Transgenderism Is Coming! Run Away!

Cartoon by Barry

If you like these cartoons, support them on Patreon! A $1 or $2 pledge really helps.

This cartoon was drawn by Becky Hawkins, who did an amazing job. I just love the variety of expressions and little movements she put in there. (It was also Becky’s idea to have it be a cable TV yapping show of some sort; in my original sketch, it was just three people talking on zoom.)

TRANSCRIPT OF CARTOON

This cartoon has four panels, plus an additional tiny “kicker” panel underneath the cartoon.

The first three panels all show some sort of news or talk show, in which the screen is divided “zoom” style to show three pundits who are talking to each other from separate locations. There’s a large window, for whomever is currently speaking, and then two smaller windows with the other two pundits.

The three are: A white man with a beard and mustache, in front of a cityscape background; a white woman with brown hair and a blue blouse, in front of red-white-and-blue stripes; and a white woman with blonde hair and an off-white blouse, with a framed something on the wall and a houseplant behind her. I will call these characters CITYSCAPE, STRIPES, and HOUSEPLANT.

At the bottom of the largest window, a chyron – which is the word for captions at the bottom of news programs – displays changing messages. It is presumably scrolling, so not all of each message fits on screen at once.

PANEL 1

Cityscape looks angry; the other two look grimly concerned.

CITYSCAPE: These “transgenders” jump down your throat if you don’t use their “preferred pronoun.” That’s why I’m not friends with any.

CHYRON: …ew study proves liberals are stupid…

PANEL 2

Houseplant, in the main window, is making airquotes. Stripes is screaming, her fists raised in the air. Cityscape has his arms crossed and looks serious.

HOUSEPLANT: I don’t know any “gender nonbinaries,” but I heard that anyone who uses the “wrong” pronoun is fired and blacklisted!

STRIPES: Transgenderism is the new fascism!

CHYRON: …God hates who you whate, says sour…

PANEL 3

Stripes, now in the main window, looks very frightened and wide-eyed, like she’s about to cry. In the smaller windows, Cityscape looks sad and Houseplant is shaking her head with her arms akimbo.

STRIPES: Can you imagine the Hell of actually associating with these people? Watching every word… Living in constant fear… Knowing that the slightest misstep means you’re cancelled! Forever!

CHYRON: Scientist: Watching Fox cures cance…

PANEL 4

This panel shows a person with curly hair in a low ponytail and a purple shirt holding up a tablet. On the tablet’s screen we can see the other person in the conversation, who has glasses and bright pink hair. Ponytail looks concerned, Pinkhair is smiling and looks cheery.

PINKHAIR: By the way, you said “he.” I use “they.”

PONYTAIL: Oops! Thanks, I’ll try not to do that again.

PINKHAIR: Thanks! Hey, did you see that turtle video?

TINY KICKER PANEL UNDER THE CARTOON

An angry short-haired white man is yelling and pointing at Barry, who looks taken aback.

ANGRY MAN: This cartoon is bull! I “misgender” transgenders for fun on twitter all the time, and lots of them get angry!

Posted in Becky Hawkins collaborations, LGBT cartoons |

Are You GENUINELY Poor?

Cartoon by Barry

5

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TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows two men: A not-wealthy looking man with shaggy hair and some stubble, and a bald man in glasses, wearing a business suit and tie. Each panel shows them at a sidewalk with grass growing in the background.

PANEL 1

Shaggy is wearing a wrinkled collared shirt and jeans. Necktie is wearing a gray suit with a tie with a dot pattern.

It’s bright daytime. Shaggy, with his back turned to Necktie, is looking at and poking a smartphone, and, in the helpful way people so often do in the first panel of my cartoons, talking aloud to himself. Necktie is turning to look at, and yell at, Shaggy.

SHAGGY: I can’t find a job and I’m out of money… Time to google “food stamps.”

NECKTIE: Food stamps are for people who are genuinely poor. If you were poor, you wouldn’t own a smartphone, would you?

PANEL 2

A caption says “one week later.”

From the light, it appears to be early evening. Shaggy is wearing a plaid shirt and Black pants, and has a backpack; Necktie is wearing a pinstripe suit and a tie with horizontal stripes.

Shaggy is looking worried and has a hand on his chest; Necktie is sternly talking to, and pointing at, Shaggy.

SHAGGY: I sold my phone, but now I’m out of money again.

NECKTIE: So sell your car. No one who owns a car is poor.

PANEL 3

A caption says “one month later.”

The same two men, on a similar patch of sidewalk. Shaggy is wearing sweatpants with a stripe down the side, and a hole in one knee, and a tee shirt. Necktie is wearing a dark blue suit, a black shirt, and a light-colored necktie.

Shaggy is sitting on the curb, slumping, looking down both literally and metaphorically. Necktie, talking to Shaggy, looks very cheerful.

SHAGGY: Now I’ve got no money for food, no phone for job hunting, and no car to get to a job!

NECKTIE: Excellent! Now you’re genuinely poor!

PANEL 4

The same scene, a moment later. Shaggy, looking hopeful, is looking up at Necktie. Necktie folds his arms and grins even more.

SHAGGY: So now you’re okay with me getting food stamps?

NECKTIE: Nope!

TINY KICKER PANEL UNDER THE CARTOON

Shaggy is talking to Barry the Cartoonist.

SHAGGY: So how do I get food stamps, anyway?

BARRY: Call them for an appointment, then drive to their office to apply.

