMY: Gak!

PANEL 6

In the foreground, John is kneeling, holding his cupped hands in front of him, as if he’s holding Timmy’s invisibly tiny body in them, and has raised his face towards the sky. John is weeping hard.

In the background, on one side of John, we see John’s friend lying on the ground in a spreading puddle of blood. The Friend has little “x”s for eyes, indicating that he’s dead. (I told Kevin that he could choose drawing the friend alive but shocked and sad, or dead, but I was 99% sure Kevin would go for the corpse option.)

Also in the background, on the other side of John, is Jesus Christ, with his arms folded across his chest, looking very stern.

JOHN: Why didn’t I love you like you deserved, Timmy?

JOHN: WAAAAH!

JESUS: I’m so disappointed in you, John.


This cartoon on Patreon

Posted in Abortion, Barry's favorites, Kevin Moore collaborations, Sexism & Misogyny |

This is Your Brain on a Diet

Cartoon by Barry


Support the making of these cartoon by supporting my Patreon! If you do, you will always be wise and good looking and your omelettes will never stick to the pan.


TRANSCRIPT OF CARTOON

This cartoon has six panels, plus an additional tiny “kicker” panel below the bottom of the cartoon.

At the top of the entire cartoon is a large caption, which says THIS IS YOUR BRAIN ON A DIET.

The first five panels show a human brain, but anthropomorphized: It has arms, legs, hands (gloved with three fingers, a la Mickey Mouse) huge eyes and a pointy crown. It’s in some sort of dimly lit round space.

The brain is speaking to a cell-like creature, with little blobs of oil falling off of it, and this creature has also been anthropomorphized, and has a mouth and two big eyes. The cell-like creature is wearing a black bowler hat.

PANEL 1

The brain is speaking a bit imperiously to the cell-like creature, who is named Mr. Ghrelin.  Ghrelin looks a little nervious.

BRAIN: Mr. Ghrelin, you have a report?

GHRELIN: Your majesty, I bring word from the stomach! We’ve been getting less food and we’re losing fat!

PANEL 2

A close-up of the brain. The brain is looking up thoughtfully into the hair, one finger pressed to the side of what I’ll call its cheek, as if its trying to remember something.

BRAIN: Less food? Losing fat? There’s a word for this…

BRAIN: What’s that word? It’s something I learned millions of years ago in evolution school…

PANEL 3

The brain has jumped up, holding the sides of its, er, head and with an extremely panicked expression; Mr Ghrelin is in turn surprised by the brain’s reaction. The word “starvation” is written in huge red letters.

BRAIN: GASP!

BRAIN: This is called STARVATION!

PANEL 4

A shot of the brain, raising its fists high as it yells, with a determined expression on its face. The background has disappeared, replaced by bright yellow, with waves of action lines (indicating great energy) shooting out from the brain.

BRAIN: I’m declaring a state of emergency!

BRAIN: Slow down metabolism! We must preserve our precious fat!

PANEL 5

The brain is now surrounded by a bunch of Ghrelin-types, each of who looks the same, except they’re wearing different hats (we can see: bowler hat, top hat, cabbie cap, 50s dad hat). The brain, still yelling, is pointing decisively as it gives marching orders.

BRAIN: Release the stress hormones! Have them produce constant, extreme hunger! And store all the fat we can! Just in case!

BRAIN: We’ll keep this up for years if necessary!

PANEL 6

A fat man sites on a sofa. Next to him, on an endtable, are a lamp, a drinking glass, and a pen. On his other side is a cell phone and a throw pillow. On the back of the sofa, there’s a folded blanket and, lying on the blanket, an orange cat. He’s wearing fuzzy slippers that are designed to look like mice, with little ears sticking up.

He’s holding a book; we can see the book’s cover, with the title “THE COMMON SENSE DIET.” A caption above the book shows what he’s reading in the book.

CAPTION: Just eat less! It’s easy!

TINY KICKER PANEL BELOW THE BOTTOM OF THE STRIP

Mr. Ghrelin is speaking to the brain again; the brain is facing away and looking anxious.

GHRELIN: Good news! We’re getting normal amounts of food again.

BRAIN: But for how long? Better store more fat.


This cartoon on Patreon

Posted in Barry's favorites, Fat Acceptance |

How To Recognize a Drug-Seeker

Cartoon by Barry


If you like these cartoons, please support them! A $2 pledge really helps.


TRANSCRIPT OF CARTOON

This cartoon has four panels. The cartoon is set in a doctor’s examining room – it has one of those tall examination tables with padding so patients can lie down, medical equipment and a degree hanging on walls, various cabinets, a sink. A tired-looking woman in a yellow tank top and black capri pants is sitting on the exam table. A doctor is standing in front of her. We can tell he’s a doctor because he’s wearing a white lab coat and has a stethoscope hanging around his neck. He’s holding a clipboard in one hand.

PANEL 1

The doctor is speaking to the patient. The patient is slumping a little, while the doctor is stiffly upright.

DOCTOR: Some people use narcotics to get high. So when you come here and say you’re in constant pain, that tells me you’re a lying drug-seeker.

