Pro-Lifers in Everyday Life

Cartoon by Barry


If you like these cartoons, then you probably like chocolate, because who doesn’t like chocolate? And, similarly, who doesn’t like my cartoons? They’re basically the same thing, Also, patreon link.


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a different scene of two people talking. A caption at the bottom of the cartoon says “PRO-LIFERS IN EVERYDAY LIFE.”

PANEL 1

Two women are talking in a store that has large displays of laptop computers – a Best Buy or something like that.  One woman, who is dressed a sales associate (skirt, vest over collared shirt, nametag), is grinning and holding up a laptop to display it. The other woman, who has an undercut and is wearing a zip-up hoodie and carrying a purse, is leaning down to look at the laptop skeptically. )

CUSTOMER: I’m not buying that – there’s no operating system or hard drive and the CPU is missing.

SALESPERSON: It’s still a computer!

PANEL 2

A man and a woman are in a home kitchen. The man, who is youngish but balding early, wearing sweatpants and a t-shirt that says “Band Name” on the front, is basically squeeing with joy while looking at the woman’s plate. The woman, dressed in a flower print shirt and plaid pants, is holding a plate with an omelet on it and looking annoyed.

MAN: Wow, you got a chicken? What’s its name?

WOMAN (thought): Oh god not this again

WOMAN (aloud): It’s an omelet!

PANEL 3

A woman wearing a sleeveless shirt, and with a heavily tattooed arm, and her black hair in a messy bun, is holding a paint roller in one hand, while the other hand is on the rung of a ladder. She looks annoyed. Behind her, a man with glasses and a polo shirt is leaning in her window from outside and yelling at her.

MAN: That paint color isn’t the choice I’d make.

MAN (yelling): It should be banned!

PANEL 4

An annoyed man stands in the door to his house, arms folding, blocking the way. He’s staring down at a tiny child on the front step. The child looks surprised.

MAN: You expect me to take care of you even after you’re born?


This cartoon on Patreon

Posted in Abortion |

The Adventures of Timmy the Six Week Fetus!

Cartoon by Barry


This one’s a collaboration with Kevin Moore.


TRANSCRIPT OF CARTOON

This cartoon has six panels.

PANEL 1

This panel shows two teenage boys. One of them, John, has floppy blonde hair and is wearing a red t-shirt with a big horizontal yellow stripe. The other, John’s friend, has messily-cropped orange hair, zits, and a blue t-shirt.  John is rolling his eyes and looking aggrieved.

JOHN: I’m going out to hang with the boys, Ma!

MA (off-panel): John, you can go if you take your little brother.

JOHN: Aw, Ma, do I have to? Timmy’s such a drip!

PANEL 2

This panel is mostly taken up by the title, which is written in a big, cheerful-looking font that’s colored red and pink, with shiny white highlights.

THE ADVENTURES OF TIMMY THE SIX WEEK FETUS

Below the title lettering is a drawing of Timmy, a six week fetus, which looks sort of like a red lizard curled up into itself. Timmy has a little cartoon smile. A little curly label pointing to Timmy says “1/4 inch.”

TIMMY: I’m just like any other kid!

PANEL 3

John’s friend, in the foreground, is leaning forward and peering through a magnifying glass. In the background, John has his hands shoved into his pickets and is pouting.

FRIEND: You brought your stupid little brother with you, John?

JOHN:  It sucks! Ma made me take him!

PANEL 4

This panel shows two men with bandanas covering their lower faces riding by on bikes. They’re each holding a machine gun of some sort (I’m sure that someone will let me know that it’s not really a machine gun, it’s technically an [insert specific type of gun here], and let me assure you in advance that I really don’t care) , which they’re firing towards the sidewalk. Sound effects by the guns read “brapp brapp brapp.”

CAPTION: Suddenly… A random drive-by Antifa shooting!

ANTIFA DUDE: Ha ha ha! Take this!

PANEL 5

A shot of John, looking shocked and frightened. A bullet is on a path to hit John in the heart, but Timmy (who is too small to be seen, but we can see the zip line indicating his path) jumps in front of the bullet, which bounces off Timmy to the side.

JOHN: Gasp! Timmy jumped in front and took the bullet for me! And now Timmy’s dead!

TIMMY: Gak!

PANEL 6

In the foreground, John is kneeling, holding his cupped hands in front of him, as if he’s holding Timmy’s invisibly tiny body in them, and has raised his face towards the sky. John is weeping hard.

In the background, on one side of John, we see John’s friend lying on the ground in a spreading puddle of blood. The Friend has little “x”s for eyes, indicating that he’s dead. (I told Kevin that he could choose drawing the friend alive but shocked and sad, or dead, but I was 99% sure Kevin would go for the corpse option.)

Also in the background, on the other side of John, is Jesus Christ, with his arms folded across his chest, looking very stern.

JOHN: Why didn’t I love you like you deserved, Timmy?

JOHN: WAAAAH!

JESUS: I’m so disappointed in you, John.


This cartoon on Patreon

Posted in Abortion, Barry's favorites, Kevin Moore collaborations, Sexism & Misogyny |

The Secret Private Lives of Teachers

Cartoon by Barry


Another collaboration with Becky Hawkins, who really went all-out with drawing classroom environments!


When you support the Patreon, you not only get the warm feeling of supporting the making of more swellish policartoons, you also get the warm feeling of an extra arm growing out between your shoulderblades, and admittedly I can’t think of a single situation in which that would be pragmatically useful but what a conversation piece!


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a schoolroom, although not always the same schoolroom. There’s also a tiny “kicker” panel under the bottom of the strip.

PANEL 1

A schoolroom (I know, I know, I just said that). In the background, A freckled, red-headed little girl wearing a red shirt is peering into a fishtank. There are big windows, and outside the windows we can see the tops of green trees.

In the foreground, BILLY, a reddish-blonde-haired little boy, is smiling as he talks to the teacher, Billy’s wearing a black v-neck tee shirt and green shorts. The teacher, MRS ABEL, is also smiling, leaning down to talk to Billy.

All three of them have feathered early-80s hair.

BILLY: Do you remember me from last year, Miss Thompson?

MRS ABEL: Of course, Billy! But I got married this summer, so now you should call me Mrs. Abel.

PANEL 2

A different classroom and a different teacher – but we’re still looking at Billy and his freckled classmate. They’re both leaning on the teacher’s desk; Billy is pointing to a framed family photo on the teacher’s desk. Freckles is wearing a red vest over a collared shirt, and Billy is wearing a green shirt.

The teacher is smiling and gesturing with an open hand as he replies to Billy. In the background, there are large classroom windows, and out the windows we can see the trees are yellow and orange – it’s now Fall.

