Taking Away His Incentive To Work

Cartoon by Barry

This cartoon is by me and Becky Hawkins.

TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

Two well-dressed women and a panhandler wearing a blue knit hat are on a sidewalk; the panhandler is sitting on a piece of cardboard, with a cardboard sign saying “please give,” and his dog napping next to him. One of the women is handing him a dollar.

WOMAN 1: If you give him money, he won’t have any incentive to find a job.

WOMAN 2: It’s only a dollar.

PANHANDLER: Thank you.

PANEL 2

The panhandler, tossing his “please give” sign aside, grins hugely as he stares at the dollar.

PANHANDLER: Hee hee

PANEL 3

Still grinning and staring at the dollar bill, the panhandler walks past a little grocery. Someone in the shop doorway points to him and calls out.

SHOP OWNER: Hey, you — want a job?

PANHANDLER: Hee hee hah!

PANEL 4

The panhandler and his dog are enjoying the waters of some island paradise, floating on inflatable rings. He’s now wearing a bathing suit and sunglasses, although he’s still wearing his blue knit hat. A little floating table next to him has a drink with a tiny umbrella in it.

He’s still holding the dollar bill, which he’s gazing out with satisfaction.

PANHANDLER: Aaaah…

CHICKEN FAT WATCH

“Chicken fat” is obscure cartoonists’ lingo for unimportant but funny details.

In panel 3, one of the posters in the grocery window shows a canned drink with a skull on the label.

In panel 4, there’s a rubby ducky wearing sunglasses floating in the water next to them. The dog is wearing a new diamond-studded dog collar. There’s a little table floating next to the dog with a dog bone in it.

Taking Away His Incentive To Work | Patreon

Posted in Becky Hawkins collaborations, Economic cartoons |

Keep Government Out of the Economy!

Cartoon by Barry

TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different person listening to a pundit on Fox News.

PANEL 1

We are looking at a closeup of someone’s hand holding a smartphone. On the screen, we can see PUNDITHEAD, a white man in a suit, talking to the camera.

PUNDITHEAD: The most important thing to understand about government and the economy is, government should stay out of the economy! Government should also ban fake meat and subsidize farms, but that’s it!

PANEL 2

A red-haired woman is sitting at a table eating with a tablet on the table in front of her. Pundithead is on the screen.

PUNDITHEAD: Except for laws making it harder for workers to unionize. Those are cool.

PANEL 3

A man jogs through a park while wearing headphones. Pundithead’s voice comes from the headphones.

PUNDITHEAD: And subsidize pharma, too. And ethanol. And Elon. And, uh… what was I saying?

PANEL 4

A woman sits in a coffee shop, a laptop open in front of her. She’s laughing. Pundithead’s voice comes from the laptop.

PUNDITHEAD: Oh, right. Government should never, ever interfere with the economy!

CHICKEN FAT WATCH

“Chicken fat” is obsolete cartoonists’ terminology for unimportant details the cartoonist puts in for the fun of it.

PANEL 1 – The Fox News channel logo says “Pox News cough.” The chyron at the bottom of the screen says “Nobody but you has ever read this text. You’re the only one who really appreciates this cartoon.”

In the background is Linus from “Peanuts,” leaning on the iconic brick wall.

PANEL 2 – the Fox News channel logo now says “Cow Moos channel.” The chyron says “Study confirms: Cyanide deadly poison. 46 graduate students perish proving the very obvious.”

A book lying on the table is entitled “101 background gags” by “J. R. R. Toke.” The publisher’s symbol on the book cover spine is Charlie Brown’s head surrounded by laurels.

Her coffee mug says “T.M.” in big letters. In tiny letters next to that “TM,” is another “TM” in small letters. In an even tinier font next to the second “TM” is the little copyright symbol.

The food on her plate, a sort of lumpy mass (I was thinking of it as mashed potatoes) has two wide eyes and a mouth, and looks distressed.

A big dog has laid its head on the table and is looking pleadingly at the woman. A cat is lying on top of the dog’s head, also looking pleadingly at the woman. A bird sits atop the cat’s head.

The woman’s shirt has a pattern with lots of little “Lucy” (from “Peanuts”) heads.

PANEL 3 – The jogger’s shirt has a picture of a skull wearing a white founding father wig, with the caption “George Washington. Rested & Ready.”

An evil bunny, wearing an eyepatch and smoking a cigarette, is in the foreground.

PANEL 4 – A sign taped to the wall says “$500 charge if you read this sign. Cash only.”

It’s hard to make out, but the little branding symbol on the back of the laptop is an image of the evil bunny from panel 3.

On the woman’s cell phone screen is a stickfigure smiling and giving us the finger.

The tattoos on her left arm are a coffee mug with “I am 89% coffee” written on it; a happy worm in a fedora crawling out of an apple; and “My other arm is a Mercedes.” The tattoo on her right arm is a Mercedes symbol.

Keep Government Out of the Economy! | Patreon

Posted in Conservatives, Economic cartoons, Right-wingers |

The Immigration Deal

Cartoon by Barry

I don’t have a cartoon syndicate and I’m not in newspapers. But I get to do this for a living because lots of readers support my Patreon with mostly small pledges! I also have prints and books for sale.

TRANSCRIPT OF CARTOON

This cartoon has four panels. They depict three people – a mother, father and their small daughter – carrying luggage and standing on a dirt road. Their path is being blocked by a large man wearing a floral shirt and an Uncle Sam hat.

PANEL 1

The woman, smiling, has stepped forward to talk to Uncle Sam.

WOMAN: Hi, America. We’re immigrants. The situation in our home country is so awful we’re forced to come live and work in the U.S…. Nearly all economists agree this benefits you a lot.

UNCLE SAM: Okay, lemme tell you the deal…

PANEL 2

Panel shows Uncle Sam grinning a bit manically.

UNCLE SAM: You’re gonna be hated so much! Major politicians will lie and say you increase crime, spread disease, even eat housepets!

PANEL 3

Uncle Sam, still grinning, waves his hands in the air.

UNCLE SAM: Despite all the ways you benefit me, you’ll be blamed for all my problems. Great deal for you, right? Now go find low-wage jobs.

PANEL 4

The father and mother look a bit peeved, and their daughter hides behind her dad, as Uncle Sam, not even looking at them, folds his arms and looks smug.

WOMAN (thought): I can’t believe this maniac is our best option.

UNCLE SAM: I’m waiting for my “thank you…”

CHICKEN FAT WATCH

“Chicken fat” is an obsolete cartoonists’ term for unimportant details stuck into cartoons.