Genuinely Poor | Patreon

Posted in Barry's favorites, Economic cartoons |

How Politicians “Lead”

Cartoon by Barry

Help me make more of these cartoons by supporting my Patreon! A $1 or $2 pledge really matters.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each of the panels shows the same location: A abstract, mostly empty space. But there’s a white line dividing the space in two. On the left side of the space are three activist-looking people – a woman wearing a sleeveless turtleneck and glasses, a man wearing a hoodie and a knit hat, and a woman with a short spiky hairdo.

On the right of the line is a handsome man in his 40s or 50s, with neatly combed hair, wearing black pants and a business shirt with a necktie. He basically looks like a politician. Also to the right of the line is some sort of pole sticking straight up from the ground (I was thinking it was a lamppost when I drew it, but since we’re only seeing the bottom six or seven feet of it, we don’t see the “lamp” part in this cartoon).

PANEL 1

The Politician is clinging to the lamppost with both hands. A rope is tied around his ankles, and Glasses, Knit Cap, and Spiky are pulling hard on the rope, as if they’re in a tough game of “tug of war,” trying to pull the Politician to the left. They’re pulling so hard that the politician’s legs and body are horizontal, and he’s a couple of feet off the ground. The three activists have expressions of effort and determination; the Politician is wailing.

GLASSES: C’mon!

KNIT CAP: We’re going this way!

POLITICIAN: Can’t we be patient?

PANEL 2

As the three continue to pull on the, the politician has lost his grip on the lamppost. His fingernails are leaving scrapes on the ground as he struggles not to be pulled left.

GLASSES: Why is he being so stubborn?

SPIKY: Heave!

POLITICIAN: Nooooooo! It’s not the time yet! It’s not safe!

PANEL 3

The Politician has been pulled to the left of the line and is looking around fearfully. The three activists are panting, bending over or sitting on the ground or leaning against the side of the panel, clearly exhausted.

PANEL 4

The politician has stood up and is taking a prideful pose, The activists are reacting to what he says with surprise.

POLITICIAN: I’m proud my leadership got us over the line!

Posted in Elections, Social Justice |

Terfluffle at the Supermarket

Cartoon by Barry

Help me make more of these cartoons at my Patreon! A $1 or $2 pledge really matters.

This cartoon was written by me and drawn by my most frequent collaborator, Becky Hawkins. Becky also came up with the title. Thanks Becky!

TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

Two women are talking in a supermarket. The first, a woman with stylish glasses and her blonde hair pulled into a low bun, and wearing a reddish orange dress with matching shoes, is grinning with a smug expression and holding up her phone to show the other woman.

The second woman has short brown hair, worn in a style called a “quiff”:  “short hair that’s left longer on top and dramatically swept to the side.” She’s wearing jeans, brown boots, an open red button-up shirt over a white tee, and four piercings in her ear.

The two are waiting on line by a counter at a supermarket; we can see a glassed-in counter (like a Supermarket deli) behind them, with ad pictures on the wall showing a sub sandwich, a big joint of meat with slices carved off, and a salad.

GLASSES: As a feminist, I look for small ways to fight misogyny every day!

BOOTS: What a great idea!

PANEL 2

A close up of Glasses, holding up her phone in one hand, and raising her other hand’s forefinger to make a point, still smiling widely.

GLASSES: Like, here on FaceBook I told a trans “woman” that he‘s just a man in a dress!

GLASSES: And on Twitter I said that all transgenders rape women by appropriating women’s bodies!

PANEL 3

Another close up of Glasses, reading her own screen and laughing big, but with a rather mean expression.

GLASSES: And here, I said transgender “women” are to women what Twinkies are to food!

GLASSES (very large): HA!

PANEL 4

In a shot similar to panel 1’s shot, we see Glasses continuing to smile and talk to Boots. Boots, with a horrified expression, has turned away from Glasses and is now holding her own smartphone, which she’s frenetically typing on with a forefinger.

GLASSES: So what’s a small way you’re fighting misogyny?

BOOTS: Telling everyone I’ve ever met to block you.

Posted in Becky Hawkins collaborations, LGBT cartoons |

You’re So Brave, I’d Rather Be Dead

Cartoon by Barry

Help me make more cartoons at my Patreon! A $1 or $2 pledge really matters.

TRANSCRIPT OF CARTOON

This cartoon has six panels. The first five panel shows a woman with blue hair with a thin pink streak, thin oval glasses, and arms that end slightly above where her elbows would be. In each panel she appears, she’s in a different setting talking to a different person. I’m going to call her GLASSES.

PANEL 1

A caption at the top of the panel says “Monday.” A brown-haired woman, hands clutched together in front of her chin, is anxiously staring at Glasses. Glasses, who was walking and is wearing a backpack, turns back to look at the woman.

ANXIOUS: You’re so brave. I’d rather die than live like that!

GLASSES: Um… Thank you?

PANEL 2

A caption says “Tuesday.” In a grocery store, a muscular man in a sleeveless tee, who is pushing a grocery cart, talks loudly at Glasses. He is between Glasses and the shelf, and Glasses is gesturing towards the shelf behind him, looking a little annoyed.

MUSCLES: I can’t imagine being you. I’d rather be dead.

GLASSES: Dude, I just want some Pop Tarts.

PANEL 3

A caption says “Wednesday.” Glasses is seating in the… what do you call those things? The sort of built-in stadium seating some college lecture halls have, with a series of long curved benches and desks, each one on a higher level as they get further from the front of the room, so everyone has a good view of the professor. Glasses has a laptop open on the desk in front of her. We can see a couple of bored looking students in the row behind Glasses.  Next to Glasses is a man wearing a jacket, one of those “image of a necktie” tee shirts, with his black hair in a long ponytail and an expression of extreme disgust. Glasses looks very annoyed as she responds to him.