BILLY: Mr. Smith? Who are the people in this picture?

MR SMITH: They’re my family, Billy!

PANEL 3

We’re back in Mrs Abel’s classroom, looking at the same people as panel 1 – Billy, his freckled classmate, and Mrs Abel. But time has passed; the trees out the window are green again. Also, Mrs Abel is now very obviously pregnant, and has a hand on her belly as she talks to Billy. It looks like Freckles was playing with a toy school bus, but she’s paused to listen to Billy and Mrs Able.

The girl in the background is wearing a red shirt under jeans overalls, and Billy is wearing the same green shirt, but with different pants.

BILLY: But why won’t you be teaching us next month, Mrs Abel?

MRS ABEL: Because I’m having a baby, Billy!

PANEL 4

A caption box at the top of the panel says “BILLY, FORTY YEARS LATER.”

An adult Billy, with a tidy beard and mustache and his hair going white at the temples, is in a classroom, yelling at a teacher, waving his arms. Billy has green pants.

The teacher, who has short red hair, freckles, and is wearing a button-up red shirt, is leaning back against her desk, away from Billy. She looks unhappy and surprised. On her desk, there’s a photo of her with a woman, presumably her wife, and two children.

BILLY (yelling): When we were kids, we never knew anything about teachers’ private lives!

TINY ADDITIONAL PANEL UNDER THE BOTTOM OF THE STRIP

Adult Billy is talking to the panel 4 teacher, looking a bit histrionic.

TEACHER: But we always knew about–

BILLY: We didn’t! That would have destroyed our childhood innocence!


This cartoon on Patreon

Posted in Becky Hawkins collaborations, Conservatives, LGBT cartoons |

Things To Stop Saying To Autistic People

Cartoon by Barry


This cartoon is another collab between me and Becky Hawkins.


If you like these cartoons then these cartoons like you too. They sit up at night thinking about you, but not in a creepy way. But they do it all the time, and that is a little bit creepy. Thinking… thinking… thinking… Maybe if you supported them they’d stop? But when I put it that way it sounds a bit like blackmail. Um, never mind.


TRANSCRIPT OF CARTOON

This cartoon has nine panels, arranged in a 3×3 grid. The central panel has nothing in it but large, cheerful letters, which say:

THINGS TO STOP SAYING TO AUTISTIC PEOPLE

Each panel features a different character speaking directly to the reader.

PANEL 1

A young person with a jeans vest over a white shirt with torn short sleeves – essentially looking like a modern person who for some reason is dressing like a 50s greaser – is speaking to the reader with a wide-eyed, sincere expression, one palm held up.

GREASER: A kid at my son’s school is autistic! I feel so BAD for the parents.

PANEL 2

A middle-aged man wearing a suit and tie, with a beard that screams “I am an intellectual,” is looking a little puzzled, one hand stroking his beard.

MAN: You don’t LOOK autistic.

PANEL 3

A balding man with white hair is holding out a hand in a “please stop that” gesture.

MAN: Could you stop flapping your hands? It’s weird.

PANEL 4

A woman with carefully-messy-styled hair and wearing a full makeup job is holding her hands with their palms against each other in front of her chin. She’s smiling very large.

WOMAN: Autistic? That’s VERY fashionable these days.

PANEL 5

This is the central panel, which has nothing in it but a caption, in large, cheerful letters.

CAPTION: THINGS TO STOP SAYING TO AUTISTIC PEOPLE

PANEL 6

A man with an enormous beard, and nice glasses, glares suspiciously at the reader, with arms akimbo.

MAN: My niece is autistic and noisy rooms don’t bother HER.

PANEL 7

A middle-aged woman with a somewhat hippy-ish vibe is smiling and talking to the viewer. She has fluffed-out white or blonde hair, and is wearing at least three rings, six bracelets, and four necklaces, nearly all of which are large and chunky.  She’s speaking so much that it forms a wall of words behind her, most of which we can’t make out because she’s in the way, but we can read enough to get the gist of it.

WOMAN: Have you tried yoga? Not eating sugar? Not eating dairy? Sun… celery juice?  …matory diet? … Acupunct…. Quitting sm…. Float?

PANEL 8

A young guy carrying a drink with a straw is grinning and pointing to himself proudly with a thumb.

GUY: I know ALL about autism. I’ve seen “Rain Man” AND “Big Bang Theory”!

PANEL 9

A middle aged woman leans forward towards us, a concerned expression on her face. She‘s dressed nicely in a jacket over a blouse and a simple necklace. She’s got one hand aside her mouth, as if she’s whispering to us.

WOMAN: Have you just TRIED acting NORMAL?


This cartoon on Patreon

Posted in Ableism, Becky Hawkins collaborations |

A Right-Winger’s Guide to Labor Economics

Cartoon by Barry


For want of a shoe the shoelace was lost. For want of a shoelace the shoefly was lost. For want of a shoefly the flyover states were lost. For want of the flyover states the state of grace was lost. And the only way to get the state of grace back is to support these cartoons on Patreon. Weird how that works.


TRANSCRIPT OF CARTOON

This cartoon has six panels. Every panel shows the same man, a white man with a mustache and thick hair that’s going white around the temples, who is speaking to the reader in front of an abstract color backgound. He’s wearing tan slacks, a light blue collared shirt, and a red striped necktie.

PANEL 1

A caption at the top of the panel, in big red letters, says:

A RIGHT-WINGER’S GUIDE TO LABOR ECONOMICS

The man in the necktie is looking sincere, his hands pressed together in front of him almost like he’s praying.

MAN: CEOs are infallible and holy and the government must get out of their way.

PANEL 2

The same man is suddenly exploding with anger, stomping his feet and waving his hands and yelling.

MAN: Workers are the worst! They need the constant threat of unemployment, homelessness and starvation to do anything!

PANEL 3

In a closer shot, the man looks out at the reader with an expression of bewilderment, as he shrugs.

MAN: If Luisa’s boss is illegally paying her $3.50 an hour, then $3.50 is exactly what she’s worth! I can think of no other explanation!

PANEL 4

Now the man has switched into a wise-professor-explaining pose, face calm, a finger raised to emphasize his point as he speaks.

MAN: High unemployment happens when millions of people get lazy all at once. It stays high until they all suddenly stop being lazy. Until the next recession, when they’re lazy again.

PANEL 5

A sudden, extreme closeup shows the man‘s face contorted with furry as he yells. (Wait, no, contorted with “fury,” not “furry.” I don’t know or want to know what being ”contorted with furry” is.) We can see that he’s trembling, and a little caption with an arrow pointing at him says “trembling with rage.”