PANEL 1 – On the ground, a worm is pointing a tiny gun at a bird; the bird looks frightened.

Also, on the ground is a newspaper entitled “Daily Leopard.” The top headline reads “Yum! Five new face recipes!” The lower headline reads “Op-ed: Our spots are perfect and require no change.”

PANEL 2 – Krazy and Ignatz, from the classic comic strip Krazy Kat, are standing on a wall in the background. Graffiti on the same wall says “take the moment present as a present for the moment,” a quote from the musical Into The Woods.

Uncle Sam has a tattoo with a caricature of Adam Smith in a heart.

PANEL 4 – An evil bunny, glaring and smoking a cigarette, is on the ground. A smiling man is peeking out through a hole in the wall behind Uncle Sam.

The Immigration Deal | Patreon

Posted in Economic cartoons, Immigration, Social Justice |

Announcing My New A.I. Comics Initiative!

Cartoon by Barry

Check out this sped-up video of me drawing this cartoon!

TRANSCRIPT OF CARTOON

This comic has four panels, each showing the same two characters. There’s a woman with long brown hair, a circle shaped earring, a black shirt and a red skirt. And there’s a fat guy with round glasses and dark hair tied in a ponytail, and he’s a caricature of me, Barry, the cartoonist. The two of them are talking in an outdoor park like environment.

PANEL 1

Barry is seated behind a desk that’s on a grassy hillside. He’s speaking directly to the reader with a big grin on his face and his arms spread wide. Nearby, the woman looks skeptical, as she pokes at a panel border.

BARRY: Announcing my new A.I. comics initiative! This comic is entirely drawn by A.I.!

WOMAN: Are you sure? It doesn’t look like A.I.

PANEL 2

Barry, grinning too big and looking like a nervous salesman, sweat flying off, holds out his hands. His hands look very gross, with many extra fingers.

BARRY: Uh… This is A.I.! Honest! Just look at my hideous hands!

BARRY: Are you listening, Colin Kaepernick? It’s yours for only three million dollars! Whatta bargain!

PANEL 3

The woman talks to Barry, holding up a palm in an “explaining my point” gesture. Barry, in response, holds up a hand in a “talk to the hand” gesture and turns away from her, his other hand on his forehead.

WOMAN: Couldn’t human cartoonists do the same work much better?

BARRY: Boring! Old! Not “disruptive!”

PANEL 4

The woman turns away from Barry, glaring down at a thick magazine about A.I. Art. Barry grins and holds his fisted hands to his chin in a “bursting with hope” sort of gesture. From the side, where Barry isn’t looking, a crude robot caricature of Barry has rolled onto panel. It’s holding up a four-panel comic strip.

WOMAN: It sounds like you’re selling out.

BARRY: Heck yeah! I just hope I can cash in before A.I. replaces me.

ROBOT BARRY: Hi there.

CHICKEN FAT WATCH

“Chicken Fat” is an old-fashioned cartoonists’ expression for little unimportant but hopefully fun details we put into cartoons. There’s a lot of chicken fat this time!

PANEL 1

In the foreground, there are a bunch of mushrooms growing from the ground, one of which has the caterpillar from Alice in Wonderland on it, smoking from a large glass bong.

A gray-skinned Richard Nixon is popping up from a hole in the ground.

The woman’s earring is a yellow smiley face with red splattered over one eye, the icon of the “Watchmen” comic book.

PANEL 2

Among Barry’s many, many fingers is one that has a smiling face on the end. And one that’s a banana. And one that looks like the monster from “Alien,” with a smaller mouth extending out of the larger mouth.

Although all other panels show a cloudy day, in this panel the sky is clear blue and we can see the sun. The sun has a face and is scowling at Barry.

Barry’s t-shirt, which was black in the previous panel, has turned read. Words on the front of the shirt say “ME. © me 2024.”

PANEL 3

The woman’s skirt, which had a plaid pattern in panel 1, now has a polka dot pattern.

Barry’s t-shirt has changed again and now has an illustration of Bugs Bunny on it.

The woman’s round earring now has Charlie Brown’s face on it.

Barry has a third arm, which is holding an ice cream cone (one scoop of ice cream has fallen onto the sidewalk).

The woman’s hair is merging with a tree in the background.

A newspaper lying on the sidewalk, named “Background Tribune,” has a big headline which says “Litterbug Strikes Panel Three!”

PANEL 4

The woman’s skirt pattern has changed again, and is now a squared-off spiral pattern.

Her earring has changed again, and is now the face of Jack from the movie “The Nightmare Before Christmas.”

Barry’s t-shirt has changed again, and is now a drawing of a hammer in a yellow circle, which was the superhero character “Captain Hammer’s” logo in the web musical “Dr. Horrible’s Sing-Along Blog.”

The woman is holding a very thick magazine called “A.I. Art Daily.” The cover has a picture of a happy stick figure with three eyes and way too many fingers. There are two headlines: “Glossy surfaces are all art needs” and “Rainforests will not be missed.”

The comic strip the robot is holding is actually this comic strip.

Announcing My New A.I. Initiative! | Patreon

Posted in Economic cartoons |

Door to Door Policy Salesman

Cartoon by Barry

This cartoon is by me and Becky Hawkins.

TRANSCRIPT OF CARTOON

This cartoon has four panels. All four panels show the same scene and the same two characters. We are outside a middle-class looking house, looking at the front door. The door is open, and a 1950s-housewife-looking woman, with a bouffant hairdo and a green dress, is standing in the doorway. She’s talking to a man in a gray suit, with a matching fedora, carrying a brown suitcase.

We’ll call these two characters “Housewife” and “Salesman.”

In addition to the four panels, there’s a tiny “kicker” panel under the bottom of the strip.

PANEL 1

The salesman stands talking to the housewife, one hand outspread in a friendly fashion. The housewife looks nervous and has a hand resting on her chest in an “oh my” gesture.

SALESMAN Good morning, ma’am. I’m a door to door domestic policy salesman, and–

HOUSEWIFE: I’m sorry, we just can’t afford anything.

PANEL 2

The salesman, smiling in a friendly way, is holding his case out and open to display his wares. The housewife turns her head away, holding up one palm in a “no no no” gesture.

SALESMAN: But I’ve got universal health care. Very popular – lots of nations have it.

HOUSEWIFE: No no. We could never afford anything like that.

