Who Would You Rather Meet In The Forest?

Cartoon by Barry

This cartoon is by me and Nadine Scholtes.

TRANSCRIPT OF CARTOON

This cartoon has five panels, arranged as a four-panel strip, and then an “extra” panel below the bottom of the strip.

PANEL 1

We’re in the break room in an office building. There’s a poster on the wall, a counter, a coffee maker. There are two people who both look to be in their 20s or early 30s, both wearing office-appropriate clothing. There’s a woman with pink hair, wearing a white blouse and a dark gray suit, and a man wearing a dress shirt with the sleeves rolled up and a dark gray tie. Both are holding coffee mugs.

There’s a bottle of honey on the windowsill.

The man is asking a question, just making small talk; the woman is looking a little surprised by his question.

MAN: So if you were alone in a forest, would you rather run into a strange man… or a bear?

PANEL 2

The woman, looking a little pensive, speaks. The man replies to her with an angry expression and body language.

In the window behind them, unnoticed by either of them, a large brown bear is stealing the jar of honey, and watching the humans with a slightly surprised expression.

WOMAN: Oh, hmm… I think, the bear.

MAN: How can you SAY that?

PANEL 3

The man is now full on yelling, waving his coffee mug. The woman winces back, holding her hands protectively over her chest. In the window, the bear looks frightened, and ducks away.

MAN: You’re demonizing men! It’s MISANDRY!!

PANEL 4

The women walks away, her back to the man, an irritated expression on her face. The man doesn’t seem to catch that she’s being sarcastic; he’s smiling and calm, happy to have (in his mind) won the argument. The bear, and the honey pot, are both gone.

WOMAN: Good point. Why would I ever fear men’s reactions?

MAN: Exactly!

MAN: …where did the honey go?

EXTRA PANEL BELOW THE BOTTOM OF THE STRIP

The bear and the woman are talking. The woman holds out her coffee mug for the bear to put some honey in.

WOMAN: At least if you maul me, people won’t say I made it up or I’m misinterpreting.

BEAR: I hear you.

CHICKEN FAT WATCH

“Chicken fat” is a long-dead cartoonists term for unimportant but hopefully amusing details.

PANEL 1: A workplace-motivation style poster on the wall shows a cartoon raccoon wearing a striped shirt like a cartoon criminal. It’s holding a coffee mug in one hand, giving us a thumbs up with the other, and winking. The caption on the poster says “Long coffee breaks rob the company.”

The man’s coffee mug has “Nice Guy” printed on it.

PANEL 2: The motivational poster has changed It now shows The White Rabbit from Alice in Wonderland glaring at us and pointing to his oversized pocket watch. A large caption at the top says “WORK!” and a subcaption at the bottom says “don’t waste time reading posters.”

PANEL 3: In the first two panels, the man was holding a spoon in one hand (to stir his coffee). In this panel, we can see that in his anger he bends the spoon in his hand.

Who Would You Rather Meet In The Forest? | Patreon

Posted in Nadine Scholtes collaborations, Sexism & Misogyny |

In My Day, Young Women Never Dressed Like That

Cartoon by Barry

This cartoon is another collaboration with Becky Hawkins.

TRANSCRIPT  OF CARTOON
This cartoon has nine panels. 
The center panel (what you might call the Paul Lynde panel) is taken up mostly by large red lettering on a scroll. The lettering says IN MY DAY, YOUNG WOMEN NEVER DRESSED LIKE THAT. Each of the remaining eight panels shows a single speaker.
 
PANEL 1
A middle-aged woman who looks like a successful politician – blue suit jacket over a red blouse, and slightly wavy hair that’s clearly been done by a professional – speaks at a podium, her hands on her hips. She has an annoyed, judgmental expression. 
WOMAN: I hate how young women today flaunt their bodies by wearing revealing clothing! Can’t they dress like we did?
 
PANEL 2
A blonde woman sits at a desk with a laptop open in front of her. There’s a nice but also kind of fussy lamp on the desk, her blonde hair is combed to the side without a strand out of place, and her red blouse is buttoned to the top button; she gives the impression of being extremely straight-laced.
WOMAN: “Women nowadays dress too sexy in see-through tops, bare mid-riffs, halters and tube tops.” –Chicago Tribune, July 2000
 
PANEL 3
A man in a brown suit and tie, carrying a newspaper rolled up under his arm, makes an angry, dismissive gesture as he speaks. His short hair and his brown fedora look 1950s.
MAN: “American women have too much of themselves showing — that would never do in Europe.” –Capital Times, 1954
 
PANEL 4
An older woman wearing a blue cloche hat and a brown coat with a thick fur collar is holding a hanky to her eye as she cries.
WOMAN: “Women dress too scantily! Lately the sights that meet the eye on streets makes self-respecting women feel ashamed!” –Evening Sun, 1934
 
PANEL 5
This is the center panel. It’s mostly filled by large red lettering on a scroll. The lettering says IN MY DAY, YOUNG WOMEN NEVER DRESSED LIKE THAT. 
The scroll has two young women leaning on it. The woman on the left wears a flapper dress with a sailor’s collar and a cloche, both mint green with pink highlights.
The woman on the right is extremely contemporary – a long coat with holes exposing her shoulders, a short skirt, bare midriff, cool clunky boots, and dyed green hair in an undercut.
 
PANEL 6
A white haired man with an impressively groomed white gray mustache raises a forefinger as he speaks, like a professor making a point. He’s lifting one eyebrow like Spock, but we know that he would never be as cool as Spock was, let alone as cool as Leonard Nimoy was.
“I condemn the scantily-clad, jazzing flapper. To whom a dance, a new hat, or a man with a car, are of more importance than the fate of nations.” –Dr. R. Murray-Leslie, 1920
 
PANEL 7
A cheerful-looking older woman squints. She’s wearing oval glasses, a blue bonnet, a short gray cape around her shoulders, and a blue long-sleeved blouse. One of her hands holds a Bible, while she’s pressing the fingers of the other hand into the center of her chest in an “oh dearie me” gesture. Other than her face and hands, not a millimeter of skin is exposed.
CARRIE NATION: “Women dress too gaily.  They should be more Modest and wear clothes something like what I’m wearing.” –Carrie Nation, 1901.
 
Panel 8
A middle-aged man wearing one of those gray curly wigs that upper-class aristocrats used to wear speaks with angry, wide-eyed fervor.  He’s wearing dark gray judge’s robes.
JOHN WESLEY: “Gay and costly apparel creates and inflames lust. It kindles a flame that will plunge you and your admirers into THE FLAMES OF HELL!” –John Wesley, 1786
 
Panel 9
A middle-aged man with a thick brown beard holds an open scroll and is reading it. He’s wearing brown robes and a light brown head wrapping, and looks extremely stern.
TERTULLIAN: “Make-up is fittingly called womanly disgrace. The care of hair and of those parts of the body that attract the eye is prostitution!” –Tertullian, 197 A.D. 