The background, which up until now has mostly been a cool light purple, is bright red/pink in this panel.

MAN (yelling): When unions force rich people to pay employees more, that’s literal armed robbery!

PANEL 6

The “camera” pulls back to a full-figure shot, and his expression is now calm and smiling and a little smug. He’s got his arms crossed and is standing with one foot on the heel in a jaunty sort of pose.

MAN: Everything I say is the objective truth because I am super logical and definitely not just rationalizing my ideological beliefs and if you don’t agree then you suck at economics! LOL!


This cartoon on Patreon

Posted in Conservatives, Economic cartoons |

Regarding Those Largely Imaginary Cis Men Pretending To Be Trans Women…

Cartoon by Barry


If you enjoy these cartoons, then you’d be interested to know that many of history’s most famous people are also huge fans of my work, including Abraham Lincoln, Ada Lovelace, Margaret Thatcher (who wrote me only last week to let me know that I am objectively the greatest artist in all of history), and Ulysses. And all of them support my Patreon. So be like them!


TRANSCRIPT OF CARTOON

This cartoon has four panels, all featuring the same two characters, who are chatting on a suburban looking sidewalk.  The character on the left is a blonde woman with neat, shoulder-length hair, a white shirt with a black collar, and a purple skirt.  The character on the right is a woman with straight hair on top, dyed in streaks of orange and greenish-yellow, while the hair on the sides is orange and buzz-cut.  She’s wearing below-the-knee shorts and a tank top, and one of her arms is covered with tattoos.

For the purpose of this transcript, I’ll call these characters SKIRT and TATTOO.

PANEL 1

Skirt is talking animatedly to Tattoo, smiling and stretching her arms it to make her point. Tattoo listens with her arms crossed and a neutral expression.

SKIRT: Bathroom bans aren’t about screwing over trans people. They’re about protecting women from cis men. Otherwise, cis men would pretend to be trans to get into women’s bathrooms.

PANEL 2

A slightly different angle, so we’re now seeing Tattoo from the back. Skirt continues to smile as she explains; we can’t see Tattoo’s face, but from her body language she’s disturbed by what she’s hearing.

SKIRT: That’s why we need a law saying people can only used bathrooms that match their sex at birth. And if it just happens to harm trans people… that’s only an unfortunate side effect.

PANEL 3

A close up of Tattoo shows her frowning as she thinks, one hand rubbing her forehead.

TATTOO: Even if that were a real problem, with your law couldn’t cis men just say they’re trans men to get into women’s bathrooms? Wouldn’t it make it easier for them, since they wouldn’t need dresses or makeup?

PANEL 4

Skirt takes a step back, looking a little irritated and holding up a hand in a negating gesture. Tattoo, looking angry, is holding up her hands and yelling.

SKIRT: But if we look at it that way, there’s no reason to screw over trans people.

TATTOO: WHY IS THAT A PROBLEM FOR YOU?


This cartoon on Patreon

Posted in LGBT cartoons |

Equal Opportunity, Not Equal Outcomes

Cartoon by Barry


If you like these cartoons, you’ll probably also like sticking your toes into a mud bank and wiggling them until the neon worms come to nestle between your toes. If you can manage to stay like that for 30 hours straight despite the exhaustion and increasing pain from not moving (lifehack: bring a pillow to sit on), you’ll gain the power to walk across water. The downside is, you’ll leave glowing neon footprints everywhere you go, making it easy for the secretive government agency to track you down and throw you into their secret facility for studying people with powers. And the worst part is, the smooth-faced people in low-end businesswear who run that agency don’t like cartoons at all. So to pre-emptively get revenge on them, remember to subscribe to my patreon before they lock you up. (And say hi to the neon worms from me!)


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows the same two people walking on a path on a hillside as they talk. The person walking in front is a Black man, with a mustache and beard, wearing a t shirt with a sort of smiley face on it, except the face has a neutral expression rather than a smile. The second person is a white man with black hair in a tidy haircut, and a plaid sweater-vest over a collared shirt. For purposes of this transcript, I’m calling these two characters TSHIRT and VEST.

PANEL 1

Vest is speaking seriously as he talks to Tshirt. Tshirt is very enthused about what he’s hearing, smiling big and spreading his arms expansively.

VEST: It’s stupid to expect equal outcomes, because not everyone is equal. Some people are just born with less ability than others. What we need is equal opportunity.

TSHIRT:  “Equal opportunity” sounds great!

PANEL 2

A close-up of Tshirt and he turns to look at Vest, enthusiastically smiling as he holds up a finger while making a point.

TSHIRT: Let’s start with a massive inheritance tax. Nothing‘s a more unequal opportunity than some people being born with millions while others start with nothing.

PANEL 3

A longer shot shows more of the environment; we can see plants with long leaves in the foreground, and trees in both the foreground and background. Tshirt, still very enthused, slaps a fist into a palm as he anticipates what might be done.  Vest looks panicked, holding up his palms in a “whoa there!” gesture, eyes wide.

TSHIRT: We can use that money to make other opportunities equal. Like free college! And free health care for all! And—

VEST: STOP!  I didn’t mean any of that stuff! I just mean Black people are less intelligent so we shouldn’t try to fix race inequality!

PANEL 4

Tshirt, looking calm but also angry, has turned to face Vest, with his hands on his hips. Vest has turned away from Tshirt, arms crossed, nose held high in a snooty expression.

TSHIRT: Oh, so you’re just a complete fucking racist.

VEST: Intolerant reactions like that are exactly why I prefer to say “equal opportunity.”


This cartoon on Patreon

Posted in Economic cartoons, Racism & Racists |

Fight Medical Tyranny!

Cartoon by Barry


If you’re enjoying these cartoons, you might also enjoy being on a lush tropical island where friendly locals come up to you with a dish of fresh strawberries, which is for themselves, because they’re not here to serve you and mean sheesh why would you even assume something like that? Anyway, those locals all support my patreon, and maybe if you did too they’d give you a strawberry.


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel features the same character: A white guy with a windbreaker (one of the ones where the sleeves are a different color than the body), open over a t-shirt with a big number “1” on it. He’s talking directly to the reader.

PANEL 1

This panel shows the man on a blank background, speaking directly to the viewer, raising his hands for emphasis. He has an aggrieved expression.

MAN: A forced vaccine mandate is a slippery slope to totalitarianism!

PANEL 2

The same man, but now he’s holding a shield (painting in an American flag motif), which he’s using to fend off a HUGE vaccination needle being aimed at him by a GIGANTIC hand. The hand is wearing a blue latex glove, of the kind that many nurses and doctors wear. His word balloons are at an askew angle, for drama or something, but also because doing it that way let me fit in the word balloons without blocking off the drawing of the giant needle. Cartooning secrets revealed!