PONYTAIL: I couldn’t stand not wiping my own butt. I’d die first!

GLASSES: Shockingly, butt wiping isn’t actually the pinnacle of human existence.

PANEL 4

A caption says “Thursday.” Glasses walks down a city sidewalk, a cartoon cloud indicating grumpiness floating above her. Behind her, a man wearing sandals and pants with torn knees, and carrying a shopping bag, grins as he talks at her; she doesn’t even bother turning back to look.

SANDALS: It’s inspiring that you haven’t committed suicide.

PANEL 5

A caption says “Friday.” An older couple, a man and a woman, are looking at Glasses; the man, wide-eyed, is speaking, but is cut off by Glasses yelling at him, leaning forward angrily.

MAN: I’d rather be dead than-

GLASSES: I don’t want to die. I have a great life! Except for ablebodied people telling me my life isn’t worth living!

PANEL 6

The “camera” pulls back to show the man and woman now standing by themselves; Glasses, it is implied, has stomped off and left the scene. The man and woman look annoyed as they look in the direction Glasses went.

MAN: Those people are so rude!

WOMAN: Obviously it’s the disability that makes her so angry.

Posted in Ableism, Barry's favorites |

Capitalism/Socialism

Cartoon by Barry

If you like these cartoons, help me make more at my Patreon! Lots of $1 or $2 pledges means I can make a living.

Today’s comic is written by me and drawn by Jake Richmond, creator of Modest Medusa. Jake is a longtime friend and collaborator of mine – he colored my “Hereville” graphic novels – but this is the first time he’s drawn a comic of mine.

Jake’s a terrific cartoonist. The major reason I asked him to draw this strip rather than another is because I’ve always liked how Jake draws water.

TRANSCRIPT OF CARTOON

This cartoon has four panels. All four panels show a man in a one-person rowboat. He’s rowing  The man is wearing an “Uncle Sam” style red-white-and-blue top hat.

PANEL 1

The man – let’s call him Uncle Sam – is rowing and talking cheerfully. He’s rowing facing backwards (as people often do in rowboats), so he can’t see that his boat is heading straight towards a large rock jutting above the water.

SAM: Capitalism capitalism capitalism capitalism…

PANEL 2

The boat hits the rock, and Sam is thrown over the side of the boat. His hat flies up a little off his head, and we can see that he’s bald.

SAM: Capitali- AHH!

PANEL 3

The man, looking panicked, scrambles to get back into the boat, yelling as he struggles, the water splashing around him. His hat floats on the water nearby.

SAM: SOCIALISM! SOCIALISM! SOCIALISM!

PANEL 4

Sam is now back in the rowboat, looking happy and relieved. All is calm. He has put the hat, dripping with water, back on his head.

SAM: Where was I…? Oh yes… Capitalism capitalism…

Posted in Economic cartoons |

It Weighs You Down

Cartoon by Barry

This cartoon is another collaboration with Becky Hawkins. You can see all of the political cartoons we’ve done together here.

If you like these cartoons, help there by more by pledging $1 or $2 at my patreon! Every bit helps.

TRANSCRIPT OF CARTOON

This cartoon has nine panels, alternating between abstract panels of gray and black paint, and non-abstract drawings. Each abstract panel has a caption in plain white lettering.

PANEL 1

A cloudy field of gray paint, with a caption: AFTER

PANEL 2

A fat man is on an airplane, seated on the aisle; a thin woman with a scarf has paused next to his seat.

SCARF WOMAN: Oh God, do I have to sit next to him?

PANEL 3

CAPTION: A WHILE

PANEL 4

A laundromat. The same fat man we saw on the plane is folding laundry. Mounted high on the wall behind him is a TV showing a talk show.

Clinging to the fat man’s back is the woman’s word balloon from the airplane panel.

TV: Let’s face it, fat people choose to be like that!

PANEL 5

CAPTION: IT WEIGHS

PANEL 6

We see the fat man again, in a coffee shop. Behind his back, a thin man wearing a sleeveless shirt and jogging shorts, is holding up a finger as he makes a point.

There are now two word balloons clinging to the fat man’s back, the word balloon from the airplane panel, and the TV’s word balloon from the laundromat panel.

JOGGING SHORTS:  …put the donuts down and get off the sofa now and then!

PANEL 7

CAPTION: YOU

PANEL 8

The same fat man lying limp on the floor, possibly unconscious, covered by a pile of word balloons from the previous three panels, topped off by a new balloon spoken by an off-panel voice.

OFF PANEL VOICE: You’d look so much better if you’d lose some weight.

PANEL 9

The caption is so far down in the panel that parts of the letters disappear below the bottom: DOWN

Posted in Becky Hawkins collaborations, Fat Acceptance |

Looters!!!!

Cartoon by Barry

Help me make more cartoons by supporting my Patreon! A $1 or $2 pledge really helps.

TRANSCRIPT OF CARTOON

This cartoon has four panels. All four panels show a news show of some kind, with an anchorman who has very carefully combed hair. In panels one and four, we see the news show on the screen of a smartphone being held in someone’s hand; in panels two and three, we only see what’s on screen. At the bottom left of the screen in every panel is two rows of chyron text, a small block of text on top of a larger block of text.

PANEL 1

A smartphone is being held in a hand. On the phone’s screen, we see a news anchor talking seriously, straight to the camera. A graphic on the upper right shows a hand in a striped sleeve holding a bag with “$” on it.