In My Day, Young Women Never Dressed Like That | Patreon

Posted in Becky Hawkins collaborations, History, Sexism & Misogyny |

Only Some Can Be Objective

Cartoon by Barry

A cartoon by me and Nadine Scholtes.

TRANSCRIPT OF CARTOON

This cartoon has three panels – although the final panel is divided into two sub-panels, as we shall see.

PANEL 1

In a newsroom (we can see a desk, and framed front-page stories on the wall), an older reporter, who is white and male, is talking to a younger Black reporter. The older reporter is wearing an off-white shirt with a red necktie; the younger reporter is a bit more casually dressed in a gray polo shirt. Let’s call the older reporter “NECKTIE.”

Necktie has his arms folded behind his back, and a condescending expression.

NECKTIE: Percy, you can’t write about police violence. You’re not objective.

PANEL 2

We are looking at Necktie again. In the background, we can see a young male reporter, with a red shirt and glasses, and a younger female reporter, wearing a jacket over a light pink blouse, both sitting behind desks.

NECKTIE: Just like Joey can’t write about trans issues.

NECKTIE: And Alicia tweeted about being sexually assaulted. So she can’t write sex crime stories. Reporters must be objective!

PANEL 3

This panel is divided into two sub-panels. The first panel shows Alicia, having stood up, speaking critically to Necktie; Necktie has his arms folded and is grinning.

ALICIA: But by that standard, isn’t everyone “biased”?

NECKTIE: Not quite everyone.

A thought balloon leads from Necktie’s head to the second (and larger) sub-panel. This panel shows Necktie, now wearing a jacket, a crown, and a sash that has “cis white male” printed on it, standing on a little platform so he’s above the other three reporters. The other three reporters are enthusiastically cheering for Necktie, and Alicia is swooning a bit with little hearts in the air around her head.

Behind Necktie is an enormous lit-up sign – the kind with a border made of light bulbs. The sign says, in large letters, “ALWAYS OBJECTIVE.” Balloons and confetti and roses fall from above. The balloons have lettering, which say things like “upper class” “white” “cis” “male” “abled” “thin” and “straight.”

CHICKEN FAT WATCH

“Chicken fat” means easily-overlooked and meaningless details in a cartoon the cartoonists put in, which maybe you (and they) find amusing. In this case, the chicken fat can be found in the framed newspapers on the walls in the background.

In panel 1, there are two such newspapers, each partly blocked by foreground elements and by word balloons. Both of them are for a newspaper named “Background Tribune.”

The first is almost entirely blocked by Necktie standing in front of it. But since I wrote it, I know that it says “NO ONE CAN READ THIS! Virtually Entire Text Hidden By Drawings.”

The second article is less blocked, and says “KISSINGER DEAD. Sun Shines Bright, Babies And Unicorns Celebrating.” (Although I wrote the script for this cartoon years ago, I added in the chicken fat on November 29 2023, the day Henry Kissinger died.)

In panel 2, the newspapers on the wall are such tiny elements of the background that I doubt anyone will be able to read them online (although they might be legible in the eventual book collection). The first says “NO ONE CAN READ THIS! This Text Is Simply Too Tiny To Be Legible.” The second says “NO ONE CAN READ THIS ONE EITHER. This Gag Is The Same As The Other One.”

Only Some Can Be Objective | Patreon

Posted in Media criticism, Nadine Scholtes collaborations, Racism & Racists, Sexism & Misogyny |

Women Need To Be More Warm And Approachable

Cartoon by Barry

TRANSCRIPT OF CARTOON

This cartoon has five panels.

PANEL ONE

We’re looking at a few students standing on a grassy area, with paths and trees, between large academic buildings. In the foreground, a good-looking student with neatly combed brown hair and a purple polo shirt is reading something on his phone. In the background, two more students – a woman with orange curly hair (I’ll call her Claire), and a man with a small beard and his hair in a ponytail (I’ll call him Ponytail)- are looking at the foreground student. Claire looks concerned, Ponytail is in cheerful lecture mode.

CLAIRE: That guy’s in my sociology class… He’s bitter and angry at women. Why are some guys like that?

PONYTAIL It’s because too few women are warm and approachable.

PANEL TWO

A close-up of Claire shows her looking back towards the man she pointed out and smiling.

CLAIRE: Hmmm… Excuse me a minute.

PANEL THREE

Claire has walked up to the guy in the purple polo shirt; we can now see he’s sitting on a public bench. He’s pleased and very surprised that she came up to him. She waves and smiles as she speaks.

CLAIRE: Hi, I’m Claire. We’re in Sociology together.

PANEL FOUR

A caption at the top of panel four says A FEW WEEKS LATER.

Panels four and five both show Claire and Ponytail sitting together at a round table in a cafe of some sort; there are framed photos on the wall, and large windows behind them, showing an area with a big tree. Claire has a coffee mug in front of her, and Ponytail is looking at a newspaper he’s reading.

In panel four, Claire is talking a bit angrily on her cell phone, waving her other arm a bit.

CLAIRE: Look, I don’t owe you being your girlfriend because I was nice to you! Just leave me alone!

PANEL FIVE

Ponytail hasn’t moved at all, speaking without looking up from his paper, Claire has laid her head on the table in a despairing sort of way.

CLAIRE: Great. Now I have a stalker.

PONYTAIL: It’s your own fault for being warm and approachable.

CHICKEN FAT

“Chicken fat” means easily-overlooked and meaningless details in a cartoon the cartoonist put in, which maybe you (and they) find amusing.

Panel one: Not really a gag, but Ponytail’s t-shirt has a traffic light design, which I rather like and think would make a good shirt.

Panel four: In the background, there’s a photo of Wilma Flintstone on the wall.

The headline of Ponytail’s newspaper says “Background Detail Monthly.”

Panel five: The photo on the wall in the background has changed to being Pearl from “Steven Universe.”

The headline on the paper now says “I think therefore I nsomnia.”

The coffee mug on the table, in panel four, had cartoon lighting on it; it now has a cartoon rainstorm on it.

Outside the window, Michael and Janet from the TV show “The Good Place” are looking in.

There’s also a squirrel.

Women Need To Be More Warm And Approachable | Patreon

Posted in Sexism & Misogyny |

The Time Before Gender Ideology

Cartoon by Barry

Another collaboration with Becky Hawkins!

TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different scene.

PANEL 1

Three children are playing on the carpeted floor; behind them we can see a wooden dresser, one drawer left open, and wallpaper with a pattern of hearts. There’s a jewelry box open on the floor with them, and they are wearing dresses (and in one case, a slip) over their ordinary clothing, opera gloves, a hat with a veil attached, etc.. Judging by hair length, they are two girls and one boy.