MAN: We can’t allow liberals to steal our right to make our own medical choices, based on our own values and religious beliefs!

MAN: Everyone must stand against tyranny!

PANEL 3

The man leans very close to the “camera,” so close that the top of his head and the bottom of his chin are both cut off by panel borders. He now looks angry, and he’s raised his voice. The background has turned red, reflecting his anger.

MAN: Even if the vaccine saves lives, government still doesn’t have a right to deprive individuals of our freedom!

MAN: Never! Never ever EVER!

PANEL 4

The main is smiling gently and raising a palm at the reader. The background appears to be a cozy living room; we can see framed pictures on the wall, a comfy couch with a couple of throw pillows on it, a side table and a potted cactus on the floor.

MAN: Unless they’re pregnant, of course.


This cartoon on Patreon

Posted in Abortion, Conservatives, Right-wingers, Sexism & Misogyny |

Anything to Fix the Housing Crisis

Cartoon by Barry


If you like these cartoons, then you’d probably like my cousin Edna. And if you like my cousin Edna, you’d probably also like her special tuna noodle casserole made with tabasco sauce. And if you like my cousin Edna’s special tuna noodle casserole made with tabasco sauce, then the police are interested in talking with you about an incident on Berlington Circle Avenue last Tuesday, but they say you’re not a suspect and no need to hire a lawyer. But if you do hire a lawyer, cousin Edna knows a guy. And that guy supports these cartoons on Patreon.


TRANSCRIPT OF CARTOON

This cartoon has six panels. All the panels show two women, one with spiky hair and one with curly hair, talking to each other. The spiky-haired woman is wearing a red and pink striped v-neck tee shirt, shorts, and sneakers. The curly-haired woman is wearing an orange tank top and a purple skirt with a pattern of large dots.

PANEL 1

Spiky is looking distressed, holding her hands to her head; Curly looks determined, pounding her palm with her fist.

SPIKY: The affordable housing crisis gets worse every year!

CURLY: Let’s fix this – I’ll do anything!

PANEL 2

Spiky is enthusiastic, lifting a pointer finger in the air as she makes a point. Curly turns away, holding up a palm in a dismissive way, looking annoyed.

SPIKY: Our biggest problem is the zoning laws. If we allowed taller buildings with units reserved for low-income–

CURLY: I don’t want to live close to those people!

PANEL 3

Spiky is taken aback, and makes her new point with a lot less confidence in her body language. Curly keeps her back turned to Spiky and crosses her arms.

SPIKY: Um… Let’s at least ban single-family zoning. If people could build “granny apartments”–

CURLY: That could change the “feel” of my neighborhood.

PANEL 4

Spiky clasps her hands in front as she makes a new suggestion, almost looking like she’s begging. Curly has turned back to face Spiky and looks angry, arms akimbo.

SPIKY: If we got rid of minimum lot sizes…

CURLY: Ugh! Houses built close together are ugly!

PANEL 5

Spiky makes another suggestion, looking unhappy, and Curly angrily rejects that suggestion.

SPIKY: How about eliminating parking minimums for new housing?

CURLY: And make parking spaces harder to find? Never!

PANEL 6

The characters are drawn smaller, as if we’re exiting this scene. Now Spiky looks annoyed, and her arms are akimbo. Curly looks cheerful and spreads her palms as if she’s making an obvious point.

SPIKY: So when you said you’d do “anything”…?

CURLY: Anything that doesn’t change anything.


This cartoon on Patreon

Posted in Economic cartoons |

There’s Never Been a Worse Time for Free Speech!

Cartoon by Barry


Another collaboration with Becky Hawkins!


If you like these cartoons, you can help make more happen by moving to Portland, Oregon, and specifically into the shed next to my house, and every morning wake up and break into my house and stand over me saying “write! write! draw! draw you scum draw!” over and over, for hours, until I break, and don’t forget to support the Patreon.


TRANSCRIPT OF CARTOON

This cartoon has seven panels. Each panel shows a different scene from a different era, with the first panel set in the 1890s, and each subsequent panel set in a later time period, until the final panel which is set in the present day.

PANEL 1

A bright summer day in the 1890s. In the foreground, a Black woman is watching three white men with an aggrieved posture. She’s wearing a blue dress. In the background, a uniformed police officer is talking to two other white men, one in a brown three-piece suit with matching bowler hat, while the other man looks more working-class with a white button-up shirt, no necktie, and suspenders.

Behind the men, we can see the still-smoking ruin of what was once a building.

MAN IN SUIT: We only burned down Ida Wells’ newspaper because she wrote against lynching.

COP: That seems reasonable.

PANEL 2

In the background, we can see a group of suffragettes in 1910s dresses and hats, crowded together and looking calm but nervous.  A couple of them are wearing sashes that read “votes for women.” Most of the suffragettes we see are white, but one is Black and another is Asian. The Asian woman is wearing a traditional Japanese kimono and hairstyle (modeled on Komako Kimura’s outfit and hair photographed at a 1917 suffragette march).

In the foreground, with their backs to us (so facing the women), a couple of cops are talking. One of them is slapping a palm with a billy club.

COP 1: These suffragettes were picketing the White House.

COP 2: Let the beatings begin!

PANEL 3

A wealthy looking couple, dressed in 1920s fashion (her in a blue hat with a red ribbon with flower decoration, and a matching blue jacket with puffy off-white cuffs and neck; him in an off-white suit, a straw boater with a red ribbon, blue necktie and red vest) are looking at the building across the street with some distress.

The building across the street has a sign saying “Apollo Theatre” over a revolving door entrance. A big theatre marquee over the entrances tells us that “The God of Vengeance” is playing, although the words are partly blocked by a word balloon. Another nearby sign says “Times Sq.”

WOMAN: A play with Jewish lesbians kissing?

MAN: Let’s call the police!

PANEL 4

An Asian man sits in a chair, holding up a sheet of paper. So many long horizontal strips have been sliced out of the paper that it’s made as much of holes as it is of paper. He’s wearing a collared blue shirt.

Behind him, an Asian woman leans forward to look over his shoulder. She’s wearing a red skirt and buttoned-up blouse, with a blue sweater over it. The hairstyle and clothing suggest the 1940s.

WOMAN: What’s that?

MAN: Letter from my friend Takashi in the internment camp.

PANEL 5

This panel shows two cops, a postman, and a woman in a dress. In the background, we can see a small but well-kept looking yellow house, with a tree in front and a planter under the front window.

One of the cops is putting the woman into the back seat of a police car. Judging from the woman’s hairstyle and pink, high-collared dress, this is the 1960s.