PANEL 3

Warming to his own sales pitch, the salesman is jubilantly holding a bunch of pamphlets, raising some of them towards the sky. The housewife looks very flustered.

SALESMAN: I’ve got policies for your kids that’ll save you money in the long run. Universal pre-K, lead removal…

HOUSEWIFE: Oh, gosh no. We couldn’t afford anything like that.

PANEL 4

The salesman, looking disappointed, has turned away and is looking at his pamphlets to see what else he can offer. Behind him, the housewife is smiling big with an excited expression, and holding two huge bags of money (we know it’s money because the bags are labeled ” $ “) to offer the salesman.

SALESMAN: Hmm… I’ve also got a big increase in policing and prisons. But it’s expen-”

HOUSEWIFE (very large font): WE’LL TAKER IT!

TINY “KICKER” PANEL UNDER THE BOTTOM OF THE STRIP

A similar but different salesman (gray hair, brown fedora) is speaking to the same housewife, as he raises his hat in greeting. The housewife is eager, and her eye is drawn as a heart.

SALESMAN: Good morning, ma’am. I’m a door to door war salesman.

HOUSEWIFE: Just give me a sec to mortgage my house.

CHICKEN FAT WATCH

“Chicken fat” is an obscure and outdated cartoonist expression for meaningless but hopefully entertaining details in a cartoon. This cartoon has two pieces of chicken fat:

Panel 1: A balding man is peering over a fence in the background.

Panel 3: On the lawn in the background, a rat, wearing pink cats-eye sunglasses, is sunbathing lying on a rat-sized outdoor chaise lounge.

Door to Door Policy Salesman | Patreon

Posted in Becky Hawkins collaborations, Conservatives, Economic cartoons, Health care, Right-wingers |

The Conservative Guide To Fighting Poverty

Cartoon by Barry

Check out the video of this cartoon being drawn!

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows a different character and a different scene.

PANEL ONE

A woman holds up her phone and is tapping on it with an intense expression. She’s sitting in a kitchen; an open laptop on the table shows two men talking to each other, a tie-wearing TV host type and his guess, who is wearing a style I think of as “expensive sloppy,” with a cream colored suit jacket over an open collar shirt with no tie. The woman doesn’t seem to be paying attention to the discussion coming from the laptop.

TV HOST: Our guest today is Billionaire Hedge Fund Manager Rick Datface, discussing his new book “The Conservative Guide To Fighting Poverty.” So is your book about improving safety nets? Raising the minimum wage?

DATFACE (from laptop): Heck no!

PANEL TWO

An man wearing a bright orange safety vest over a striped shirt is pushing a hand trolly down a city sidewalk. The trolly is piled with cardboard boxes of various shapes and sizes. He’s also wearing headphones over a knit hat, listening to the same program we saw in panel one.

DATFACE (from headphones): The minimum wage hurts poor people by killing jobs! Even if economists say there’s overwhelming proof it doesn’t! Every policy to help the poor hurts them, and if we care we should stop helping!

PANEL THREE

A close-up on a hand holding a smartphone; on the smartphone screen, Datface continues speaking. He’s holding up a finger in a “I’m making a point here!” gesture, and his expression is passionate. The video channel appears to be called “FUX.”

DATFACE (from smartphone): Even the so-called “incredibly effective” anti-child-poverty measures that weren’t renewed (thank god) definitely harmed poor kids in an unidentified way! Only trickle down works!

PANEL FOUR

A woman sits at a table, looking dejectedly at bills spread on the table in front of her. Behind her, there’s a dresser with a TV on top of it, and we can see Datface on it, holding his hands together in front of his chin and trying to look very innocent and wide-eyed.

TV HOST (from TV): So the only way to fight poverty is… Tax giveaways for billionaires?

DATFACE: And we hate taking the money! But we’ll make the sacrifice.

CHICKEN FAT WATCH

Chicken fat is a venerable (fancy word for old) cartoonist’s expression for meaningless but maybe amusing details in a comic strip.

PANEL 1: There’s a piece of paper held to the fridge door by a magnet. It says: “Shopping. 1. Food. 2. Water. 3. Oxygen. 4. Repeat.”

PANEL 2: There’s a walk/don’t walk in the background. The “don’t walk” side is a figure looking at its wristwatch, while the “walk” side shows the figure disco dancing.

Also, the street sign says we’re on “Unread Ave.”

And a piece of paper littering the sidewalk says “LOST my drive. If found…”

PANEL 3: The Chiron at the bottom of the image on the smartphone says “Shock: Cher Leads Invading Force From Mars.” And a second line says “Superstar says hostile invasion won’t affect tour schedule.”

The name of the video channel is “Fux,” which sounds a little like “Fox” and also a little like a dirty word! Wow, I just do the MOST sophisticated humor, don’t I?

PANEL 4: There are three bills on the table. They say “Overdue. Shame!,” “Past due you scum,” and “Pay up you dufus we’re not afraid to break some limbs.”

The Chiron text on the TV in the background is so tiny that I doubt anyone will be able to make it out unless they’re reading this cartoon in the books (because paper is higher res). But for the record, the top line says “Study: Background Gag Too Small To Be Read.” And the second line says, “”No comment,” says incompetent cartoonist.” (Ironically, when I first posted this cartoon I misspelled “incompetent.”)

Also, the woman has a tattoo of Groucho Marx on her arm.

The Conservative Guide To Fighting Poverty | Patreon

Posted in Conservatives, Economic cartoons |

Let’s Outlaw Being Homeless! That’ll Work!

Cartoon by Barry

A cartoon by me and R.E. Ryan.

TRANSCRIPT OF CARTOON

This cartoon has four panels. All the panels show a gritty commercial doorway – the kind that’s recessed a few feet into the building – on a city sidewalk. There’s litter and graffiti here.

There are two characters in the comic strip. The first character is a homeless man sleeping in the doorway, wearing a zip-up sweatshirt over a t-shirt and a dull red knit cap, and with a full beard.  The other character is a muscular-looking cop dressed in a police uniform and carrying a baton. In defiance of tradition, he is cleanshaven. I’ll call these two characters KNITCAP and COP.

PANEL 1

Knitcap, covered by a brown blanket and with his head pillowed on some rolled-up clothes, is lying in a doorway, apparently asleep. The cop is using his baton to poke knitcap in the side. The cop has a somewhat sadistic grin.

COP: Hey, you! Get up! We’ve outlawed sleeping in public! You’re not allowed anymore!