OFF-PANEL ADULT VOICE: Bobby, take that OFF! Dresses are for GIRLS!

PANEL 2

A girl’s bedroom; posters on the wall, a bed with a pink blanket matching the pink phone and lamp on the nightstand, snacks and backpacks lying on the floor. Three girls are on the floor, lying on bedrolls, dressed in sleep clothing (we can see Ariel from The Little Mermaid on the back on one’s shirt, and a rearing unicorn on another‘s). A fourth girl is lying on the bed. The girl on the bed is speaking to one of the girls on a bedroll; the girl on bed is cheerful, the girl on the bedroll looks nervous.

GIRL ON BED: Which boy do you like?

GIRL WITH UNICORN SHIRT: Keep in mind that your answer WILL be dissected by us and you’ll be ostracized if we don’t like it.

PANEL 3

A schoolyard or sports field; green mown grass, bleachers in the background. Three boys, standing, are surrounding and making fun of a fourth boy, who is sitting cross-legged on the ground and holding a book protectively. Two of the bully boys are grinning; a fourth is yelling loudly.

1st BULLY: Roger is weak and bad at sports and he reads a lot.

YELLING BULLY: UNACCEPTABLE! Let’s hit him and tell everyone he’s gay!

PANEL 4

We’re in an Apple Store, or something similar; white walls, widely-spaced counters displaying tablets, phones and laptops. A middle-aged man, scowling, with close-cropped hair and a dark tee shirt, is glowering at a couple of younger people. The two younger people are a bit gender-ambiguous in their dress. One is wearing a newspaper boy style cap with a rainbow-striped crop top shirt, suspenders, and big clunky purple shoes; they’re giving the middle-aged man the finger. The other has long hair, a van dyke beard, and is wearing a green floral jumper.

SCOWLING MAN: There was never any “gender ideology” when I was a kid!

In The Time Before Gender Ideology Existed | Patreon

Posted in Becky Hawkins collaborations, LGBT cartoons, Sexism & Misogyny |

Turning Men Down In Public

Cartoon by Barry

This cartoon is a collaboration between Becky Hawkins and I.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Every panel focuses on the same central character, a red-haired woman with her hair in a bob, but each panel shows a different scene.

PANEL 1

The woman is in a public laundromat, picking up something out of one of the rolling baskets they have. She’s wearing dark gray leggings and a long blue shirt. We can see rows of washing machines or driers with round windowed doors on the front, and a table with some folded laundry on it. There’s a TV on the wall, showing a reporter speaking. The woman is looking at the TV with mild alarm – she has a “!” floating over her head.

TV: …shot by a co-worker after she repeatedly turned him down…

PANEL 2

The woman is now sitting near the corner seat of a New York City subway car. A man is standing near to her, leaning forward to peer at a subway map on the wall. The woman is wearing some nice-looking brown boots, jeans, and a brown leather jacket. She’s leaning away from the map-reader a bit. She’s balancing her backpack on her lap with one hand, and holding up her phone to read it in her other hand.

PHONE: …when the woman ignored his advances, police say he dragged her off the subway and…

PANEL 3

The woman is walking along a city sidewalk. It looks like NYC again – we can see, across the street, fire exits over a sushi restaurant. A bike delivery person pedals by, wearing a big blocky backpack that says “SNAX” on it. Across the street, a man in a white tee shirt is turning and calling something; he’s smiling.

The woman doesn’t seem to hear him. She’s wide-eyed now, listening to her phone through earbuds. She’s wearing jeans, brown high-top sneakers, and a red plaid shirt.

PHONE: …five year old boy was thrown off a third floor balcony at Mall of America. The man was angry because multiple women at the mall had turned him down…

PANEL 4

The woman now appears to be at home, in her kitchen; she’s sitting at a table, leaning on one hand and looking attentive but also tired. She’s wearing a blue tee shirt. On the other side of the table, a blonde man with a full beard – probably a husband or boyfriend – is grinning as he waves a hand dismissively.

MAN: If someone hits on you, just tell him “no.” What’s so frightening?

Turning Men Down In Public | Barry Deutsch on Patreon

Posted in Becky Hawkins collaborations, Sexism & Misogyny |

A Brief Taxonomy of Pro-Lifers

Cartoon by Barry

“Support me on Patreon or there will be no more cartoons,” said the Boy who Cried No Cartoons. But the people didn’t support him on Patreon, and yet there kept being more cartoons, and that’s how everybody knew the Boy Who Cried No Cartoons was bullshit. So everyone in town got together and dragged the Boy out of bed and beat the Boy with sticks, until the Boy burst open and hundreds of new cartoons burst out, and then everyone had all the cartoons they could eat and more they could burn for warmth and life was good.

TRANSCRIPT OF CARTOON

This cartoon has twelve panels, arranged in a 3×4 grid. Each cartoon has a large caption, and below the caption, a character that the caption refers to.

At the very top of the cartoon, large letters in a friendly font say:

A BRIEF TAXONOMY OF PRO LIFERS

PANEL 1

A woman is weeping so copiously that the air around her is being filled with dozens of flying teardrops.

CAPTION: CRY BABY

WOMAN: Poor babies! Babies, babies babies! I’ll support anything to save babies!

WOMAN: (Just the unborn ones.)

PANEL 2

An older man wearing a suit and tie is speaking to an off-panel reporter (although we can see the reporter’s hand holding out a microphone. In letters so tiny no one will ever read them, a logo on the mic says “LOGO”).

CAPTION: WOMAN’S BODY KNOWER

MAN: In a rape the woman’s body just shuts that down, abortion is never needed to save a life, and if a woman swallows a pill it comes out her vagina. It’s just science!

REPORTER: Thank you, Senator.

PANEL 3

A man with a mustache holds up one hand, palm out, while his other hand holds a bible against his chest. He has his eyes closed and looks reverent. In the background, we can see some church-style fancy windows.

CAPTION: DEFINITELY NOT A THEOCRAT

MAN: I only want to force everyone to follow my religion’s rules. How does that make me a “theocrat”?

PANEL 4

A redheaded woman is, through a cartoon effect, turning her head rapidly and showing two different expressions. The first expression is angry (and she’s shaking a fist on that side); the second expression is extremely calm, and she’s holding up an index finger as if making an academic point.

CAPTION: THE SLUT SHAMER

WOMAN: DIRTY SLUTS MUST BE PUNISHED!

WOMAN: I mean, “take responsibility for their choices.”

PANEL 5

An angry white man, with messy hair and radiating waves of angry energy, is holding up his smartphone facing towards us, as he yells at us.