PANEL 2

A closer shot of just the doctor as he speaks, looking stern and a bit angry, clutching the clipboard to near his chest.

DOCTOR: If you ask for pain meds, you’re a drug seeker.

DOCTOR: If you seem desperate, you’re a drug seeker.

DOCTOR: If you cry, you’re a drug-seeker.

PANEL 3

A close-up of the doctor’s face as he lectures, one forefinger raised.

DOCTOR: If you talk back to me, you’re a drug-seeker. If you don’t like me assuming you’re a  drug-seeker, you’re a drug-seeker.

PANEL 4

A shot of the patient and doctor. The patient is now very wide-eyed, and leans back, away from the doctor. The doctor leans forward, hunching over his clipboard a bit as he makes a note.

PATIENT: Could I talk to a doctor who isn’t horrible?

DOCTOR: “Doctor-shopping.” Classic drug-seeker.


This cartoon on Patreon

Posted in Ableism, Barry's favorites |

A Concise History of Body Positivity

Cartoon by Barry


If you like these cartoons, help us make more! Each $2 pledge really matters.


This cartoon is another collaboration with Becky Hawkins.


TRANSCRIPT OF CARTOON

This cartoon has four panels. All the panels show people standing  in a blank cartoon space and talking directly to the readers.

PANEL 1

Three women, all unambiguously fat, are smiling warmly and talking to the readers. The one on the left, who is white, is wearing cool boots, and an open red plaid shirt over a black dress. She’s wearing squarish glasses. The other two women are black. The middle woman is wearing a crop top shirt with a brightly colored blue and pink pattern, and bright blue shorts. The woman on the right is wearing a plain white tee, blue shorts, and red-and-blue sneakers.

BOOTS: Body positivity means that no one should apologize or be made to feel bad for their body.

SNEAKERS: Love the body you’re in!

PANEL 2

A white woman, thin and with carefully styled blond hair, has walked out in from of the three fat women. She’s carrying a big sign that says “Love the body you’re in” in cheerful large lettering that’s a bit nostalgic for the 1960s. Below the lettering is a picture of a tube of lotion.

Behind the new woman, Boots looks startled and distressed. Sneakers is holding up a finger like she’s trying to object. And we can’t see what Crop Top is doing, because she’s almost completely blocked from view by the woman’s sign.

THIN WOMAN: “Body positivity” sounds great! You know what this would be amazing for? Selling skin care products!

SNEAKERS: Um…

PANEL 3

Two more thin white people have entered. One is a young woman with a pony tail, wearing yoga pants and a crop top; she’s sitting on the floor, legs curled under, and is holding her smartphone high to take a selfie. The other is a salesman-looking man, wearing a blazer over a v-neck shirt, who is holding up a book for us to see. The book’s title is “Love Your THIN Self.”  Both of the newbies are talking very cheerfully.

Between these two newbies, and the blonde woman with the sign, Boots and Crop Top are almost completely blocked. (We can see Crop Top’s eyes, which look annoyed). Sneakers can be seen better, and is open-mouthed with how appalled she is.

PONYTAIL: If I bend just the right way, there’s a fat roll! Helping women like me is what body positivity is all about!

BLAZER: Diet companies are also part of the body positivity movement! Losing weight will help people love their bodies!

PANEL 4

There’s now a lot of smiling people, nearly all white, crowded into the panel. Most are thin, a couple are a bit chubby, but there’s no one here you’d describe as “obese.” Everyone is grinning and talking to the readers.

Boots and Crop Top cannot be seen at all. We can see just a bit of Sneakers, as a smiling woman in a pretty pink blouse with an open back, with string forming a spiderweb pattern over the open part, violently shoves Sneakers out of the panel.

EVERYONE IN UNISON: Remember, body positivity is for everybody!

PINK BLOUSE: Except for really fat people. We can’t glorify obesity.

CAPTION AT BOTTOM OF STRIP

A large caption under the strip says “A CONCISE HISTORY OF BODY POSITIVITY.”


This cartoon on Patreon

Posted in Barry's favorites, Becky Hawkins collaborations, Fat Acceptance, History |

I’ve Tried Everything To Find New Workers!

Cartoon by Barry


If you like my cartoons, please help me make more by supporting my Patreon.


TRANSCRIPT OF CARTOON

This cartoon is four panels long. Each panel shows the same prosperous-looking middle-aged white man, wearing a suit and tie, walking on city sidewalks and talking loudly into his cell phone.

There’s an additional tiny “kicker” panel below the bottom of the comic.

PANEL 1

Necktie man is talking into his cell phone with an aggrieved expression. He’s walking pass an annoyed-looking young guy leaning against a wall. The young guy is wearing a backwards baseball cap, glasses, and a tank top, and he’s speaking to necktie man. Necktie man gives no sign of having heard.

NECKTIE: I’ve tried everything to find new workers! I’ve gone to job fairs… Offered them tee-shirts for applying…

WALL LEANER: Did you offer higher wages?

PANEL 2

Necktie dude is now in a different area, still looking aggrieved and talking loudly into his phone. On the street next to the sidewalk, a blonde woman on a bike, wearing a red bike helmet and a blue hoodie, talks to Necktie as she passes him.