PANEL 2

Knitcap is sitting up, rubbing sleep out of his eyes with one hand. He speaks calmly. The cop watches, smirking, arms akimbo.

KNITCAP: In that case, I guess I’ll sleep in a hotel tonight.

PANEL 3

A close-up of Knitcap. He’s stroking his chin with a hand, as if thinking through his options.

KNITCAP: Or should I sleep in my townhouse instead? Or my Hamptons place? I’ll call my butler and ask what he thinks!

PANEL 4

Knitcap, grinning, is now holding a hand next to his face, thumb and pinky finger extended, pretending it’s a phone as he talks. The cop is glaring and slapping his baton against his palm.

KNITCAP: Smithers? Smithers old boy! My super fun street sleeping holiday is done. Which of my mansions shall I sleep in tonight.

COP (thought): Next step: Outlaw sarcasm.

CHICKEN FAT WATCH

Chicken fat are unimportant but fun details cartoonists sometimes sneak into comic strips.

In panel one, in the lower-right-hand corner of the panel, two rats are sitting, holding playing cards and apparently playing poker, or some similar card game. In panel two, a cat walks in, apparently stalking the rats. The rats look at the cat. And in panel four, the cat has been dealt in and is playing the game with them.

In all the panels, Knitcap is wearing a t-shirt with some words that are hard to make out. But what it says is “No, you’re Spartacus.”

In panel three, there’s a lot of mostly-unintelligible graffiti, but just below the doorknob someone has painted “BACKGROUND DETAILS RULZ.”

Let’s Outlaw Being Homeless! That’ll Work! | Patreon

Posted in Economic cartoons, Social Justice |

Free Trade Is For Peasants, Not Cartoonists

Cartoon by Barry

TRANSCRIPT OF CARTOON

This cartoon has eight panels.

PANEL 1

This panel shows Barry (that is, me), wearing an expensive-looking three piece suit. He’s sitting in a big armchair, legs crossed at the knee, waving at us with one hand and holding a cigar in the other. Next to the armchair is a small glass fishbowl with a gold-colored fish in it.

BARRY: Hi! I’m Barry, and I’ll be your cartoonist today. You ever wonder why cartoonists like me make so much money?

PANEL 2

Barry is holding out a big globe as he speaks.

BARRY: “After all,” you say, “There are well-trained cartoonists all over the world willing to take U.S. qualification exams and draw cartoons for much less.”

PANEL 3

Barry is pontificating and looks pretentious, one hand holding a lapel of his jacket, the other holding a forefinger up in a “giving a lecture” sort of way. Behind him, the fish is watching.

BARRY: True! Luckily, the U.S. limits how many foreign cartoonists can work here. Despite the severe problems caused by the cartoonist shortage.

PANEL 4

Barry is now in the famous “Uncle Sam Wants You” poster pose, pointing a finger at the reader, and wearing an Uncle Sam top hat.

BARRY: According to Uncle Sam, “free trade” and competition driving down pay isn’t for me. It’s for unimportant non-cartoonist people like you.

PANEL 5

Barry and a woman are in the panel. Barry has grabbed her purse and is pulling cash out of it; the woman looks annoyed.

BARRY: All of this means cartoonists can charge more for cartoons. It’s like a tax you pay so I can be richer.

PANEL 6

Still in the fishbowl on the little table, the goldfish speaks, with a slightly distressed expression. Barry is very shocked by this development, jumping up and eyes popping.

GOLDY: Hold on, that can’t be true!

BARRY: Goldy? You can talk?

PANEL 7

A close-up on Goldy as she sticks her head out above the water to speak. She looks worried.

GOLDY:  Don’t change the subject. Does Uncle Sam really make us all pay more so you can be richer?

BARRY: Nah, I was fibbing. They don’t do that for cartoonists.

PANEL 8

Goldy, smiling, is relieved. Barry shrugs as he cheerfully goes on.

GOLDY: I knew it! Protectionism for the rich would be totally against the U.S.’s ideas of fairness and free tra-

BARRY: They just do it for doctors, dentists, and lawyers.

CHICKEN FAT WATCH

“Chicken fat” is a cartoonist expression for unimportant but hopefully fun details in a cartoon that readers could easily miss.

In panel one, a little label pointing to Rich Barry’s cufflink says “gold cufflinks.” In panel two, when Rich Barry holds up a globe, a little caption pointing to it says “Golden Globe.” And in panel three, a similar little caption pointing to the fish says “Gold Fish.”

In panel two, if you look closely at the continents on the globe Rich Barry is holding, one is shaped like Pac-Man and two are shaped like Ghosts fleeing Pac-Man.

In panel six, when Barry’s glasses pop off in cartoon surprise, his eyeballs remain in the glasses rather than staying on his face.

Free Trade Is For Peasants, Not Cartoonists | Patreon

Posted in Economic cartoons |

The GOP Tax Policy Cycle!

Cartoon by Barry

TRANSCRIPT OF CARTOON

This cartoon is laid out in a circle, with each panel having an arrow leading the reader to the next panel. So in principle, any of these four panels could be panel one. But for purposes of this transcript, I’ll start out with the topmost panel.

Each panel shows the same powerful-looking middle-aged man, wearing a suit with a red striped tie.

In the middle of the cartoon is the title, printed in large friendly letters. The title i: THE GOP TAX POLICY CYCLE.

PANEL 1

The man – who I’ll just call GOP – is looking at a piece of paper he’s holding and jumping up with a horrified expression on his face.

GOP: HORRORS! The U.S. is running a DEFICIT!

PANEL 2

The man steeples his fingers in front of him and has a big smirk, as he closes his eyes. He looks very content.

GOP: We HAVE to make BIG cuts to social welfare programs!

PANEL 3

The man is now dancing in place, one foot kicked off the ground, arms raised, and has a big grin.

GOP: Then we’ll give rich people and corporations HUGE tax cuts!

PANEL 4

The man is now leaning against the side of the cartoon with one hand. The other hand holds a piece of paper, which he’s glaring at.

MAN: Mysteriously, those tax cuts were followed by less tax revenue, which means…

(Panel 4 is followed by an arrow leading back to panel 1.)

PANEL 1

The man – who I’ll just call GOP – is looking at a piece of paper he’s holding and jumping up with a horrified expression on his face.

GOP: HORRORS! The U.S. is running a DEFICIT!

The GOP Tax Policy Cycle | Patreon

Posted in Conservatives, Economic cartoons, Right-wingers |

Self-Made Billionaire!