CAPTION: RACE OBSESSED WHITEY

MAN: Some Blacks have abortions which makes liberals the real racists MARGARET SANGER RACIST GENOCIDE!

MAN (smaller letters): Watch these videos they’ll only take 3 or 4 hours.

PANEL 6

A teenage girl looks at the reader with wide, sincere eyes. She’s holding a big sign which says “Abortion Murders Babies.”

CAPTION: THE SPECIAL ONE

GIRL: I’m different! I needed my abortion! My whole life could have been upended!

PANEL 7

A woman wearing a ringer tee-shirt with a smiley-face “Woman” symbol on it speaks angrily towards the viewer, waving her arms.

CAPTION: THE PRO-LIFE “FEMINIST”

WOMAN: Nothing’s more sexist than allowing women to make essential personal choices for ourselves!

PANEL 8

A handsome man with tidy hair is grinning hugely as he speaks to us. He’s sweating copiously and his tongue is hanging out of his mouth, both cartoonese for “this person is a horny pervert.”

CAPTION: SADIST BY JESUS-PROXY

MAN: BABY-KILLER! Jesus will burn you in hell for a million years! Endless pain in the flames!

MAN (smaller letters): heh heh heh yeaaah

PANEL 9

A man with well-coiffed hair, wearing a gray suit with a black tie, is sitting at a long table of the type Justices sit at during Senate confirmation hearings. He’s smiling and speaking into a microphone attached to the table.

CAPTION: JUSTICE IS SHAMELESS

MAN: If confirmed, I will overturn Roe, and we all know it. But I won’t be confirmed if I say that, so I’ll just say “it’s precedent.”

PANEL 10

A man with short-cropped hair and a small pointed chin-beard is typing furiously into a laptop. His word balloon points to the laptop, indicating what he’s typing.

CAPTION: POOR OPPRESSED MALE

MAN: Men can’t have abortions! So abortion has to be illegal! That’s what equality means!

PANEL 11

A hand is holding a smartphone. On the smartphone screen, we see a man with tidy hair and a worried expression cupping an ear with his hand, as if he’s miming listening to something.

CAPTION: DEAD BABIES LIVE MONEY!

MAN ON PHONE: Listen carefully and you’ll hear the unborn babies talking to you! They’re saying “donate $50 today!”

PANEL 12

This panel shows two people standing side-by-side, a man and a woman, speaking directly to the reader. They are both well-dressed, him in a suit and tie, her in a blouse with puffy short sleeves, and carefully done makeup and hair. They’re both smiling.

CAPTION 1: THE HUMANITARIANS

MAN: So our laws make doctors turn away victims of pregnancy complications and child rape…

WOMAN: Well, boo hoo!

PANEL 13

A woman stands alone in a field, talking directly to us with an angry expression while she points to something on her smartphone.  She has curly black hair and is wearing a black dress with a square-cut neckline.

CAPTION: MISS PRIORITIES

WOMAN: Sure, our abortion bans might kill people – but what’s REALLY horrible is that a columnist used the term “pregnant PEOPLE!”

PANEL 14

A young, wide-eyed teen is talking to an adult woman who is waring a white coat and has her hair in a bun. The woman is grinning but also pointing an accusing finger at the teen.

TEEN: Your ad said to come here for information about abortion?

WOMAN: We’re here to provide non-judgmental help! So tell me, why are you considering becoming a baby murderer?

CAPTION: CRISIS PREGNANCY SCARE

PANEL 15

This panel has two captions, a title caption at the top like the previous fourteen panels had, and a smaller caption floating in the middle of the panel. The panel is otherwise blank.

CAPTION 1: REALLY CARES ABOUT WOMEN

CAPTION 2: No examples found.

This cartoon on Patreon

Posted in Abortion, Barry's favorites, Sexism & Misogyny |

The Adventures of Timmy the Six Week Fetus!

Cartoon by Barry

This one’s a collaboration with Kevin Moore.

TRANSCRIPT OF CARTOON

This cartoon has six panels.

PANEL 1

This panel shows two teenage boys. One of them, John, has floppy blonde hair and is wearing a red t-shirt with a big horizontal yellow stripe. The other, John’s friend, has messily-cropped orange hair, zits, and a blue t-shirt.  John is rolling his eyes and looking aggrieved.

JOHN: I’m going out to hang with the boys, Ma!

MA (off-panel): John, you can go if you take your little brother.

JOHN: Aw, Ma, do I have to? Timmy’s such a drip!

PANEL 2

This panel is mostly taken up by the title, which is written in a big, cheerful-looking font that’s colored red and pink, with shiny white highlights.

THE ADVENTURES OF TIMMY THE SIX WEEK FETUS

Below the title lettering is a drawing of Timmy, a six week fetus, which looks sort of like a red lizard curled up into itself. Timmy has a little cartoon smile. A little curly label pointing to Timmy says “1/4 inch.”

TIMMY: I’m just like any other kid!

PANEL 3

John’s friend, in the foreground, is leaning forward and peering through a magnifying glass. In the background, John has his hands shoved into his pickets and is pouting.

FRIEND: You brought your stupid little brother with you, John?

JOHN:  It sucks! Ma made me take him!

PANEL 4

This panel shows two men with bandanas covering their lower faces riding by on bikes. They’re each holding a machine gun of some sort (I’m sure that someone will let me know that it’s not really a machine gun, it’s technically an [insert specific type of gun here], and let me assure you in advance that I really don’t care) , which they’re firing towards the sidewalk. Sound effects by the guns read “brapp brapp brapp.”

CAPTION: Suddenly… A random drive-by Antifa shooting!

ANTIFA DUDE: Ha ha ha! Take this!

PANEL 5

A shot of John, looking shocked and frightened. A bullet is on a path to hit John in the heart, but Timmy (who is too small to be seen, but we can see the zip line indicating his path) jumps in front of the bullet, which bounces off Timmy to the side.

JOHN: Gasp! Timmy jumped in front and took the bullet for me! And now Timmy’s dead!

TIMMY: Gak!

PANEL 6

In the foreground, John is kneeling, holding his cupped hands in front of him, as if he’s holding Timmy’s invisibly tiny body in them, and has raised his face towards the sky. John is weeping hard.

In the background, on one side of John, we see John’s friend lying on the ground in a spreading puddle of blood. The Friend has little “x”s for eyes, indicating that he’s dead. (I told Kevin that he could choose drawing the friend alive but shocked and sad, or dead, but I was 99% sure Kevin would go for the corpse option.)

Also in the background, on the other side of John, is Jesus Christ, with his arms folded across his chest, looking very stern.

JOHN: Why didn’t I love you like you deserved, Timmy?

JOHN: WAAAAH!

JESUS: I’m so disappointed in you, John.