ANCHOR: And worst of all, looters take attention away from real issues!

ANCHOR: Here to talk to us about those issues is Denise Johnson of “Police Accountability Now.” Welcome, Denise.

CHYRON TEXT (upper): We think for you! #News12

CHYRON TEXT (lower):  Looters! Live in fear!

PANEL 2

The news screen is now in a split-screen, divided by a vertical line in the middle. On the right, the news anchor is talking with an inquisitive expression. On the left, a middle-aged Black woman, dressed in a professional fashion (blazer, black shirt, necklace) is speaking, with a friendly expression.

DENISE : Thank you for having me on.

ANCHOR: We’ve been talking about looters all day – but what about the underlying issues?

CHYRON TEXT (upper): There’s no #News12 without “ew!”

CHYRON TEXT (lower):  Are Looters Outside Your Door?

PANEL 3

The same shot. Denise is now speaking with a serious expression, her hands raised in a “I’m explaining” gesture. The anchor is suddenly angry looking, fists and shoulders raised.

DENISE : Okay. The first big reform we want is demilitarizing the police. Studies-

ANCHOR: Yes, exactly! It’s so frustrating that looters take attention away from proposals like that!

CHYRON TEXT (upper): #News12 is your only friend

CHYRON TEXT (lower):  Looters Stole Your Housepet

PANEL 4

Denise has been replaced by a black screen with a little electronic “blip” in the center, indicating that she has disappeared from screen. The anchor is smiling at the camera as he talks.

DENISE: Um… Okay. As I-

ANCHOR: Sorry, Denise, we’re out of time. Next up: Footage of looting!

CHYRON TEXT (upper): #News12 is your mom

CHYRON TEXT (lower):  Looters Looters Ratings Looters

Posted in Media criticism |

Do We Blame the Chinese or the Jews?

Cartoon by Barry

If you like these cartoons, help me make more at my Patreon! A $1 or $2 pledge really matters.

I wish I could say that I’m making up these conspiracy theories, I really do. But I’m not. I’m really not. The “secret Chinese weapons program” myth was even spread by Senator Tom Cotton.

TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

A shot of a computer monitor on a desk or table of some sort. (I just noticed that I forgot to draw any cables or anything coming from the monitor. Oops!) There’s a coffee mug, with a spoon in it and a smiley face on it, on the table in front of the monitor.

The screen is divided into three windows, each of which shows a different person; in other words, this is a Zoom conversation. The upper left window shows a guy wearing a black tee shirt under an open plaid shirt. The upper right window shows an extreme closeup of a man’s face, shot from below; he’s wearing rectangular glasses. And the bottom window shows a fat man with nice-looking fluffy hair, who is wearing a button-up collared shirt with a necktie.

PLAID is waving his arms with a distressed expression; GLASSES is sneering; and FLUFFY is smiling silently.

PLAID: Coronavirus was caused by Jews! God’s punishing them for rejecting Christ, and it’s spread to the rest of us!

GLASSES: Ridiculous! Everyone knows the virus was created in a secret Chinese weapons lab!

PANEL 2

We’re now looking at Plaid in profile, as he leans forward a bit to yell angrily at his monitor, shaking a forefinger at the monitor. On his monitor, distorted because it’s in perspective, we can barely see Glasses angrily yelling back, and Fluffy smiling as he talks.

PLAID: A secret Chinese weapons lab controlled by Jews!

GLASSES: Chinese!

FLUFFY: Hey, fellas, come on!

PANEL 3

A shot of Fluffy, in an upper-middle-class-looking living room; there’s an armchair, a window with curtains and a potted plant on the windowsill; a coffee mug on a table with an open book beside it. Fluffy is standing and speaking at a tablet in his left hand, still smiling pleasantly. We can now see that he’s not wearing pants, and his boxer shorts have a little hearts pattern.

FLUFFY: A pandemic is no time to be divisive. More than ever, we need to compromise and get along. What do you say, Bob?

PANEL 4

Almost the same shot as panel one, showing the monitor with three windows on it. PLAID has picked up the smiley face coffee mug and is looking more sedate as he talks. Fluffy and Glasses are both agreeing cheerfully.

PLAID: All right… But can the next pandemic be about Jews?

FLUFFY: Absolutely!

GLASSES: I’ll be there with swastikas on!

Posted in COVID-19, Racism & Racists |

Private Equity Vampire

Cartoon by Barry

If you enjoy these comics, please help me make more by supporting my Patreon! A $1 or $2 pledge really matters.

TRANSCRIPT OF COMIC:

This comic strip has four panels. All four panels show the same two characters. The first is a balding businessman-looking type, middle-aged, wearing a collared shirt and necktie, and wearing glasses. The second character is a stereotypical male vampire, with pointy ears, pale skin, fangs, and a big black cloak.

All four panels take place at night, in a hilly graveyard.

PANEL 1

This panel shows the businessman jumping back in fear as the vampire leans towards him, leering.

BUSINESSMAN: Gasp! A vampire!

VAMPIRE: I’m not a vampire. I’m a private equity firm! I’m here to help you because you’re fragile and weak!

PANEL 2

A shot shows weeds and a bare tree and some graves, mostly in silhouette, in the foreground. Far in the background, we can see the businessman being chased by the vampire. There’s a full moon in the sky.

BUSINESSMAN: But I’m actually very healthy!

VAMPIRE: You look healthy. But you need to be owned and monitored by someone who knows literally nothing about your business.