In the foreground, the postman is talking to the other cop, while pointing backwards with his thumb towards the woman. The cop is taking notes.

POSTMAN: We opened Virginia Prince’s mail and found lesbian love letters and something called “Transvestia Magazine”!

PANEL 6

We are looking at a TV set, on a table. Judging from the make of the TV and the style of the tablecloth under the TV, this is the 1970s.

On the TV a dignified-looking Black man, with white hair styled to be high on top of his head, black round glasses, and wearing a suit and tie, is speaking. (The man is Bayard Rustin.)

RUSTIN: I was arrested in the 1940s for being anti-war… In the 50s for being gay… And in the 60s for protesting Jim Crow.

PANEL 7

A current-day TV studio. Cameras and lights point at two people sitting at a table, one a middle-aged man wearing a gray suit with a blue tie, the other a younger-looking woman with black hair, glasses, and a blue short-sleeved dress. The man is spreading his arms out in an annoyed fashion while speaking, and the woman is pounding a fist on the table in front of her.  “Clap clap clap” sound effects on the bottom right of the panel indicate that the unseen audience is clapping for what the woman is saying.

MAN: Nowadays straight white men can’t say anything without being criticized!

WOMAN: There’s never been a worse time for freedom of speech!

SFX: Clap clap clap clap


This cartoon on Patreon

Posted in Becky Hawkins collaborations, Conservatives, LGBT cartoons, Racism & Racists, Sexism & Misogyny, Social Justice |

You Can’t Call Me a Homophobe if I’m Not Afraid

Cartoon by Barry


Another collab with Becky Hawkins!


If you like these cartoons, then you’re an exceptionally refined person and people all over the world are clamoring to know you to such an extent that it’s actually become difficult for you to go out in public unless you wear like, a slouch hat and big sunglasses, but that just makes you look like a spy and other spies come up to you and try to exchange briefcases and it’s just awkward and also support the patreon.


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a white man speaking directly to the reader; he has curly orange-ish hair and is wearing a loud Hawaiian shirt,

PANEL 1

MAN: Here’s a newsflash for you stupid lefties! Sometimes words aren’t literally true!

PANEL 2

The man smirks big and makes air quotes with his fingers.

MAN: Like when you call me a “homophobe” or “transphobe” just because I want those people fired from schools!

MAN: Idiot lefties! “Phobia” means “fear” but I’m not literally afraid! lol lol lol!

PANEL 3

He holds up a forefinger to emphasize his point. He’s grinning big.

MAN: You called me “white supremacist” when I said Blacks are genetically stupid…

MAN: But I think Asians are better at math than whites! So I don’t think whites are “supreme.” lolol!

PANEL 4

The man leans closer to the camera, widening his eyes and pursing his lips in a “oooh spooky” expression, while making the “mind blown” gesture with his hands on each side of his head.

MAN: The “big apple” is not a fruit! “Boxing rings” are square! “Hot dogs” aren’t dogs!

MAN: Aren’t you amazed at how clever I am? Is your mind blooown?


This cartoon on Patreon

Posted in Becky Hawkins collaborations, Conservatives, LGBT cartoons, Racism & Racists, Right-wingers |

Hold, Corporate Miscreant!

Cartoon by Barry


If you like these cartoons, you can support them by becoming and engineer and then designing a completely safe house for them to live in which will stand firm despite floods and storms and earthquakes and smoke from the endless nearby forest fires and the inevitable invading zombie hoards, or you could just support my patreon. Either way’s good.


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a scene on a city sidewalk between three people: A labor activist (carrying a “Stop the war on workers” sign), a boss type guy (wearing a suit and tie), and an Uncle Sam-like superhero (wearing the Uncle Sam hat, a big cape, and a stars-and-stripes themed leotard).

PANEL 1

The activist leans back a bit, looking unhappy, as the boss aggressively leans forward to point at her, yelling in her face. A superhero flies down, yelling with an angry expression.

BOSS: Labor organizing? Not in my company! You’re fired!

SUPERHERO: Hold, corporate miscreant!

PANEL 2

The superhero has landed on the sidewalk and is talking to the two people, with a very stern expression. The activist looks happy at this turn of events, and the boss is startled and unhappy.

BOSS: Who are you?

SUPERHERO: I’m the U.S. government! And I’m here because firing people for labvor organizing is illegal! NOW HOLD OUT YOUR HAND!

PANEL 3

A close up panel shows the boss’ hand, held out, palm facing down, and the superhero’s hand, holding a ruler. The superhero hits the back of the boss’ hand gently with the ruler. A very small sound effect says “tap.”

PANEL 4

The superhero, grinning widely, is flying up into the air. The boss, smiling, waves goodbye. The activist frowns and looks at the readers out of the corner of her eye, with a “can you believe this?” expression.

BOSS: Um… Okay, I’ve learned my lesson.

SUPERHERO (loudly): Mission accomplished!


This cartoon on Patreon

Posted in Labor rights & Unions |

Ban Treating Meningitis in Kids!

Cartoon by Barry


If you’d like me to keep making cartoons like this, the only solution is to wear a clown nose twenty four hours a day two hundred sixty days a year (you get weekends off) while standing on a street corner offering free hugs to every fifth passerby unless the passerby has a dog in which case hug the dog unless the dog looks mean in which case you need to stand on your head on your bed for twelve minutes or you could support my patreon.


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows the same two women talking as they walk through a hilly park. The lighting is a bit dim.

The first woman has long brown hair, and is wearing a plaid shirt and jeans with rolled-up cuffs. For convenience, we’ll name her “Plaid.” The second woman has short dark hair, and is wearing a tee shirt, a skirt, and black tights. We’ll name her “Skirt.”

PANEL 1

Plaid and Skirt are walking through a park. Plaid is looking a little concerned, and Skirt looks a little angry.

PLAID: I read about a fifteen year old with meningitis. They treated her with steroids, but it made things worse. she ended up wishing she hadn’t taken steroids at all.

SKIRT: Maybe we should have a law banning treating meningitis in minors?

PANEL 2

Plaid, looking a little annoyed, turns her head to speak to Skirt. Skirt looks doubtful, but raises a finger, making a point.

PLAID: What? Of course not! Think of all the kids with meningitis who are helped by being treated.

SKIRT: But some kids recover from meningitis without treatment.

PANEL 3

A closer shot. Plaid looks angry, and Skirt looks distressed, her eyes wide and her hands on her cheeks.

PLAID: But other kids need treatment! What about them?

SKIRT: You’re right! What was I thinking? Banning kids from getting medical help is obviously cruel! And irrational! Even monstrous!