This cartoon on Patreon

Posted in Abortion, Barry's favorites, Kevin Moore collaborations, Sexism & Misogyny |

Fight Medical Tyranny!

Cartoon by Barry

If you’re enjoying these cartoons, you might also enjoy being on a lush tropical island where friendly locals come up to you with a dish of fresh strawberries, which is for themselves, because they’re not here to serve you and mean sheesh why would you even assume something like that? Anyway, those locals all support my patreon, and maybe if you did too they’d give you a strawberry.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel features the same character: A white guy with a windbreaker (one of the ones where the sleeves are a different color than the body), open over a t-shirt with a big number “1” on it. He’s talking directly to the reader.

PANEL 1

This panel shows the man on a blank background, speaking directly to the viewer, raising his hands for emphasis. He has an aggrieved expression.

MAN: A forced vaccine mandate is a slippery slope to totalitarianism!

PANEL 2

The same man, but now he’s holding a shield (painting in an American flag motif), which he’s using to fend off a HUGE vaccination needle being aimed at him by a GIGANTIC hand. The hand is wearing a blue latex glove, of the kind that many nurses and doctors wear. His word balloons are at an askew angle, for drama or something, but also because doing it that way let me fit in the word balloons without blocking off the drawing of the giant needle. Cartooning secrets revealed!

MAN: We can’t allow liberals to steal our right to make our own medical choices, based on our own values and religious beliefs!

MAN: Everyone must stand against tyranny!

PANEL 3

The man leans very close to the “camera,” so close that the top of his head and the bottom of his chin are both cut off by panel borders. He now looks angry, and he’s raised his voice. The background has turned red, reflecting his anger.

MAN: Even if the vaccine saves lives, government still doesn’t have a right to deprive individuals of our freedom!

MAN: Never! Never ever EVER!

PANEL 4

The main is smiling gently and raising a palm at the reader. The background appears to be a cozy living room; we can see framed pictures on the wall, a comfy couch with a couple of throw pillows on it, a side table and a potted cactus on the floor.

MAN: Unless they’re pregnant, of course.

This cartoon on Patreon

Posted in Abortion, Conservatives, Right-wingers, Sexism & Misogyny |

There’s Never Been a Worse Time for Free Speech!

Cartoon by Barry

Another collaboration with Becky Hawkins!

If you like these cartoons, you can help make more happen by moving to Portland, Oregon, and specifically into the shed next to my house, and every morning wake up and break into my house and stand over me saying “write! write! draw! draw you scum draw!” over and over, for hours, until I break, and don’t forget to support the Patreon.

TRANSCRIPT OF CARTOON

This cartoon has seven panels. Each panel shows a different scene from a different era, with the first panel set in the 1890s, and each subsequent panel set in a later time period, until the final panel which is set in the present day.

PANEL 1

A bright summer day in the 1890s. In the foreground, a Black woman is watching three white men with an aggrieved posture. She’s wearing a blue dress. In the background, a uniformed police officer is talking to two other white men, one in a brown three-piece suit with matching bowler hat, while the other man looks more working-class with a white button-up shirt, no necktie, and suspenders.

Behind the men, we can see the still-smoking ruin of what was once a building.

MAN IN SUIT: We only burned down Ida Wells’ newspaper because she wrote against lynching.

COP: That seems reasonable.

PANEL 2

In the background, we can see a group of suffragettes in 1910s dresses and hats, crowded together and looking calm but nervous.  A couple of them are wearing sashes that read “votes for women.” Most of the suffragettes we see are white, but one is Black and another is Asian. The Asian woman is wearing a traditional Japanese kimono and hairstyle (modeled on Komako Kimura’s outfit and hair photographed at a 1917 suffragette march).

In the foreground, with their backs to us (so facing the women), a couple of cops are talking. One of them is slapping a palm with a billy club.

COP 1: These suffragettes were picketing the White House.

COP 2: Let the beatings begin!

PANEL 3

A wealthy looking couple, dressed in 1920s fashion (her in a blue hat with a red ribbon with flower decoration, and a matching blue jacket with puffy off-white cuffs and neck; him in an off-white suit, a straw boater with a red ribbon, blue necktie and red vest) are looking at the building across the street with some distress.

The building across the street has a sign saying “Apollo Theatre” over a revolving door entrance. A big theatre marquee over the entrances tells us that “The God of Vengeance” is playing, although the words are partly blocked by a word balloon. Another nearby sign says “Times Sq.”

WOMAN: A play with Jewish lesbians kissing?

MAN: Let’s call the police!

PANEL 4

An Asian man sits in a chair, holding up a sheet of paper. So many long horizontal strips have been sliced out of the paper that it’s made as much of holes as it is of paper. He’s wearing a collared blue shirt.

Behind him, an Asian woman leans forward to look over his shoulder. She’s wearing a red skirt and buttoned-up blouse, with a blue sweater over it. The hairstyle and clothing suggest the 1940s.

WOMAN: What’s that?

MAN: Letter from my friend Takashi in the internment camp.

PANEL 5

This panel shows two cops, a postman, and a woman in a dress. In the background, we can see a small but well-kept looking yellow house, with a tree in front and a planter under the front window.

One of the cops is putting the woman into the back seat of a police car. Judging from the woman’s hairstyle and pink, high-collared dress, this is the 1960s.

In the foreground, the postman is talking to the other cop, while pointing backwards with his thumb towards the woman. The cop is taking notes.

POSTMAN: We opened Virginia Prince’s mail and found lesbian love letters and something called “Transvestia Magazine”!

PANEL 6

We are looking at a TV set, on a table. Judging from the make of the TV and the style of the tablecloth under the TV, this is the 1970s.

On the TV a dignified-looking Black man, with white hair styled to be high on top of his head, black round glasses, and wearing a suit and tie, is speaking. (The man is Bayard Rustin.)

RUSTIN: I was arrested in the 1940s for being anti-war… In the 50s for being gay… And in the 60s for protesting Jim Crow.

PANEL 7

A current-day TV studio. Cameras and lights point at two people sitting at a table, one a middle-aged man wearing a gray suit with a blue tie, the other a younger-looking woman with black hair, glasses, and a blue short-sleeved dress. The man is spreading his arms out in an annoyed fashion while speaking, and the woman is pounding a fist on the table in front of her.  “Clap clap clap” sound effects on the bottom right of the panel indicate that the unseen audience is clapping for what the woman is saying.

MAN: Nowadays straight white men can’t say anything without being criticized!

WOMAN: There’s never been a worse time for freedom of speech!

SFX: Clap clap clap clap

This cartoon on Patreon

Posted in Becky Hawkins collaborations, Conservatives, History, LGBT cartoons, Racism & Racists, Sexism & Misogyny, Social Justice |

Abortion Should Be Decided By The States

Cartoon by Barry

If you like these cartoons, then support them on Patreon, where every day is hat day!