PANEL 3

In front of a stone wall with a rickety iron-bar fence, the vampire has caught the businessman, and is leaning the businessman backward while he bends forwards and sucks the blood out of the businessman’s neck. The businessman looks very distressed, understandably; the vampire looks like he’s concentrating on his meal.

BUSINESSMAN: Now you’re just sucking away all my blood for yourself.

VAMPIRE: I’m forcing you to innovate and learn to do more with less blood!

PANEL 4

The businessman lies dead on the ground, his glasses having fallen off his face, eyes in the little cartoon “x”s of death. Standing above him, the vampire cheerfully speaks, holding out a hand in an “explaining” gesture.

VAMPIRE: So it seems that without blood, you weren’t nimble enough to adapt to a changing market. I’m sure you would have died sooner if I hadn’t stepped in!

Posted in Economic cartoons |

Where’s The Fat Shaming?

Cartoon by Barry

This comic was written by Barry Deutsch and drawn by Becky Hawkins.

If you like these cartoons, help me make more by supporting my Patreon!

TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1
A woman is seating in a coffee shop, gesturing at something on her laptop screen that’s annoyed her, as she rolls her eyes. In this and the next two panels, the woman is addressing the reader.
WOMAN: I hate it when fat people complain about “fat shaming.”

PANEL 2
The same woman, a slightly closer shot, as she pounds a fist on the table in front of her.
WOMAN: Obesity is a crisis! American can’t afford coddling fat people any more!

PANEL 3
A close up of the woman, as she makes “air quotes” with her fingers.
WOMAN: We’re all so “politically correct” that fat people are getting the message that it’s okay to be fat! The problem is that fat people aren’t being shamed!

PANEL 4
New scene. A fat person sits in her home, holding up a smartphone. A friend of hers, with a concerned expression, is on the couch next to her. A flat screen TV is on the wall in front of her; a smiling news anchor is speaking, and there’s a graphic of carrots onscreen next to him. There’s a magazine lying on the table next to the sofa.
The magazine, the news guy on the TV, the smart phone, and the friend all share a single word balloon, which has the word SHAME in huge letters.

Posted in Becky Hawkins collaborations, Fat Acceptance |

Which Kids Matter

Cartoon by Barry

Help me keep making cartoons by supporting my Patreon! I make most of my living from people pledging small amounts, like $1 or $2, and I think that’s awesome.

TRANSCRIPT OF CARTOON

This cartoon has four panels. Each panel shows the same thing: Two women walking through a hilly park as they argue. The two are staying at least six feet apart from each other as they talk.

The woman in front is wearing a jacket with rolled-up sleeves, black tights with holes in them, and a striped shirt. She has a pink streak in her black hair. The woman behind is wearing a skirt with a pattern of exclamation marks, a white collared shirt, and has wavy hair falling to a little below shoulder level. She’s wearing glasses.

PANEL 1

PINK is talking calmly while, behind her, GLASSES waves her arms and talks in an argumentative fashion.

PINK: So when an eleven year old trans kid is prescribed puberty delaying drugs, that could spare them decades of suffering!

GLASSES: But what if a boy likes dolls, so his parents decide he’s a girl and force him to change sex? That’s why we must outlaw puberty delaying drugs!

PANEL 2

Pink isn’t yelling but she’s speaking passionately, waving her hands as she talks. Behind her, Glasses has her hands in her pockets and is listening without much expression.

PINK: I’ve never seen a real case like that. That would be awful. But if a case like that happened, it’d be one in a million. On the other hand, there are definitely trans kids who need this treatment.

PANEL 3

Pink turns back a bit to talk directly at Glasses as she asks Glasses a question. Glasses, hands still in pocket, replies calmly.

PINK: So how many trans kids would you sacrifice to prevent one hypothetical non-trans kid being forced into delayed puberty?

GLASSES: All of them.

PANEL 4

Pink has now turned all the way around, looking a bit horrified, and holding her palms up in a “let me just explain this” gesture. Glasses has stopped walking, has folded her arms, and has raised her voice, with an angry expression.

PINK: I don’t think you understand – we could be talking about a hundred thousand-

GLASSES: I said all of them!

Posted in Barry's favorites, LGBT cartoons |

Which Economic System Prevents Pandemics?

Cartoon by Barry

Welcome to my friend and now collaborator Frank Young, who colored this cartoon. There’s no way I could do justice to Frank’s resume – cartoonist, novelist, former editor of the Comics Journal, author of many nonfiction books about classic comics, and curator of many fine collections of classic comics.

The first time Frank colored this cartoon, he colored it like a regular cartoon – you know, with actual colors and stuff. I had to ask him to try again, this time using the sort of very limited palettes I usually prefer. I’m very happy with how the finished cartoon came out.

TRANSCRIPT OF CARTOON

This cartoon has four panels, plus a small “kicker” panel below the bottom of the strip.

Each of the panels shows the same scene; two humans, and an anthropomorphized coronavirus (with a perfectly round head and little things sticking out of the head in every direction). Other than that, the corona virus has an ordinary human body.

The two humans are a woman with shoulder-length hair, wearing a turtleneck and a skirt with a floral pattern; and a woman with glasses, black bobbed hair (like Lucy from Peanuts), and a sleeveless dress over a striped short-sleeved shirt.

They’re sitting around a little round table with two cups of coffee on it. The two women are arguing. The coronavirus is just looking ahead blankly, not seeming to pay attention to what the women are saying.

PANEL 1

GLASSES: It’s not a coincidence that cornonavirus began in a communist country. An unfettered free market wouldn’t have-

TURTLENECK: That’s crap!