PANEL 4

The “camera” has pulled away to a far-away shot. We can see the (very cartoony) landscape: rolling hills, trees and houses, distant mountains, and large clouds overhead. The two characters have their backs to the camera as they crest the top of a hill.

SKIRT: Unless the kid is trans.


This cartoon on Patreon

Posted in LGBT cartoons |

Civil Assert Forfeiture

Cartoon by Barry


The subject no one was asking for a cartoon about! And the cartoon, by me and Kevin Moore!


If you like these cartoons, then statistically you’re probably a mobile home designer from Akron whose name starts with a “C.” And you should support the patreon!


TRANSCRIPT OF CARTOON

This comic strip has four panels. The first three panels show some sort of historic scene, probably in the old west? There are bandits with guns, and a horse-drawn stagecoach, and cowboy hats, so yeah. Kevin probably did a lot of visual research, but me, I just took extreme liberties with history in order to make the gag work. 🙂

Anyhow…

PANEL 1

There are four people in this panel. Two of them are bandits, one holding a gun, the other holding a big knife (or maybe a short sword). Both of them are wearing brown leather boots, vests, and what I think of as cowboy hats. One of them has a big curly mustache.

They are pointing their weapons at a man and a woman. The woman is wearing an anikle-length blue dress with a double row of buttons on the front. The man, who has a huge thick mustache, is wearing a three-piece purple suit and a bowler hat. They have their backs to a horse-drawn stagecoach, and both of them are holding up their hands in the “I surrender, please don’t hurt me” gesture.

BANDIT WITH BIG MUSTACHE: It’s called “highway robbery.” Now give us all your money!

PANEL 2

A shot of the couple who were robbed in panel 1. They are now sitting on the ground, with their backs to a tree. They are in fact tied to the tree, with a long piece of rope wrapped around them and the tree many times. The woman looks distressed, the man just looks sad.

WOMAN: Waylaid! Robbed! How could this happen?

MAN: It’s because our society isn’t advanced enough. But someday, the government will hire thousands of heroes to protect us.

PANEL 3

The “camera” zooms in to a closer shot of them. Although they are still tied to the tree, they now look happy as they gaze into space, thinking of how beautiful the future will be.

MAN: These guardians will be men of the highest character, dedicated to helping ordinary citizens! It’ll be wonderful!

PANEL 4

We have changed time periods, and are now in a modern city.

CAPTION: Centuries later

Despite being centuries later, panel 4 is laid out to be extremely similar to panel 1 – two men are threatening a male and female couple, pointing guns at them. Behind the couple is their car, a red minivan. (I think that’s what it is, I’m terrible at cars). The couple (who look very similar to the couple from panels 1-3, except that they’re in modern clothing) have their hands raised above their heads, the “I surrender” gesture.

The big difference is that the two men threatening the couple are wearing police uniforms.

COP: It’s called “civil forfeiture.” Now give us all your money!


This cartoon on Patreon

Posted in Kevin Moore collaborations |

Cancel Culture: It Won’t Stop! (AKA Being Evenhanded the Mainstream Media Way)

Cartoon by Barry


If you like these cartoons, you can support them with a long, complicated ritual that involves watching every episode of Buffy several times (remembering always that a show like Buffy has hundreds of creators, not just the asshole showrunner) followed by late-night discussions of if hot dogs on buns are sandwiches or not, and then maybe also support the Patreon.


TRANSCRIPT OF CARTOON

This cartoon has five panels.

PANEL 1

This panel shows two news anchors sitting in a TV studio facing the camera. The angle is from the camera’s perspective, as if we were watching them on TV. A circular logo superimposed on the image says “5” (as in channel 5) and a chyron runs across the bottom of the image.

(Chyron this panel says: “Free Speech in Peril! Young people are frightening. They’re coming after you.”)

The anchors are a man and a woman. They are both well-dressed and have professionally styled hair. Both speak to the camera with very serious expressions.

MALE ANCHOR: Tonight on WMSM: the first of our seventeen part series on the horrors of cancel culture!

FEMALE ANCHOR: America has a free speech problem! We’ve lost our long established right to speak without fear of being shamed.

PANEL 2

A close-up on the male anchor. He looks genuinely angry.

(Chyron this panel says: “Prison Censorship is an issue we’re not going to be covering whatsoever.”)

MALE ANCHOR: Especially on college campuses! Surveys show that students sometimes self-censor because they’re afraid of criticism! Something that has never before happened in all of history!

PANEL 3

This panel shows a hand holding a smartphone. On the smartphone screen, we can see the female anchor talking. She also looks angry and intense.

FEMALE ANCHOR: Next up: a college student “saw people shift in their seats” when they disagreed with her! Will left wing assaults on free speech never end?

PANEL 4

This is an unusually narrow panel, less than a third as wide as other panels. The panel shows the male anchor, still talking to the camera, but the figure is tiny. He’s smiling and raising a finger in a “just making a point” manner.

(Chyron this panel: “Tiny Type is rarely re (the word is cut off by the panel edge). Tiny type tiny type tiny type tiny type”)

MALE ANCHOR (small print): To show we’re unbiased, I will briefly mention that the right is writing laws to ban books, stifle teachers and even legalize running over protesters, and those things are also bad. Now back to our story.

PANEL 5

A new scene. Two people are standing; the second of them is holding a tablet, which they’re frantically tapping (sound effect: tap tap tap tap tap tap).

The first person is a black woman wearing what looks like a bowling shirt (meaning I drew a shirt with vertical stripes and it accidently came out as a bowling shirt) and carryign a purse. She has short curly hair. She looks a little concerned as she speaks to the second person.

The second person has long hair, in an unnatural red color, in long spikes and with an undercut. Their left arm is covered with tattoos. They’re frantically tapping the tablet they’re holding (sound effect: tap tap tap tap tap tap), have a panicked expression, and they’re talking loudly.

ANCHOR PERSON (voice coming from tablet): This is what the illiberal left has wrought! we won’t truly have free speech until those on the intolerant left who criticize other’s speech shut up!

FIRST PERSON: Would you mind turning that off?

SECOND PERSON: IT WON’T STOP!


This cartoon on patreon

Posted in Media criticism |

We Must Protect Their Delicate Feelings

Cartoon by Barry


This cartoon is a collaboration between me and Becky Hawkins!


TRANSCRIPT OF CARTOON

This cartoon has four panels, and they all show the same three characters. There’s also a tiny “kicker” panel under the bottom of the strip.

1. There’s a woman with an undercut, wearing a jeans jacket, a black shirt with a cut-off bottom, torn pants and boots. She’s carrying a shoulder bag with pins or badges on it. We’ll call her “Undercut.”