I’m not at all sure it comes across, but attempting to draw 1980s hair in panel one was so much fun. And yes, Reagan’s campaign did use the slogan “Let’s make America great again.” (The only thing Republicans believe in recycling is ideas.)

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a different scene, with a different person or group of people talking to the viewer.

PANEL 1

A man with a “Reagan ’80: Make American Great Again” t-shirt and blonde hair in a mullet is talking with a somewhat angry expression, raising a forefinger to make his point. Next to him, a concerned-looking woman with a leather jacket and ENORMOUS hair is speaking with her hands clasped together.

CAPTION: 40 years before Roe v Wade is overturned.

MAN: Roe is wrong! Abortion is too important for the federal government to decide for everyone.

WOMAN: We should leave it to the states.

PANEL 2

A woman stands alone in front of a sidewalk; behind her is a patch of grass, a couple of trees, and a stone wall. She’s wearing a red skirt with a pattern of circles, and a t-shirt that says “GORE is a BORE.”  She’s smiling and talking with her palms out.

CAPTION: 20 years before Roe is overturned.

WOMAN: Without Roe, every state could make its own abortion policies.

WOMAN: Which is how it should be!

PANEL 3

This panel shows a crowd of white men. All of the men are wearing dress shirts, jackets, and neckties, except for one man who is in “Tea Party” cosplay, including a tricorn hat, although I’m not sure that anyone can tell it’s a tricorn hat because it turns out that tricorn hats are hard to draw.

In the center of the panel, one man is grinning big and speaking to the readers. He has glasses and parted blonde hair.

CAPTION: 10 years before Roe is overturned.

MAN: Let the states decide. That’s all we’re saying.

PANEL 4

A man and a women, both dressed in gender-typical business wear, are speaking to reporters; the reporters aren’t in panel, but we can see their hands holding microphones, which are pointed at the speakers. We can see in the background that we’re on the steps of some sort of fancy, large building with pillars and arches (I’m hoping people will see that and assume it’s a government building of some sort).

The man is smiling big and holding a little stack of papers. The woman is clasping her hands and speaking with an earnest expression.

CAPTION: Ten minutes after Roe is overturned.

MAN: Our new law bans abortion nationwide.

WOMAN: Abortion’s too important to be left to the states!

This cartoon on Patreon

Posted in Abortion, Sexism & Misogyny |

We Mustn’t Ruin HIS Life

Cartoon by Barry

This cartoon was drawn by Becky Hawkins.

If you like these cartoons, you can help us make more by supporting the Patreon!

TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different scene. A tiny additional fifth “kicker” panel is under the bottom of the cartoon.

PANEL 1

A Black woman in what appears to be a UPS or UPS-like uniform is standing holding a large box with an address label on it, and an electronic clipboard device on top of the box. Behind her we can see the open doors of the back of a van, and inside the van, more boxes to be delivered. She’s parked on a city street, in front of the entrance to a brick building. She speaks directly to the viewer, with a calm but downcast expression.

WOMAN: Everywhere I went I was terrified I’d run into him. I couldn’t sleep, couldn’t concentrate…

WOMAN: After I failed two classes I lost my scholarship.

PANEL 2

A light-skinned girl is on a bike, on a suburban-looking street. The street is clearly residential, and is lined with cottage-style houses. The girl’s clothing is pink, like her shoes and the pedals and basket of her bike.

She’s facing the viewer, but looking downward with her eyes to avoid looking directly at us.

GIRL: He sent the video to everyone in school. Everyone. I had to be homeschooled until I could get into a different school.

PANEL 3

A light-skinned woman sits in an armchair, looking vaguely into the air as she talks. She’s wearing jeans and a yellow top, and holding a baby, who is standing in her lap and doing that cute-but-annoying thing babies do of patting the face of the person holding them while that person is trying to talk. The baby has a pink skirt and is cute.

A plant hangs from the ceiling. Judging from the brick building next door we can see out the window, and the radiator below the window, this is probably an apartment in a city. Her expression is a bit sad, but not over the top or panicked.

WOMAN: It’s been ten years… My therapist says PTSD isn’t ever cured, but it’s something I can learn to manage.

PANEL 4

A hand with pink, smoothly filed nails holds a smartphone. On the smartphone, a pale-skinned male podcaster or radio host is sitting at a table, a professional-looking microphone in front of him. He’s wearing a jacket over a blue collared shirt (no tie), shrugging with a sad-but-calm expression.

MAN: Nobody feels worse than me about what happened — but we can’t ruin these young men’s lives!

TINY KICKER PANEL UNDER THE BOTTOM OF THE CARTOON

The man from panel 4 is talking to Barry, the cartoonist.

BARRY: What sort of thing would “ruin their lives”?

MAN: Being expelled. Or being publicly criticized. Or made to switch dorms. Or to switch a class. Basically, anything he might notice.

This cartoon on Patreon

Posted in Becky Hawkins collaborations, Sexism & Misogyny |

Maternity Leave: The Enemy of Freedom! And Lions!

Cartoon by Barry

Another collaboration with Kevin Moore! You can see more cartoons by Kevin and I here.

If you like these cartoons, why not support them on Patreon? It’s because of lots of patrons pledging $1 or $2 that I get paid – and then I can pay Kevin in turn. And I think Kevin supports my patreon, too? And come to think of it, I support his. It’s like a virtuous cycle of small amounts of money moving around in circles.

TRANSCRIPT OF CARTOON

This cartoon has four panels. All four are set in a mall; we can see a hot dog place, and in the background is a mall kiosk with a sign that says “Kitsch Empire.” There are three characters: A male executive in a suit and necktie, and two pregnant workers, both dressed in food court uniforms (but different uniforms, so presumably they work for different food outlets). One of the workers has a nametag, and the other has a ridiculous tall chef’s hat striped in the same tacky colors as the sign for the hot dog place.

PANEL 1

The executive has his back to the workers, but is turning back to bark at them.

NECKTIE: Maternity leave? Why do you people hate liberty?

SILLY HAT: What?

PANEL 2

Necktie now has a hurt expression on his face. Nametag replies with a skeptical expression.

NECKTIE: When you force a corporation to give maternity leave, you take away its freedom!

NAMETAG: But what about our freedom to…

PANEL 3

A close up of Necktie, who is now wailing like an infant, crying and balling his fists.

NECKTIE (yelling): Would you clip the soaring eagle’s wings? Would you gag the might lion’s roar?

PANEL 4

Necktie, still sobbing, has dropped to his knees and is hugging Nametag around her legs. Nametag pulls back, taken aback. Silly hat holds up a hand to whisper a comment to Nametag.

NECKTIE: SOB! Just let business be free! Waaaaah!

SILLY HAT: And they call us needy.