PANEL 2

TURTLENECK: Single payer could have prevented this!

GLASSES: Socialized medicine didn’t save Italy, Spain and Germany!

PANEL 3

The same scene. The two women are leaning into their argument, their noses almost touching. The coronavirus, still without much expression, lifts a forefinger and speaks.

TURTLENECK: Just like capitalism didn’t-

GLASSES: How can you ignore-

CORONAVIRUS: Can I say something?

PANEL 4

Silent panel.

The chair coronavirus was sitting in is empty, and coronavirus is not in this panel.

The two women slump against the table and chairs, dead. (They have little “X”s for eyes, cartoon symbols for being dead.) An overturned coffee mug on the table is spilling over the side of the table.

SMALL KICKER PANEL UNDER THE BOTTOM OF THE STRIP

Two middle-aged men talk; one of them is Barry, the cartoonist. The first man looks inquisitive; Barry responds cheerfully.

MAN: So you’re saying both sides are equally bad?

BARRY: The phrase “fuck no” is woefully inadequate.

Posted in COVID-19, Economic cartoons |

Sometimes It Feels Like Coronavirus Has Always Been With Us

Cartoon by Barry

If you enjoy these cartoons, be part of making more! Support the patreon!

TRANSCRIPT OF CARTOON

This cartoon has four panels, each showing a different scene.

PANEL 1

Most of this panel is taken up by very large, rough lettering, the title of the cartoon. “SOMETIMES IT FEELS LIKE CORONAVIRUS HAS ALWAYS BEEN WITH US.”

In the bottom of the comic, a woman is leaning on her elbows, looking wistfully out an upper floor window of a house.

WOMAN (thought): I can’t remember the last time I put on pants.

PANEL 2

In the foreground, a woman in a Shakespearean-style gown is frantically washing her hands and yelling. Behind her, a man peeks through a doorway, holding up a forefinger in a “making a point” gesture and speaking very cheerfully. They are Lady Macbeth and Macbeth.

LADY MACBETH: OUT, DAMNED SPOT! OUT I SAY!

MACBETH: Remember to do that for at least twenty seconds, hon!

PANEL 3

The panel shows several people hanging on crosses in Rome sometime in the first century. In the foreground, a well-off looking Roman man, dressed in robes, is giving an order to a Roman soldier, who is wearing a helmet and carrying a large wooden mallet. In the background, one of the people hanging on a cross speaks cheerfully towards the two in the foreground.

ROMAN DUDE: Make sure the crosses are six feet apart.

MAN ON CROSS: Thank you for caring!

PANEL 4

Inside a cave, a cartoon caveman, wearing a shirt-thing made out of some animal with a spotted pattern on its fur, and carrying a big rough club, is speaking to a laptop computer which is open on top of a boulder. On the laptop’s screen, we can see another caveman. The first caveman, slapping a hand to his forehead, has a distressed expression.

CAVEMAN: I haven’t left my cave in weeks!

CAVEMEN ON LAPTOP: Me either!

Posted in COVID-19 |

Copyright: The Biggest Government Giveaway of All (featuring Bill Gates)

Cartoon by Barry

This cartoon was inspired by this Dean Baker essay.

If you like these cartoons, help me make more by supporting my Patreon! A $1 or $2 pledge really matters.

TRANSCRIPT OF CARTOON

This cartoon has five panels, plus a small “kicker” panel under the cartoon. All of the panels show the same setting: a sidewalk next to a grassy field with a couple of scattered trees.

PANEL 1

A balding man is talking on his cell phone, ranting to a friend or perhaps calling in to talk radio. He’s wearing a short sleeved shirt with a “!” on front. Behind him, Bill Gates is walking up to him with a friendly expression, raising a forefinger in a “making a point” gesture.

MAN: I say, Bill Gates earned every dollar of his $108 billion! The government had nothing to do with it!

BILL GATES: Actually, that’s not true.

PANEL 2

The man, turning around, jumps with surprise.

MAN: Gasp! Bill Gates!

GATES: I owe my fortune to the biggest government giveaway of all… Copyright law!

PANEL 3

A close-up of Gates, smiling and explaining.

GATES: People talk about copyright for “lifetime plus seventy years” as if it’s a law of nature. It’ snot! It’s a law that big corps like Disney lobbied for!

PANEL 4

A longer shot of Gates, spreading his hands as he talks.

GATES: If copyright only lasted five years, I might have to get by on “only” $25 million, and consumers would save a ton of money!

GATES: Plus, less monopoly would probably mean better products.

PANEL 5

Gates walks away, looking upward and holding one hand out towards the sky in a “I am a visionary” sort of gesture. Behind him, the balm man is happily cheering.

GATES: Now, if you’ll excuse me, somewhere out there is a small company with a great product. I’ll buy them out and make sure no one sees that great product for seventy years!

GATES: Just another way consumers get screwed by… Copyright law!

MAN: Hooray! Thank you Bill Gates!

SMALL KICKER PANEL UNDER THE BOTTOM OF THE STRIP

Barry the cartoonist, looking mildly surprised, is talking to the bald man, who is smiling.

BARRY: Why are you cheering? Aren’t you against government interference with free markets?

MAN: Mainly I just worship rich people.

Posted in Economic cartoons |

Billionaires Discuss Economics

Cartoon by Barry

If you enjoy these cartoons, help me make more by supporting my Patreon! A $1 pledge really helps.

TRANSCRIPT OF CARTOON

This cartoon has five panels, plus a small “kicker” panel below the bottom of the final panel.