Cartoon by Barry

TRANSCRIPT OF CARTOON

This cartoon has six panels. There’s an enormous main panel, the size of the whole cartoon, and then there are five small “inset” panels floating at different angles on top of the main panel.

MAIN PANEL

The main panel shows a smiling, self-satisfied looking white man, wearing casual-but-nice clothes – a long sleeved short shirt tucked into brown pants, with a light blue suit jacket worn on top. He’s holding the lapels of his jacket as he speaks. The last three words of his dialog are printed in much larger lettering, acting as the title of the comic strip.

He is standing thigh-deep in an enormous pile of green dollar bills (presumably of high denominations, although my drawing isn’t detailed enough to show that). Each of the small panels has dollars pouring out of the panel and falling to join the big money pile at the bottom of the cartoon.

MAN: I’m proud to be a SELF-MADE BILLIONAIRE!

INSET PANEL 1

CAPTION: Government Subsidies

A very traditionally-drawn Uncle Sam, grinning, is holding a bucket upside down, and money is pouring out of the bucket.

INSET PANEL 2

CAPTION: Inherited Wealth

A baby in a onesie is napping blissfully on a big pile of brown bags with a “$” printed on each bag.

INSET PANEL 3

CAPTION: Tax Loopholes

A sort of organic-looking hole tunnels into an abstract surface. Money is shooting out of the hole and falling out of the panel, towards the big money pile.

I originally tried drawing this panel as a more literal loophole, made of thread, but somehow that seemed to illustrate the concept less well than a totally abstract approach.

INSET PANEL 4

CAPTION: Publicly Funded Infrastructure

A highway overpass is passing over a lower highway overpass. Cars and trucks are driving on both levels of overpasses, including a large truck with its rear doors open; money is flowing out of the rear doors towards the big money pile.

INSET PANEL 5

This is the final inset panel of the cartoon.

CAPTION: Exploited Workers.

Two workers – one wearing a blue vest over a white shirt, and an orange cap, the other wearing a polo shirt and carrying a large cardboard box, look irritated. Money is flying out of their pockets to join the big money pile.

Self-Made Billionaire | Patreon

Posted in Economic cartoons |

5 Things Congress Says When It Plans To Cut Social Security

Cartoon by Barry

If you enjoy these cartoons, help us make more by supporting the Patreon! A $2 pledge really helps.

TRANSCRIPT OF CARTOON

This cartoon has seven panels. The first six panels are a two-by-three grid taking up the left half of the cartoon; the seventh panel takes up the entire right half of the cartoon.

PANEL 1

This panel is empty except for the title of the cartoon, printed in large, friendly looking letters.

5 THINGS CONGRESS SAYS WHEN IT PLANS TO CUT SOCIAL SECURITY

PANEL 2

A red haired man wearing a brown suit, and a dark tie with red dots, is speaking directly to the reader, looking a little anxious.

MAN: Cuts? NEVER! We only want to… er… “raise the retirement age.”

PANEL 3

A smiling man, wearing a suit with a red striped tie, worries his hands in front of his chin as he talks to the reader.

MAN: We’ll just take billions out of Social Security funds to play the stock market! What could POSSIBLY go wrong?

PANEL 4

A man with a salesman’s grin, wearing a cream-colored jacket over a light blue shirt and red tie, holds his lapels as he talks to the reader.

MAN: Social Security should “sunset” every five years unless Congress re-passes it. (Sunsets can’t be bad! They’re so pretty!)

PANEL 5

A well-dressed woman wearing a red jacket over a v-neck gray blouse is looking a bit up into the air as she searches for the right word. Her expression is uncertain.

WOMAN: Overhaul! Wait that sounds bad… Reform! No… um…

PANEL 6

An older man, but still quite strong looking, has white hair parted on one side and is wearing a white button down shirt with a black necktie. He has a stern expression as he speaks to the reader.

MAN: Our debt limit plan won’t cut Social Security! It’ll just force Social Security cuts. That’s totally different!

PANEL 7

This panel has a large caption at the top, in the same font as panel one, which says:

1 THING IT NEVER SAYS

The red-haired man from panel two is back, talking directly to the reader and making a chopping motion with one hand. His expression is stern. Behind him we can see the U.S. Capitol Building (although the Statue of Freedom on top of the building has been replaced by a statue of Woodstock from Peanuts).

MAN: We plan to cut Social Security.

5 Things Congress Says When It Plans To Cut Social Security | Patreon

Posted in Economic cartoons |

The Debt Ceiling Hostage Crisis

Cartoon by Barry

If you like these cartoons, and if you’re inclined to, and if you have the money, and if doing so wouldn’t break any religious rules or local laws, you can support my Patreon. I make a living from lots of people pledging just one or two dollars, and I think that’s really neat.

TRANSCRIPT OF CARTOON

This cartoon has nine panels.

PANEL ONE

At the top of the panel, there is a large caption, which says: THE DEBT CEILING HOSTAGE CRISIS.

The panel shows a middle-aged man, wearing a brown suit with a red necktie, standing in a deep trench that’s been cut into the floor. It’s reminiscent of defensive trenches dug by soldiers during war, but it’s very clean and abstract, rather than being a realistic trench.

The man is holding an old-fashioned comic book bomb – a perfectly round black sphere with a burning fuse – in one hand, and shaking a fist with the other. He’s yelling and looks angry.

MAN: Give me what I want – or I’ll blow us ALL up!

PANEL TWO

A far shot lets us see that there are actually two trenches here. In one trench is the man from panel one; in the other is a white-haired woman wearing a blue blazer over a red blouse. The two of them are facing each other.

WOMAN: What do you want?

PANEL THREE

The man holds up the bomb higher, and holds up the forefinger of his other hand. He’s still yelling angrily.

MAN: I want BIG cuts in Social Security and Medicare.

PANEL FOUR

Pretty much the same scene, except now we’re seeing the angry-looking man in profile.

MAN: I ALSO want big cuts for climate change spending. AND the IRS. AND welfare.

PANEL FIVE

A close-up of the man as he smiles.

MAN: Basically, if it’s not defense spending or tax cuts for the rich, I want it slashed.

PANEL SIX

The “camera” pulls back so we can see both trenches; the woman is in the foreground, the man (still grinning and holding up the bomb) is in the background.

MAN: And if I DON’T get EVERYTHING I want, I’m blowing up the economy!

MAN: Do we have a deal?

PANEL SEVEN

A shot of the woman, who has an angry expression as she stares at the man, her arms crossed.

WOMAN: No.