This cartoon on Patreon.

Posted in Kevin Moore collaborations, Labor rights & Unions, Sexism & Misogyny |

Look Who’s Oppressed Now!

Cartoon by Barry

I can do these cartoons because lots of people support me with small donations! Join our cult!

TRANSCRIPT OF CARTOON

This cartoon has two panels. Each panel features a variety of people on abstract pillars of various heights – a Black woman, an Asian person in a wheelchair, a Latina woman, a gay male couple, and a couple more in the background who we can’t make out in any detail. On top of the central pillar, wearing a suit, is a prosperous-looking white man in a suit and tie. The well-off white guy’s pillar is significantly taller than any of the others.

PANEL 1

A large caption at the top of the panel says “Fifty Years Ago.”

The white man’s pillar is so tall that the top of his head is actually out of the panel. He’s cheerfully/aggressively talking down to all the others, who variously look annoyed at him or are ignoring him.

WHITE MAN: I don’t see what you’re all whining about.

PANEL 2

A large caption at the top of the panel says “Today.”

It’s the same scene, but now the wealthy white man’s pillar is shorter than it was in panel 1 – but still taller than anyone else’s pillar. The white man, now sad-looking, is weeping and screaming. The others look up at him with annoyance, except that one of the gay men is pointing and laughing at him.

WHITE MAN: Look how I’ve fallen! Now I’M the oppressed one!

This cartoon on Patreon.

Posted in LGBT cartoons, Racism & Racists, Sexism & Misogyny, Social Justice |

Irreproachable Taste

Cartoon by Barry

If you like these cartoons, please support them on Patreon! Every $2 or $1 pledge really helps. Patreon supporters saw this cartoon more than two months early.

Another collaboration with Becky Hawkins.

I particularly liked the way Becky, inspired by some photos of ceramic art galleries, colored the backgrounds. She also created a recognizable aesthetic that’s carried through on all three of the pieces seen on display – certainly not something I called for in my script! Seeing details like that, which I hadn’t even thought about, is a big pleasure of collaboration.

TRANSCRIPT OF CARTOON

This comic strip has four panels. There is an additional small fifth panel, the “kicker” panel, underneath the comic strip.

PANEL 1

This panel shows a man with a van dyke beard, a cable knit sweater, and a fisherman’s cap (although the man doesn’t look at all like a fisherman!) in a fancy art gallery. The gallery is displaying artistically wrinkled pottery; we can see two pieces on pedestals, and a third piece hung on a wall in the background. Soft spotlight lighting picks the art out.

The man is leaning his elbow on a pedestal, looking confident and happy as he lectures a small crowd of people in the gallery.

MAN: John Smyth is the biggest influence on my pottery. Whatever I know as a potter, I learned studying Smyth’s work.

PANEL 2

A longer shot as the man continues to smile and speak. However, he’s interrupted by a glasses-wearing person in the audience, who raises a finger.

MAN: No one potting today is as innovative and exciting as…

GLASSES: Did you see four women just came forward with #Metoo accusations against Smyth?

PANEL 3

The exact same shot as panel 2, but now the man is no longer confident; he is wide-eyed, his mouth has dropped open a bit, and he’s sweating. The audience looks at him, waiting for his response.

PANEL 4

A closer shot as the man puts a hand over his heart as he speaks to the crowd. His eyes are shut; he’s trying to look sincere.

MAN: I never liked Smyth’s work.

SMALL KICKER PANEL UNDER THE BOTTOM OFTHE COMIC STRIP

A blonde woman with nice earrings speaks directly to the viewer, looking just a bit angry.

WOMAN: I know nothing about Mr. Smyth or these allegations… but clearly this is yet another anti-male witch hunt!

This cartoon on Patreon.

Posted in Becky Hawkins collaborations, Sexism & Misogyny |

Feminism Used To Be Good

Cartoon by Barry

If you like these cartoons, help me make more by supporting my Patreon! (Patrons got to see this cartoon three months early!)

Another collaboration with Becky Hawkins!

TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL ONE

We are looking at a smartphone being held by a hand. On the phone, a man is cheerfully talking to the camera (and presumably, to the person holding the phone). He’s wearing a t shirt that says “Make Orwell Fiction Again,” and on the wall behind him is a “V for Vendetta” poster with the Guy Fawkes mask pictured, and a poster showing a sad kitten face and the caption “FACTS don’t care about your FEELINGS.” In the upper right corner of the screen, there’s a smaller image of a woman’s face, presumably the person he’s talking to.

MAN: Feminism used to be about fixing inequality but now that’s solved and it’s just about giving women unfair advantages!

PANEL TWO

A group of protestors stands holding protest signs, mostly about apartheid and about President Reagan – “Musicians against apartheid,” “human rights now,” “Reagan sucks,” and “Divestment now” can be read. A big red brick building and trees in the background make this look like it’s probably a college campus in autumn. Centered on the panel, A man with glasses is talking to a woman (the woman is wearing a pink triangle button).  This panel is pretty much how I remember protests at Oberlin College in the 1980s.

MAN: Feminism used to be about fixing inequality…

PANEL THREE

A hillside in what looks like a public park on a warm, sunny day. In the background, we can see groups of young people sitting on the grass. In the foreground, we see a man and a woman dressed as hippies – her in long straight hair, loose floral dress, flower headband, and holding a tambourine, him with long hair and a full beard, wearing a necklace of large beads, and a vest, and holding a guitar.

MAN: But now that’s all solved…

PANEL FOUR

We are inside a cave, looking at two stereotypical cartoon cavepeople, one female and one male. They are holding big drumstick-looking pieces of meat and sitting around a small fire.

CAVEMAN: …and it’s just about giving women unfair advantages!

This cartoon on Patreon

Posted in Becky Hawkins collaborations, History, Sexism & Misogyny |

Patriarchy is Everywhere

Cartoon by Barry

If you enjoy these cartoons, support them on Patreon! My goal is to make a living from lots of tiny contributions!

TRANSCRIPT OF CARTOON

This cartoon has three panels.

PANEL 1

A hand is holding out a smartphone; on the smartphone, we can see a split-screen showing two people, apparently having a Zoom or Skype call. One of the people is a slightly chubby woman with dyed pink hair; the other is a man wearing a striped shirt and glasses; he has a beard and mustache, and is either naturally bald or (more likely, since he’s doesn’t look very old) has shaved his head.

On the screen, we can see the man is reaching one arm out, towards the camera; presumably, he’s the person holding up the smartphone.

WOMAN: I mean, why would I take my husband’s name? I’ve already got my own name!

MAN: Ha! Feminists are so stupid!

PANEL 2

A shot of the man inside a nice-looking home – there’s an arched doorway behind him, and through the doorway we can see part of a tidy kitchen – as he talk/laughs at the phone he’s holding up. The woman’s voice is coming from the phone.