PANEL 1

This is a title panel, showing a sedate arrangement of flowers in front of a vase. That’s all just the background for the lettering, which says: “Another edifying episode of… Billionaires discuss Economics”

PANEL 2

A middle aged-man sits in a high-backed desk chair; there is a desk in front of him, with a laptop and a cup of coffee on a saucer. He’s reading a magazine called “Tax Dodge Monthly.” But at this moment he’s looked up from the magazine to address the viewer, smiling.

SEATED MAN: Giving poor people handouts creates a culture of dependency, so the best way to help is to give them nothing.

PANEL 3

A younger man, wearing glasses and a Yale tee shirt, stands on a tennis court, holding a tennis racket over one shoulder. He speaks to the reader, looking friendly.

TENNIS: My great-great-grandfather made a fortune busting unions and paying workers a pittance. And eventually I inherited that fortune! Why can’t poor people just do that?

PANEL 4

A middle-aged man, balding, with a neat, pointy beard just on his chin, speaks sternly to the readers, one forefinger raised as if making a point. He’s wearing a double-breasted blazer and a necktie. Next to him, his dog looks up at him calmly. Behind him is an enormous mansion with big pillars surrounding the door.

BEARD: I’m sorry some people can’t afford health care, but we can’t help everyone with every little problem. People need to toughen up.

PANEL 5

The three characters from the previous three panels are all in this panel, looking frightened and panicked.

SITTING MAN: A small tax increase on income over fifty million dollars? It’s highway robbery!

TENNIS: Where’s their compassion?

BEARD: Why don’t they care what happens to us?

SMALL KICKER PANEL BELOW THE BOTTOM OF THE STRIP

The “Beard” character from panel four is chewing out Barry, the cartoonist.

BEARD: This cartoon is yet another example of pervasive anti-billionaire bigotry!

Posted in Economic cartoons |

Sexist Joke

Cartoon by Barry

If you like these cartoons, please support them on Patreon! A $1 pledge really helps.

This cartoon is another collaboration between me and the wonderful Becky Hawkins. As well as political cartoons, Becky and I collaborate on the webcomic SuperButch – hey, did I tell you folks SuperButch won a Prism Award? – and of course please check out Becky’s solo work.

My favorite parts of this cartoon – the extreme perspective in panel 2, the red panel, and the spiral lettering – were all Becky’s ideas.

That’s the best part of collaboration, for me – seeing the ideas that Becky comes up with that I hadn’t even considered when I wrote the script. Becky and I work well together because we think about comics similarly in many ways – but its our dissimilarities I enjoy the most.

TRANSCRIPT OF CARTOON

This cartoon has five panels.

PANEL 1

We can see five people around a table in a business conference room (although there are probably more people around the table, we’re only seeing part of the table). All the people are wearing business clothes, and there’s a whiteboard at one end of the room, showing a growth chart. There’s a glass of water in front of each person.

At the end of the table, a gray-haired man is standing, addressing the room, grinning as he speaks. Everyone else – all men – is laughing uproariously (there’s a “ha ha ha ha” sound effect). Except for one woman, in the foreground, who is not laughing and looks subtly alarmed. She’s wearing glasses and a pink business blazer.

GRAY HAIR DUDE: They scampered like frightened little girls!

EVERYONE: Ha ha ha ha

GLASSES WOMAN (thought): Oh God that was so sexist what should I do?

PANEL 2

The same scene, except now shown in more dramatic perspective, with the woman with glasses in the extreme foreground looking at her colleagues.

GLASSES WOMAN (thought): I could say something but I need my colleagues to like me.

PANEL 3

This panel shows the woman’s nervous face, looking straight out at the reader, floating in an abstract face. A spiral of words – her thoughts – are superimposed over her face, going around and around her.

GLASSES WOMAN (thought in a spiral pattern): It was just a joke! I don’t want to see shrill and humorless but this wasn’t the first “joke” … If I speak out would anyone take my side? But it’s not just me, it’s all the women in the office! But I don’t wanna be the office buzzkill. But if I don’t say anything then…

PANEL 4

A narrow panel, all in red, shows a very tight close-up of her determined face.

GLASSES WOMAN (thought): I’m gonna say something!

PANEL 5

The room is dark. There’s no one in the room but Glasses Woman, who looks surprised, and a woman in a janitor’s uniform who’s mopping the floor.

GLASSES WOMAN: Hey, where’d everyone go?

CUSTODIAN: They went home an hour ago.

Posted in Sexism & Misogyny |

Fat-Shaming is Bad, But…

Cartoon by leftycartoons

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Help me make more cartoons like this one by supporting my Patreon! A $1 or $2 pledge really helps.

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TRANSCRIPT OF CARTOON

This cartoon has four panels.

Panel 1

Two women talk in a living room. One woman is older (possibly the second woman’s mother), with light-colored hair in a bun. This woman is thin. The younger woman has dark hair and is fat.

The younger woman is sitting on a sofa, looking up at the older woman, who is leaning over the arm of the sofa as she talks. The older woman is smiling, the younger woman is listening with a blank expression.

OLDER: I’d never fat-shame, but did you see the gym has a sale on new memberships?

Panel 2

The two woman sit at a table in a restaurant. Both of them have a plate of food and a drinking glass in front of them, and both are holding forks as they eat. The older woman is holding up the forefinger of her other hand, smiling as she makes a point. The younger woman, who is wearing Capri pants with a floral pattern, looks a little bit annoyed.

OLDER: Not to fat-shame, but maybe you should think about how much you order in a place like this?

A caption has two arrows coming from it; the arrows point to each of their plates.