PANEL EIGHT

A shot of the two of them staring at each other, with the back of the woman’s head in the foreground. The man is thinking things over.

PANEL NINE

A shot of the man in his trench, looking a little surprised, and also like his feelings have been hurt.

MAN: You’re not even going to negotiate?

The Debt Ceiling Hostage Crisis | Barry Deutsch on Patreon

Posted in Conservatives, Economic cartoons, Right-wingers |

Selective Heartlessness, aka, On Employers Who “Can’t Afford” Paying A Living Wage

Cartoon by Barry

The fall of Rome was caused by not enough Romans supporting my Patreon. So sad! If only there were some way of preventing our civilization from suffering the same terrible fate…

I know in real life people seldom walk around in vests. But I really like drawing vests.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows the same two people chatting as they walk through a hilly park. One, the person walking in front, is wearing a vest and tie, and has one of those beards that’s done with a very thin strip of beard. (There’s probably a word for it?) The other is an older woman, with curly white hair, a striped shirt, a calf-length skirt, and cat-eye glasses. Let’s call them VEST and SKIRT.

PANEL 1

Vest is in front, taking big strides and scowling a little as he talks. Skirt follows a few steps behind, listening with a look of concentration.

VEST: Workers who aren’t paid a so-called “living wage” aren’t earning one! If they can’t handle wages set by the free market, a more productive worker will take their place.

PANEL 2

A close-up of Vest’s face; over his shoulder, still several steps behind, we can see Skirt holding up a finger to make a point. Vest looks crabby, and honestly, Skirt looks a little crabby too. These two may not be destined to be close friends.

VEST: I can’t stay in business if I pay my employees more than I have to!

SKIRT: Think of it this way…

PANEL 3

A close-up of Skirt, who is holding up both hands at shoulder height, “talking with her hands,” and smiling as she gets into what she’s saying.

SKIRT: If an employer can’t figure out how to pay a living wage, they don’t deserve to stay in business. A more productive entrepreneur will take their place, right?

PANEL 4

For the first time in the strip, Vest has turned around to face Skirt. He looks very distressed, his eyes huge, and he’s yelling. Skirt, startled, takes a step back.

VEST: HOW CAN YOU BE SO HEARTLESS?!?

On Employers Who Can’t Afford Paying A Living Wage | Barry Deutsch on Patreon

Posted in Economic cartoons, Labor rights & Unions |

Kids Today Are So Lazy! (Living Wage cartoon)

Cartoon by Barry

If you like these cartoons, then you’re a terrible terrible person and you should definitely consider a mountain retreat to work on your spiritual size, say five to eight years of contemplating the pine trees, going barefoot and living only on barries. And since you’ll be saving so much money on food and shoes, why not support my Patreon?

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows two women on a sidewalk in a residential area, talking. The younger woman has black, straight hair, and is wearing  a short-sleeved blouse with puffy sleeves, black tights with some tears, and sandals. The older woman has big curly hair, and is wearing a light blue blazer over a black shirt and slacks, with black kitten heels.

PANEL 1

The two women are talking; the younger woman has an earnest expression, while the older woman is holding out a palm in a somewhat dismissive manner and smiling.

YOUNGER: $17 per hour is a living wage. Everyone should be paid at least that.

OLDER: Your generation just has to work harder. Like mine did!

PANEL 2

A close-up of just the older woman, She’s pointing at the younger woman, smiling and lifting an eyebrow.

OLDER: I started working in 1970. I got $2.20 an hour and felt lucky! Then I worked my way up! You should be paid what I was. You’d learn something.

PANEL 3

A longer shot of the two of them. The younger woman has turned away and is tapping on her smartphone.

YOUNGER: Hold that thought…

PANEL 4

The younger woman has turned back towards the older woman, and is grinning and pointing to something on her smartphone screen, which she’s holding up to display to the older woman. The older woman leans down to look at the smartphone, and she looks taken aback.

YOUNGER: $2.20 per hour in 1970 is $17 per hour in today’s money. I agree, we should be paid like that!

This cartoon on Patreon

Posted in Economic cartoons |

A Right-Winger’s Guide to Labor Economics

Cartoon by Barry

For want of a shoe the shoelace was lost. For want of a shoelace the shoefly was lost. For want of a shoefly the flyover states were lost. For want of the flyover states the state of grace was lost. And the only way to get the state of grace back is to support these cartoons on Patreon. Weird how that works.

This cartoon has six panels. Every panel shows the same man, a white man with a mustache and thick hair that’s going white around the temples, who is speaking to the reader in front of an abstract color backgound. He’s wearing tan slacks, a light blue collared shirt, and a red striped necktie.

PANEL 1

A caption at the top of the panel, in big red letters, says:

A RIGHT-WINGER’S GUIDE TO LABOR ECONOMICS

The man in the necktie is looking sincere, his hands pressed together in front of him almost like he’s praying.

MAN: CEOs are infallible and holy and the government must get out of their way.

PANEL 2

The same man is suddenly exploding with anger, stomping his feet and waving his hands and yelling.

MAN: Workers are the worst! They need the constant threat of unemployment, homelessness and starvation to do anything!

PANEL 3

In a closer shot, the man looks out at the reader with an expression of bewilderment, as he shrugs.

MAN: If Luisa’s boss is illegally paying her $3.50 an hour, then $3.50 is exactly what she’s worth! I can think of no other explanation!

PANEL 4

Now the man has switched into a wise-professor-explaining pose, face calm, a finger raised to emphasize his point as he speaks.

MAN: High unemployment happens when millions of people get lazy all at once. It stays high until they all suddenly stop being lazy. Until the next recession, when they’re lazy again.

PANEL 5

A sudden, extreme closeup shows the man‘s face contorted with furry as he yells. (Wait, no, contorted with “fury,” not “furry.” I don’t know or want to know what being ”contorted with furry” is.) We can see that he’s trembling, and a little caption with an arrow pointing at him says “trembling with rage.”

The background, which up until now has mostly been a cool light purple, is bright red/pink in this panel.

MAN (yelling): When unions force rich people to pay employees more, that’s literal armed robbery!

PANEL 6

The “camera” pulls back to a full-figure shot, and his expression is now calm and smiling and a little smug. He’s got his arms crossed and is standing with one foot on the heel in a jaunty sort of pose.

MAN: Everything I say is the objective truth because I am super logical and definitely not just rationalizing my ideological beliefs and if you don’t agree then you suck at economics! LOL!