2. There’s a man wearing a red t-shirt, red baseball cap, and red-and-white sneakers. He’s got a blonde van dyke beard. He’s either bald, or his hair is short enough to be hidden by the baseball cap. We’ll call him “Redcap.”

3. And there’s a well-dressed woman with a purple blouse, light green pants, and purple wedges. She carries a purse and has shoulder-length brown hair. We’ll call her “Wedges.”

The characters are standing on a sidewalk, by a bus stop sign; there’s a patch of green grass, a tall wooden fence, and a telephone pole behind them.

PANEL 1

Redcap and Undercut both seem to be waiting for a bus. Redcap is yammering on as Undercut listens. Wedges is walking into the panel from the side.

REDCAP: No one cares what WHITE people want… but when BLM protested, the police were like “sorry, Black people, we’ll do whatever you want!”

PANEL 2

Undercut, looking a little heated, begins to respond, but Wedges steps between her and Redcap, holding up her hands and interrupting.

UNDERCUT: WHAT?!? That’s the most ridiculous—

WEDGES: before you reply, consider that if you’re harsh and combative that will make him dig in and he’ll go even further right.

PANEL 3

Undercut looks up and scratches her chin, clearly making an effort. Wedges cuts her off again, putting a hand on Redcap’s shoulder and gesturing towards him with her other hand.

UNDERCUT: Ooookaaaayyy… If you look back at actual news stories, there are tons of examples of—

WEDGES: Research shows people aren’t swayed by evidence. You should center his feelings.

PANEL 4

Undercut explodes with anger, waving her hands and yelling. Wedges and Redcap walk away, Wedges with a comforting hand on Redcap’s back as a single tear rolls down Redcap’s sad face. Wedges speaks to Redcap, a sympathetic expression on her face.

UNDERCUT (yelling): ARE YOU FUCKING KIDDING ME?

WEDGES: See, this is why Trump beat Hillary.

TINY KICKER PANEL UNDER THE BOTTOM OF THE STRIP

Wedges, looking rather smug, raises a finger in a “I’m the teacher” manner as she speaks to Undercut. Undercut looks furious and yanks at her own hair.

WEDGES: Clearly you haven’t spent enough time in midwestern diners.


This cartoon on Patreon

Posted in Becky Hawkins collaborations, Conservatives, Elections |

This is Your Brain on a Diet

Cartoon by Barry


Support the making of these cartoon by supporting my Patreon! If you do, you will always be wise and good looking and your omelettes will never stick to the pan.


TRANSCRIPT OF CARTOON

This cartoon has six panels, plus an additional tiny “kicker” panel below the bottom of the cartoon.

At the top of the entire cartoon is a large caption, which says THIS IS YOUR BRAIN ON A DIET.

The first five panels show a human brain, but anthropomorphized: It has arms, legs, hands (gloved with three fingers, a la Mickey Mouse) huge eyes and a pointy crown. It’s in some sort of dimly lit round space.

The brain is speaking to a cell-like creature, with little blobs of oil falling off of it, and this creature has also been anthropomorphized, and has a mouth and two big eyes. The cell-like creature is wearing a black bowler hat.

PANEL 1

The brain is speaking a bit imperiously to the cell-like creature, who is named Mr. Ghrelin.  Ghrelin looks a little nervious.

BRAIN: Mr. Ghrelin, you have a report?

GHRELIN: Your majesty, I bring word from the stomach! We’ve been getting less food and we’re losing fat!

PANEL 2

A close-up of the brain. The brain is looking up thoughtfully into the hair, one finger pressed to the side of what I’ll call its cheek, as if its trying to remember something.

BRAIN: Less food? Losing fat? There’s a word for this…

BRAIN: What’s that word? It’s something I learned millions of years ago in evolution school…

PANEL 3

The brain has jumped up, holding the sides of its, er, head and with an extremely panicked expression; Mr Ghrelin is in turn surprised by the brain’s reaction. The word “starvation” is written in huge red letters.

BRAIN: GASP!

BRAIN: This is called STARVATION!

PANEL 4

A shot of the brain, raising its fists high as it yells, with a determined expression on its face. The background has disappeared, replaced by bright yellow, with waves of action lines (indicating great energy) shooting out from the brain.

BRAIN: I’m declaring a state of emergency!

BRAIN: Slow down metabolism! We must preserve our precious fat!

PANEL 5

The brain is now surrounded by a bunch of Ghrelin-types, each of who looks the same, except they’re wearing different hats (we can see: bowler hat, top hat, cabbie cap, 50s dad hat). The brain, still yelling, is pointing decisively as it gives marching orders.

BRAIN: Release the stress hormones! Have them produce constant, extreme hunger! And store all the fat we can! Just in case!

BRAIN: We’ll keep this up for years if necessary!

PANEL 6

A fat man sites on a sofa. Next to him, on an endtable, are a lamp, a drinking glass, and a pen. On his other side is a cell phone and a throw pillow. On the back of the sofa, there’s a folded blanket and, lying on the blanket, an orange cat. He’s wearing fuzzy slippers that are designed to look like mice, with little ears sticking up.

He’s holding a book; we can see the book’s cover, with the title “THE COMMON SENSE DIET.” A caption above the book shows what he’s reading in the book.

CAPTION: Just eat less! It’s easy!

TINY KICKER PANEL BELOW THE BOTTOM OF THE STRIP

Mr. Ghrelin is speaking to the brain again; the brain is facing away and looking anxious.

GHRELIN: Good news! We’re getting normal amounts of food again.

BRAIN: But for how long? Better store more fat.


This cartoon on Patreon

Posted in Barry's favorites, Fat Acceptance |

What We Can Afford

Cartoon by Barry


This comic is by myself and Kevin Moore.


IF you like these cartoons, support them like a suspension bridge after the holidays but before three shakes of a cat’s tale of woe by supporting my patreon!


TRANSCRIPT OF CARTOON

This cartoon has six panels. Each panel shows the same two people talking, a middle-aged male politician type wearing a well-tailored suit, and a younger woman wearing a jeans jacket over an untucked yellow shirt.  We’ll call the two characters “SENATOR” and “ACTIVIST” for purposes of this transcript.

PANEL 1

Senator and Activist are talking, although the Senator doesn’t look like he wants to be in this conversation – he’s looking at his cell phone. The activist is facing him and looks serious, holding a palm up in a “here’s the point I’m making” gesture.

ACTIVIST: Good welfare programs can actually save the government money. Homes for the homeless, health care for children and pregnant women, free pre-K education, good vocational education in prison… All these programs save us money in the long run.

PANEL 2

A close-up of Activist, smiling and pressing a forefinger to the side of her head.