CAPTION: Ordered the exact same thing.

Panel 3

The younger woman in inside a house (presumably her house), and is startled by the older woman, who has stuck her head in through an open window to speak. The younger woman is dropping her smart phone and looks surprised. The older woman looks very concerned.

OLDER: Fat-shaming is bad, but remember, we love you and want you to be with us a long long time.

Panel 4

The two woman sit together at a round table, coffee mugs on the table in front of them. The younger woman is reading aloud from a newspaper. The older woman smiles and places a hand on her chest in a “I am so virtuous” gesture.

YOUNGER: “Studies show that fat shaming makes fat people less healthy and is linked to weight gain.”

OLDER: That’s why I would never fat shame!

Posted in Fat Acceptance |

Comedy Is Dead!

Cartoon by leftycartoons

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Help me make more cartoons like this one by supporting my Patreon! A $1 or $2 pledge really helps.

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TRANSCRIPT OF CARTOON

This cartoon has one large panel, plus an tiny extra “kicker” panel below the bottom of the cartoon. The panel shows five people – stand up comics – scattered across an abstract space. Each comedian is being picked out by a spotlight. All five of them have microphones, and all are speaking out, as if they’re talking to an audience. They speak in order from back to front (so each successive comedian is closer to the “camera” than the one before).

The first comedian is a man wearing a button-up shirt and dark jeans, and looks really angry.

FIRST COMEDIAN: If I can’t do rape jokes without getting hissed then comedy is dead! DEAD!

The second comedian is a man with a shaved head. He is wearing a black tee shirt and sitting on a stool, scowling.

SECOND COMEDIAN: Seinfeld won’t even do college campuses anymore. This is how life under Stalin felt!

The third comedian is older than the other comedians, with wide, frightened eyes. He’s wearing a vest and tie; his collar is unbuttoned and his tie is hanging down a bit, not flush against his neck. His tie has a floral pattern.

THIRD COMEDIAN: If I have to drop “women are irrational” and “Asians talk funny” from my set, all I’ll have left is “airline food” and “it’s too hard to program my VCR!”

The fourth comedian is a blonde woman wearing an open button-up sweater over a striped dress and black tights. She looks angry.

FOURTH COMEDIAN: Free speech means the world owes me a living without any $#%!ing criticism!

The fifth comedian has short-cropped hair, an annoyed expression, and a big sneer. He’s wearing a  tee shirt with a logo on it (most of the logo, whatever it is – well, it’s a big exclamation mark – is blocked by word balloons). He’s speaking straight to the reader.

FIFTH COMEDIAN: Comedy is sacred and the work I do is important to society!

FIFTH COMEDIAN: Anyhow, lighten up! They’re just jokes and they don’t mean anything!

TINY KICKER PANEL BELOW BOTTOM OF STRIP

The fifth comedian is talking to Barry the cartoonist.

FIFTH COMEDIAN: At least I can still make fun of fatties without much pushback.

BARRY: We’re working on that.

Posted in Media criticism |

Interviewing the Heartland

Cartoon by leftycartoons

Help me make more cartoons like this one by supporting my Patreon! A $1 or $2 pledge really helps.

TRANSCRIPT OF CARTOON

This cartoon has four panels, plus a small additional “kicker” panel under the bottom of the cartoon. Each of the four panels shows a very simple TV set; two bucket stools facing each other, a decorative potted plant, a wall in the back with a few horizontal stripes for color, and a boom mic. Also in every panel, there’s a TV interviewer – a white man with carefully blow-dried hair and wearing a red tie and blue pinstripe two-piece suit – and Chris, a Black woman dressed in a casual-but-nice fashion, with a red shirt and orange skirt.

PANEL 1

Pinstripe is facing away from Chris, towards an off-panel camera. He is speaking to the camera with a big grin. Behind him, Chris smiles and waves.

PINSTRIPE: I’m here in the real America – the heartland – so I can find out what real Americans are thinking! My first interview is Chris Johnson, of Kansas City.

CHRIS: Hello!

PANEL 2

Pinstripe as turned to face Chris and is taken aback. Chris has put one hand on her chest in a “I’m explaining about myself” gesture, and looks surprised; she is no longer smiling.

PINSTRIPE: Er… Sorry. I came here to interview a heartland person.

CHRIS: I am a heartland person! I was born right here in Missouri!

PANEL 3

Pinstripe makes a dismissive “stop talking” palm-out gesture towards Chris. He has turned away from Chris and is talking to someone off-panel. Chris looks offended, crossing her arms and frowning.

PINSTRIPE: Sorry, you’re not the type we’re looking for. Send in a real heartland interview, already!

PANEL 4

A new character, Aaron, has walked on panel, cheerfully waving. He is wearing jeans and a polo shirt, and a yarmulke (the small round hat worn by observant Jewish men and some observant Jewish women).  Pinstripe, seeing Aaron, reacts with frustration, waving his arms and yelling. Behind Pinstripe, Chris is amused by the situation.

AARON: Shalom! I’m Aaron from Witchita.

PINSTRIPE: OH COME ON!

TINY KICKER PANEL BELOW THE BOTTOM OF THE STRIP

Pinstripe is making demands of a fat man with glasses and tied-back hair (i.e., a self-portrait of Barry, the cartoonist.) Pinstripe looks angry, Barry looks a little bewildered.

PINSTRIPE: Just find me a resentful middle-aged white Christian with a MAGA hat who’s sick of media stereotypes about the heartland

Posted in Media criticism, Racism & Racists, Social Justice |