This cartoon on Patreon

Posted in Conservatives, Economic cartoons |

Equal Opportunity, Not Equal Outcomes

Cartoon by Barry

If you like these cartoons, you’ll probably also like sticking your toes into a mud bank and wiggling them until the neon worms come to nestle between your toes. If you can manage to stay like that for 30 hours straight despite the exhaustion and increasing pain from not moving (lifehack: bring a pillow to sit on), you’ll gain the power to walk across water. The downside is, you’ll leave glowing neon footprints everywhere you go, making it easy for the secretive government agency to track you down and throw you into their secret facility for studying people with powers. And the worst part is, the smooth-faced people in low-end businesswear who run that agency don’t like cartoons at all. So to pre-emptively get revenge on them, remember to subscribe to my patreon before they lock you up. (And say hi to the neon worms from me!)

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows the same two people walking on a path on a hillside as they talk. The person walking in front is a Black man, with a mustache and beard, wearing a t shirt with a sort of smiley face on it, except the face has a neutral expression rather than a smile. The second person is a white man with black hair in a tidy haircut, and a plaid sweater-vest over a collared shirt. For purposes of this transcript, I’m calling these two characters TSHIRT and VEST.

PANEL 1

Vest is speaking seriously as he talks to Tshirt. Tshirt is very enthused about what he’s hearing, smiling big and spreading his arms expansively.

VEST: It’s stupid to expect equal outcomes, because not everyone is equal. Some people are just born with less ability than others. What we need is equal opportunity.

TSHIRT:  “Equal opportunity” sounds great!

PANEL 2

A close-up of Tshirt and he turns to look at Vest, enthusiastically smiling as he holds up a finger while making a point.

TSHIRT: Let’s start with a massive inheritance tax. Nothing‘s a more unequal opportunity than some people being born with millions while others start with nothing.

PANEL 3

A longer shot shows more of the environment; we can see plants with long leaves in the foreground, and trees in both the foreground and background. Tshirt, still very enthused, slaps a fist into a palm as he anticipates what might be done.  Vest looks panicked, holding up his palms in a “whoa there!” gesture, eyes wide.

TSHIRT: We can use that money to make other opportunities equal. Like free college! And free health care for all! And—

VEST: STOP!  I didn’t mean any of that stuff! I just mean Black people are less intelligent so we shouldn’t try to fix race inequality!

PANEL 4

Tshirt, looking calm but also angry, has turned to face Vest, with his hands on his hips. Vest has turned away from Tshirt, arms crossed, nose held high in a snooty expression.

TSHIRT: Oh, so you’re just a complete fucking racist.

VEST: Intolerant reactions like that are exactly why I prefer to say “equal opportunity.”

This cartoon on Patreon

Posted in Economic cartoons, Racism & Racists |

Anything to Fix the Housing Crisis

Cartoon by Barry

If you like these cartoons, then you’d probably like my cousin Edna. And if you like my cousin Edna, you’d probably also like her special tuna noodle casserole made with tabasco sauce. And if you like my cousin Edna’s special tuna noodle casserole made with tabasco sauce, then the police are interested in talking with you about an incident on Berlington Circle Avenue last Tuesday, but they say you’re not a suspect and no need to hire a lawyer. But if you do hire a lawyer, cousin Edna knows a guy. And that guy supports these cartoons on Patreon.

TRANSCRIPT OF CARTOON

This cartoon has six panels. All the panels show two women, one with spiky hair and one with curly hair, talking to each other. The spiky-haired woman is wearing a red and pink striped v-neck tee shirt, shorts, and sneakers. The curly-haired woman is wearing an orange tank top and a purple skirt with a pattern of large dots.

PANEL 1

Spiky is looking distressed, holding her hands to her head; Curly looks determined, pounding her palm with her fist.

SPIKY: The affordable housing crisis gets worse every year!

CURLY: Let’s fix this – I’ll do anything!

PANEL 2

Spiky is enthusiastic, lifting a pointer finger in the air as she makes a point. Curly turns away, holding up a palm in a dismissive way, looking annoyed.

SPIKY: Our biggest problem is the zoning laws. If we allowed taller buildings with units reserved for low-income–

CURLY: I don’t want to live close to those people!

PANEL 3

Spiky is taken aback, and makes her new point with a lot less confidence in her body language. Curly keeps her back turned to Spiky and crosses her arms.

SPIKY: Um… Let’s at least ban single-family zoning. If people could build “granny apartments”–

CURLY: That could change the “feel” of my neighborhood.

PANEL 4

Spiky clasps her hands in front as she makes a new suggestion, almost looking like she’s begging. Curly has turned back to face Spiky and looks angry, arms akimbo.

SPIKY: If we got rid of minimum lot sizes…

CURLY: Ugh! Houses built close together are ugly!

PANEL 5

Spiky makes another suggestion, looking unhappy, and Curly angrily rejects that suggestion.

SPIKY: How about eliminating parking minimums for new housing?

CURLY: And make parking spaces harder to find? Never!

PANEL 6

The characters are drawn smaller, as if we’re exiting this scene. Now Spiky looks annoyed, and her arms are akimbo. Curly looks cheerful and spreads her palms as if she’s making an obvious point.

SPIKY: So when you said you’d do “anything”…?

CURLY: Anything that doesn’t change anything.

This cartoon on Patreon

Posted in Economic cartoons |

What We Can Afford

Cartoon by Barry

This comic is by myself and Kevin Moore.

IF you like these cartoons, support them like a suspension bridge after the holidays but before three shakes of a cat’s tale of woe by supporting my patreon!

TRANSCRIPT OF CARTOON

This cartoon has six panels. Each panel shows the same two people talking, a middle-aged male politician type wearing a well-tailored suit, and a younger woman wearing a jeans jacket over an untucked yellow shirt.  We’ll call the two characters “SENATOR” and “ACTIVIST” for purposes of this transcript.

PANEL 1

Senator and Activist are talking, although the Senator doesn’t look like he wants to be in this conversation – he’s looking at his cell phone. The activist is facing him and looks serious, holding a palm up in a “here’s the point I’m making” gesture.

ACTIVIST: Good welfare programs can actually save the government money. Homes for the homeless, health care for children and pregnant women, free pre-K education, good vocational education in prison… All these programs save us money in the long run.

PANEL 2

A close-up of Activist, smiling and pressing a forefinger to the side of her head.

ACTIVIST: We should do these tings because they’re the right thing to do… But they’re also the smart thing to do.