NECKTIE: I can’t fill these jobs! I even got the government to throw people off unemployment… Nothing works!

BIKER: Have you tried offering higher wages?

PANEL 3

Necktie walks past a little girl playing hopscotch on the same sidewalk. The girl is wearing a purple skirt with puffy tool at the bottom, and a sleeveless tee with a pattern of red spirals.

NECKTIE: I’m offering unpredictable schedules, minimal benefits and $9 an hour! And they still don’t want my jobs?

LITTLE GIRL: You should offer higher wages.

PANEL 4

Necktie dude walks past a couple of casually-dressed protestors. The first protestor is holding a large sign that says “HIGHER,” and the second protestor has a large sign that says “WAGES.”

NECKTIE: I’ve tried everything. They just don’t want to work!

NECKTIE: Hello, governor? Can we arrest people for being unemployed?

TINY KICKER PANEL UNDER THE BOTTOM OF THE STRIP

Necktie dude, still looking grumpy, is talking at Barry the cartoonist.

NECKTIE: I’d love to pay higher wages, but we don’t have the money! I had to get by on only a $38 million salary this year!

 


This cartoon on Patreon.

Posted in Barry's favorites, Economic cartoons, Labor rights & Unions |

These Kids Today Have Always Sucked

Cartoon by Barry


This cartoon is another collaboration with Becky Hawkins, doing the variety of costumes and environments that she excels at.


If you like these cartoons, help us make more by supporting my Patreon! Small donations from lots of donors are what makes it possible for me to keep doing these cartoons, and keep paying Becky for her work.


TRANSCRIPT OF CARTOON

This cartoon has nine panels, arranged in a three-by-three grid. The central panel (panel 5) has no image other than large, friendly, 3-D styled lettering saying “THESE KIDS TODAY HAVE ALWAYS SUCKED.”

Other than panel five, each panel features a single figure speaking, with a caption at the bottom of the panel identifying who they are.

PANEL 1

A cartoon caveman sits alone in a cave by a campfire, angrily ranting.

CAVEMAN: Hrrr hrrr. Urg! Grumble grrr huuuh grunt!

CAPTION: Thag, 20,000 BC

PANEL 2

A bearded man in ancient Greek dress holds a scroll and rolls his eyes as he speaks to the readers with an irritated expression.

ARISTOTLE: Young people think they know everything! And they’re soooo sure about it!

CAPTION: Aristotle, 4th Century BC

PANEL 3

A monk, wearing robes in the style of the Muromachi period of Japanese history, sits in front of a low table, where he’s writing on a scroll. He has paused in his writing to look at the reader.

YOSHIDA KENKO: Modern “fashions” are more and more debased! And their language nowadays is so coarse!

CAPTION: Yoshida Kenko, 1330

PANEL 4

A sour-looking man wearing a long wig of white curls looks directly at the reader, raising a forefinger in an admonishing way.

ROBERT RUSSELL: The towns and streets today are filled with lewd wicked children! They curse and swear and call one another nick-names!

CAPTION: Sir Robert Russell, 1695

PANEL 5

This panel has nothing in it but the title lettering. In large, friendly, 3d styled lettering, it says THESE KIDS TODAY HAVE ALWAYS SUCKED.

PANEL 6

A man in an upper-class 1700s suit sits at a writing-desk, leaning back with his feet on the desk. In one hand he’s holding a quill pen, in the other a bottle of some alcoholic liquid. It’s dark, and a candle on the desk is providing light.

MAN: Whither has the manly vigour of our forefathers flown? Youth today are effeminate, self-admiring, emaciated fribbles!

CAPTION: Town and Country Magazine, 1771

PANEL 7

A man with thick gray eyebrows stands in a hilly field; we can see a village in the distance behind him, and sheep in the field. One of the sheep is standing next to him, placidly eating a plant. The man is wearing a brown Irish flat cap and carrying a walking stick, which he is shaking at the reader.

FALKIRK HERALD: Young people are so pampered nowadays that they have forgotten there was such a thing as walking!

CAPTION: Falkirk Herald, 1951

PANEL 8

A professionally-dressed woman, with long wavy hair and a blue suit, is sitting behind a table with books displayed on it (one of the books is entitled “Kids 2day” and has a frowny face on the cover; her other book’s cover has a picture an iphone with devil horns and a smiley face). A TV camera is pointed at her, and a microphone is pointed at her. She smiles as she speaks to the camera.

JEAN TWENGE: Millennials got participation trophies growing up! So now they’re fame-obsessed, narcissistic, stunted and lazy.

CAPTION: Dr. Jean Twenge, 2013.

PANEL 9

A smartly-dressed woman with spiky white hair sits at the counter of a coffee shop, thumb-typing on her smartphone. She’s got big teardrop earrings and a necklace with a large stone with a spiral pattern. A word balloon points at her smartphone, showing us what she’s typing.

AUNT: And don’t even get me started on Gen Z!

CAPTION: Probably your aunt or something, just last week.


This cartoon on Patreon.

Posted in Barry's favorites, Becky Hawkins collaborations, History |