ACTIVIST: We should do these tings because they’re the right thing to do… But they’re also the smart thing to do.

PANEL 3

The camera has backed up enough so that we can see that the two of them are standing on a big pile of cash. The senator is smiling and shrugging. The activist is gesturing at the cash they’re standing on.

SENATOR: Even if that’s true, we just can’t afford it! The debt, the deficit… The country’s broke!

ACTIVIST: What is this we’re standing on?

PANEL 4

The “camera” has pulled back even more, and we can now see that the two of them are standing on top of a huge load of money being carried by an enormous dump truck. There’s so much money that it rises high above the sides of the truck’s, um, you know, that space that big trucks have that they carry their loads in. I’m sure there’s a word for it, but I don’t know what that word is. Anyway, the pile of money rises high above whatever we call that.

(The word “Moola” is painted on the front of the truck).

SENATOR: This? One of our daily dump trucks full of money for huge tax breaks for rich people and big corporations.

ACTIVIST: And what is the truck standing on?

PANEL 5

The “camera” has pulled back even more, and now we can see that the dump truck full of money is parked on top of a pile of money that’s huge even when compared to a giant dump truck. The money is on top of a cargo ship, which is floating on the ocean.

Se can still make out the Senator and the Activist, but the camera is now pulled back so far that they’re little more than tiny dots.

SENATOR: Let’s see… The truck is on top of one of our daily cargo ships full of money for the military.

PANEL 6

The “camera” has zoomed back in to a close shot of the two people. The Senator is talking with a neutral expression. The activist is face-palming.

SENATOR: Why? What’s your point?


This cartoon on Patreon

Posted in Economic cartoons, Kevin Moore collaborations |

How Could It Be Hard To Get Voter I.D.?

Cartoon by Barry


If you enjoy these cartoons, help us make more by embracing world atheism, becoming a witch, accepting contradictions, and supporting my patreon!


TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different scene. In addition, there’s a small “kicker” panel under the fourth panel.

PANEL 1

The panel shows a counter at a fast food restaurant. We can see a couple of customers, and a couple of workers. The workers are wearing hats that very vaguely resemble hamburger buns. A sign on the wall shows a smiling hamburger with eyes, below the caption “Soilent Green YUM.” A smaller sign says “SAFETY” in larger letters followed by tiny print, which says “is a word we use a lot so you can’t sue us.”

The worker at the cash register is turning to speak directly to the reader.

WORKER: To get an official photo I.D., I have to go to the nearest government office, which is 90 miles away, and I don’t have a car, and even if I did my boss won’t give me a weekday off.

PANEL 2

We’re in what looks like someone’s back yard. In the foreground is a garden, with some sort of plant being grown in tidy rows. An elderly woman is kneeling on the ground in front of the garden, wearing a floppy straw hat, an apron with a floral patter, and holding a trowel. She speaks directly to the reader.

WOMAN: I can’t get I.D. without a birth certificate. But when I was born home births didn’t get birth certificates.

PANEL 3

A mover wearing jeans and a black tank top is carrying a sofa as he’s talking to the reader. (Presumably someone else is carrying the other end of the sofa, but that person is outside the panel border). It’s a little dark out, and this appears to be a residential area – he’s on a sidewalk, and there’s some grass and trees and an outdoor wall in the background.

MOVER: The state charges $60 for a driver’s license…. but first I’d need a copy of my birth certificate, which is $30. I can’t afford 90 dollars to vote!

PANEL 4

This panel shows the interior of a coffee shop. There are round tables, a big window showing some houses across the street, and a mural of a smiling coffee mug on the wall. A man and a woman sit together at a table, with mugs of coffee on the table. He is reading from a tablet he’s holding and looking annoyed as he talks. She is looking at a laptop, and doesn’t look up as she responds.

MAN: Why wouldn’t anyone be able to get an I.D.? Idiots!

WOMAN: People like that don’t deserve to vote.

SMALL KICKER PANEL UNDER THE BOTTOM OF THE CARTOON

The man from panel 4 is yelling a bit at a drawing of Barry (the cartoonist).

MAN: If it’s easy for me it must be easy for everybody! That’s just science!


This cartoon on Patreon

Posted in Elections |

Abortion Should Be Decided By The States

Cartoon by Barry


If you like these cartoons, then support them on Patreon, where every day is hat day!


I’m not at all sure it comes across, but attempting to draw 1980s hair in panel one was so much fun. And yes, Reagan’s campaign did use the slogan “Let’s make America great again.” (The only thing Republicans believe in recycling is ideas.)


TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a different scene, with a different person or group of people talking to the viewer.

PANEL 1

A man with a “Reagan ’80: Make American Great Again” t-shirt and blonde hair in a mullet is talking with a somewhat angry expression, raising a forefinger to make his point. Next to him, a concerned-looking woman with a leather jacket and ENORMOUS hair is speaking with her hands clasped together.

CAPTION: 40 years before Roe v Wade is overturned.

MAN: Roe is wrong! Abortion is too important for the federal government to decide for everyone.

WOMAN: We should leave it to the states.

PANEL 2

A woman stands alone in front of a sidewalk; behind her is a patch of grass, a couple of trees, and a stone wall. She’s wearing a red skirt with a pattern of circles, and a t-shirt that says “GORE is a BORE.”  She’s smiling and talking with her palms out.

CAPTION: 20 years before Roe is overturned.

WOMAN: Without Roe, every state could make its own abortion policies.

WOMAN: Which is how it should be!

PANEL 3

This panel shows a crowd of white men. All of the men are wearing dress shirts, jackets, and neckties, except for one man who is in “Tea Party” cosplay, including a tricorn hat, although I’m not sure that anyone can tell it’s a tricorn hat because it turns out that tricorn hats are hard to draw.

In the center of the panel, one man is grinning big and speaking to the readers. He has glasses and parted blonde hair.

CAPTION: 10 years before Roe is overturned.

MAN: Let the states decide. That’s all we’re saying.

PANEL 4

A man and a women, both dressed in gender-typical business wear, are speaking to reporters; the reporters aren’t in panel, but we can see their hands holding microphones, which are pointed at the speakers. We can see in the background that we’re on the steps of some sort of fancy, large building with pillars and arches (I’m hoping people will see that and assume it’s a government building of some sort).

The man is smiling big and holding a little stack of papers. The woman is clasping her hands and speaking with an earnest expression.

CAPTION: Ten minutes after Roe is overturned.

MAN: Our new law bans abortion nationwide.

WOMAN: Abortion’s too important to be left to the states!


This cartoon on Patreon

Posted in Abortion, Sexism & Misogyny |