WOMAN: Excuse me?

MAN: Newsflash, sweetie: “Your” name came from your father, and he’s a man!

PANEL 3

A shot of the woman, inside her home. Behind her is a window, and through the window we can see a hillside with a couple of trees. On a table next to her is an open laptop, with the man on the screen, and a coffee mug. She has slapped a palm to the side of her forehead, as if having a revelation, and is looking up instead of looking at the screen. On the screen, we can see his face looking a little bit panicked as he tries to walk it back.

WOMAN: I see your point! The patriarchy is literally everywhere! You’re right! I have to get more radical!

MAN: Er… No, that’s not what I…

Posted in Sexism & Misogyny |

Hush, Woman, The Strawfeminist is Speaking

Cartoon by Barry

Help me make more cartoons by supporting my Patreon! A $1 or $2 pledge really matters to me. I usually post cartoons on the Patreon weeks or even months before posting them here.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows the same thing: A man and woman walking through a hilly park – not side by side, but with him ten feet or so ahead of her. There are shrubs and trees and little pedestrian paths through the grassy hills. She is wearing big round glasses (“big round glasses: the cartoonist’s best friend”), shorts, and a  black tank top. He has a beard, and is wearing a bowling shirt with two thick vertical stripes, and black pants.

PANEL 1

GLASSES is talking and making an “I’m just explaining things here” gesture, with her palms held out in front of her. BEARDY is looking grumpy as he talks back.

GLASSES: “Believe women” means that if a woman says she’s been raped, we shouldn’t reflexively dismiss her story.

BEARDY: So courts should just assume men are guilty?

PANEL 2

Glasses looks a little annoyed, putting one hand on her hip. Beardy is smirking.

GLASSES: I’m not talking about courtrooms. What if a friend tells you she’s been raped by a man?

BEARDY: So feminists hate men! Funny, that’s just what I thought.

PANEL 3

Glasses looks even grumpier; Beardo is raising his voice a bit.

GLASSES: I don’t hate men. But I have to keep in mind that any man could potentially be a rapist.

BEARDY: So you admit you think all men are rapists!

PANEL 4

Glasses is now shouting, her hands balled into fists. Beardo looks positively cheerful.

GLASSES: Are you listening to me at all?!?

BEARDY: No, thanks, I already ate.

Posted in Sexism & Misogyny |

Sexist Joke

Cartoon by Barry

If you like these cartoons, please support them on Patreon! A $1 pledge really helps.

This cartoon is another collaboration between me and the wonderful Becky Hawkins. As well as political cartoons, Becky and I collaborate on the webcomic SuperButch – hey, did I tell you folks SuperButch won a Prism Award? – and of course please check out Becky’s solo work.

My favorite parts of this cartoon – the extreme perspective in panel 2, the red panel, and the spiral lettering – were all Becky’s ideas.

That’s the best part of collaboration, for me – seeing the ideas that Becky comes up with that I hadn’t even considered when I wrote the script. Becky and I work well together because we think about comics similarly in many ways – but its our dissimilarities I enjoy the most.

TRANSCRIPT OF CARTOON

This cartoon has five panels.

PANEL 1

We can see five people around a table in a business conference room (although there are probably more people around the table, we’re only seeing part of the table). All the people are wearing business clothes, and there’s a whiteboard at one end of the room, showing a growth chart. There’s a glass of water in front of each person.

At the end of the table, a gray-haired man is standing, addressing the room, grinning as he speaks. Everyone else – all men – is laughing uproariously (there’s a “ha ha ha ha” sound effect). Except for one woman, in the foreground, who is not laughing and looks subtly alarmed. She’s wearing glasses and a pink business blazer.

GRAY HAIR DUDE: They scampered like frightened little girls!

EVERYONE: Ha ha ha ha

GLASSES WOMAN (thought): Oh God that was so sexist what should I do?

PANEL 2

The same scene, except now shown in more dramatic perspective, with the woman with glasses in the extreme foreground looking at her colleagues.

GLASSES WOMAN (thought): I could say something but I need my colleagues to like me.

PANEL 3

This panel shows the woman’s nervous face, looking straight out at the reader, floating in an abstract face. A spiral of words – her thoughts – are superimposed over her face, going around and around her.

GLASSES WOMAN (thought in a spiral pattern): It was just a joke! I don’t want to see shrill and humorless but this wasn’t the first “joke” … If I speak out would anyone take my side? But it’s not just me, it’s all the women in the office! But I don’t wanna be the office buzzkill. But if I don’t say anything then…

PANEL 4

A narrow panel, all in red, shows a very tight close-up of her determined face.

GLASSES WOMAN (thought): I’m gonna say something!

PANEL 5

The room is dark. There’s no one in the room but Glasses Woman, who looks surprised, and a woman in a janitor’s uniform who’s mopping the floor.

GLASSES WOMAN: Hey, where’d everyone go?

CUSTODIAN: They went home an hour ago.

Posted in Sexism & Misogyny |

Reducing Abortion Is Definitely Their Number One Priority

Cartoon by Barry

I’ve gone from making about six poli cartoons a year, to making almost fifty! That couldn’t happen without the support people give my patreon. A $1 pledge really matters.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows the same two figures walking through a city environment while they talk. The first figure is a dark-haired woman wearing a business outfit, with a black shirt. The second figure is a middle-aged man wearing glasses, slacks, a collared shirt, and a striped necktie.

In the first three panels, they’re both walking in the same direction with the man in front, so the man is facing away from the woman.

PANEL 1

Both speakers are friendly-looking.

WOMAN: Okay, Pro-Life… let’s brainstorm ways to reduce abortion!

MAN: Reducing abortion is definitely my number one priority!

PANEL 2

The man dismissively waves a hand.

WOMAN: Research shows that giving people free long-acting reversible contraception reduces abortion more than anything!

MAN: Nope. That would encourage promiscuity.

PANEL 3

WOMAN: Okay, um… How about a super generous child benefit program, like Belgium or Germany?

MAN: I don’t want taxpayers paying people for being irresponsible.

PANEL 4

The woman loses her temper a bit, looking angry and holding up her hands. The man has turned around to face the woman, smiling and looking eager and excited.

WOMAN: Come ON! There must be SOME way of reducing abortion you approve of other than punishing doctors and patients!

MAN: Now you’re talking! What’d you have in mind… Shaming? Prison? Death penalty?

SMALL KICKER PANEL BELOW THE BOTTOM OF THE STRIP

The man from the previous four panels is now talking sternly at Barry the cartoonist.

MAN: If a million “pre-born babies” have to die to avoid compromise on birth control, it’s worth it!

Posted in Abortion, Sexism & Misogyny |

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