PANEL 3

The camera has backed up enough so that we can see that the two of them are standing on a big pile of cash. The senator is smiling and shrugging. The activist is gesturing at the cash they’re standing on.

SENATOR: Even if that’s true, we just can’t afford it! The debt, the deficit… The country’s broke!

ACTIVIST: What is this we’re standing on?

PANEL 4

The “camera” has pulled back even more, and we can now see that the two of them are standing on top of a huge load of money being carried by an enormous dump truck. There’s so much money that it rises high above the sides of the truck’s, um, you know, that space that big trucks have that they carry their loads in. I’m sure there’s a word for it, but I don’t know what that word is. Anyway, the pile of money rises high above whatever we call that.

(The word “Moola” is painted on the front of the truck).

SENATOR: This? One of our daily dump trucks full of money for huge tax breaks for rich people and big corporations.

ACTIVIST: And what is the truck standing on?

PANEL 5

The “camera” has pulled back even more, and now we can see that the dump truck full of money is parked on top of a pile of money that’s huge even when compared to a giant dump truck. The money is on top of a cargo ship, which is floating on the ocean.

Se can still make out the Senator and the Activist, but the camera is now pulled back so far that they’re little more than tiny dots.

SENATOR: Let’s see… The truck is on top of one of our daily cargo ships full of money for the military.

PANEL 6

The “camera” has zoomed back in to a close shot of the two people. The Senator is talking with a neutral expression. The activist is face-palming.

SENATOR: Why? What’s your point?

This cartoon on Patreon

Posted in Economic cartoons, Kevin Moore collaborations |

Capitalism can Innovate Around Anything!

Cartoon by Barry

If you like these cartoons, please support them! Each $2 pledge really helps! Do it or I’ll buy a puppy from a puppy farm instead of going to a shelter!

TRANSCRIPT OF CARTOON

This cartoon has four panels, plus an additional tiny “kicker” panel under the bottom of the cartoon.

The cartoon shows two businessmen-types walking on a city street. One of them is wearing a red bow-tie and a sky-blue suit; the other is wearing an ordinary tie and a duller suit, with a desaturated green jacket and black pants. The bow-tie guy is totally bald – probably shaves his head – and has a van dyke beard and mustache. The regular-tie guy has blond hair and is cleanshaven, and is looking at his smart phone as he walks.

PANEL ONE

The two of them walk on the sidewalk, Blonde looking at his phone, Bowtie raising his arms enthusiastically as he talks, grinning. (Not important to the cartoon: In the background, across the street, a smiling businessman talks to a smiling man with red skin, horns, and a tail, who is holding up a clipboard. And a woman in a second story window leans out to smile at a largish bird which is hovering and looking back at her.)

BOWTIE: The most amazing thing about capitalism is the creative genius of entrepreneurs!

PANEL 2

A closeup on just Bowtie, who looks overjoyed. His eyes are drawn as stars, and the air around him is filled with stars and dollar signs.

BOWTIE: If there’s profit to be made, there’s nothing capitalism can’t do! Feed the world! Create the internet! Create modern medicine!

PANEL 3

A shot of the two of them walking. Bowtie keeps on grinning and talking, his fists pumped in front of him in a pleased sort of way. Blonde reads something from the cell phone he’s holding.

BOWTIE: There’s no problem that capitalism can’t innovate around!

BLONDE: Hey, look at this: some senators want new regulations to protect the climate.

PANEL 4

Bowtie jumps straight up into the air (cartoon code for “I am very surprised”), clutching his face in his hands, his mouth and eyes huge in an expression of enormous dismay. He is yelling. Blonde, surprised by Bowtie’s big reaction, is stumbling back from Bowtie a little.

BOWTIE: NOOOO! CAPITALISM IS DOOMED!

TINY KICKER PANEL UNDER THE BOTTOM OF THE STRIP

Bowtie is speaking directly to the readers, his face still showing distress.

BOWTIE: Even if capitalism miraculously survives, some rich people will be slightly less rich! I can’t imagine a greater tragedy!

This cartoon on patreon

Posted in Economic cartoons, Environmental cartoons |

How City Budgets Work

Cartoon by Barry

If you like these cartoons, help us make more by supporting the Patreon! Getting lots of $1 and $2 pledges is our business model. Also, I just used the term “business model” in a sentence. Life is weird.

TRANSCRIPT OF CARTOON

(New drinking game! Every time I make a typo, take a drink. Don’t play this game if you have to drive later.)

This cartoon has four panels. Each panel shows a different scene, and has a different color palette.

PANEL 1

This panel, drawing with an orange-ish palette, shows a woman talking on the phone, looking a little panicked. Beside her, a wide-eyed child watches, looking very worried. Above them both is a large caption, in big green letters.

CAPTION: HOW CITY BUDGETS WORK

WOMAN: A six year waiting list? But we’re homeless now!

PANEL 2

This panel is colored in shades of purple.

A middle-aged woman wearing glasses and a striped dress is talking to a middle-aged man wearing a suit and tie. She looks wide-eyed and worried; he looks angry, glaring into space as he talks.

Behind them we can see a big window; various shapes (a banana, an apple, flowers, a star) have been cut out of paper and taped to the window. In front of them, we see mostly the heads and faces of a crowd of children, variously talking, smiling, making a peace sign, and dozing off (with a bit of drool).

WOMAN: But we can’t fit another 30 chairs into this classroom!

MAN: Chairs? City Hall says kids can stand.

PANEL 3

This panel is colored in very dreary shades of green.

We are looking through a doorway at a man with slightly shaggy hair, who sits unhappily at a cheap rectangular table in an otherwise empty room. Outside the room, leaning back as if he’s just calling something into the room while rushing past, a man wearing glasses and a jacket and tie, talks to the shaggy-haired man.

RUSHING MAN: Hi! I’m your public defender. Unfortunately, I’ve been assigned so many defendants that introducing myself is all the time I have for your case this month.

RUSHING MAN: See you at your trial!

PANEL 4

This panel is colored in shades of blue, except for the cash, which is colored in green.

A group of cops is dancing merrily while grinning. One cop waggles his midsection; one imitates John Travolta’s disco pose from “Saturday Night Fever”; a couple dances in a pair, arms on each other’s shoulders; a few others are kicking and throwing their arms up into the hair. It’s a celebration. Green cash is filling the air, raining down on them.

COPS (said by several in unison): MONEY DANCE!

How City Budgets Work | Barry Deutsch on Patreon

Posted in Economic cartoons |