If A Fetus Could Talk

Cartoon by Barry


Help me make more cartoons by supporting my Patreon!


TRANSCRIPT OF CARTOON

This cartoon has eight panels.

Panel 1

A woman and a man are walking down a city sidewalk, chatting. The woman is looking a little irritated; the man is holding up a finger in a “that gives me an idea!” gesture.

WOMAN: You know the genre of political cartoon I hate? Pro-life cartoons with a fetus lecturing from inside a womb!

MAN: I should draw one of those!

Panel 2

This panel, and almost all the remaining panels, show a fetus inside a vaguely drawn womb shape, which is itself in a blank void. The fetus, who is drawn to look like a baby rather than like a fetus, is smiling and talking directly to the reader.

FETUS: Hi folks! I’m Frank the friendly fetus, talking from inside the womb!

Panel 3

A close-up  of the smiling fetus’ face. He’s pointing at his head with one finger.

FETUS: Except not really, because you know what? My cerebral cortex isn’t functioning yet!

Panel 4

FETUS: So I can’t talk! Or think! Or feel anything at all – not even pain!

Panel 5

The fetus is giving the “thumbs up” gesture with both hands.

FETUS: So if you need an abortion, go for it! It’s okay! I literally feel nothing and have no preferences!

Panel 6

For the first time, the fetus looks serious rather than smiling. It’s raising a forefinger to make a point.

FETUS: I’m not a person! But the pregnant person is! So it’s up to them to decide!

Panel 7

This panel shows a dark-haired pregnant woman, in a dress and carrying a purse, walking through what looks like a park. The word balloon leads down to her pregnant stomach.

FETUS: Speaking of which, pro-life cartoons often show wombs floating in a blank void. Notice who they’re leaving out?

Panel 8

A shot of the smiling fetus, who is holding up a medical instrument in one hand.

FETUS: In summary: Abort me! Or don’t! It’s your choice!

FETUS: Thank you for coming to my TED Talk.

Posted in Abortion, Barry's favorites, Sexism & Misogyny |

Dear (Some Of) My Fellow Lefties

Cartoon by Barry


Support my Patreon and help me make more cartoons! A $1 pledge matters a lot to me.


TRANSCRIPT OF COMIC

This comic strip has nine panels. The first eight panels each show a single character (a different character in each panel), speaking to the viewer.

PANEL 1

There is a caption at the top of panel 1.

CAPTION: Dear (some of) my fellow lefties:

The art shows a man sitting at a desk, laughing. He’s wearing a white collared shirt and a necktie.

MAN: Ann Coulter is a man! Haw haw!

PANEL 2

An older woman, with white hair and a floral-print blouse, is holding up her hands and laughing, as if she’s telling a joke.

WOMAN: Clarence Thomas’ parents should have named him “Tom.” Get it? Like Uncle Tom?\

WOMAN: As a white liberal, it’s totally my place to say that!

PANEL 3

A man with an enormous beard, wearing sunglasses, a bowler hat, and a coat with big puffs around the collar and wrists, speaks to the viewer, smiling. There’s a bike parked next to him.

MAN: I bet all these anti-gay conservatives are secretly gay!

MAN: Let’s laugh at them for being gay!

MAN: (Not that there’s anything wrong with that.)

PANEL 4

A thin woman, wearing a red knit cap, a hoodie, and hoop earrings, is speaking angrily.

WOMAN: Trump just keeps pulling lies out of his big fat ass!

WOMAN: God fat people disgust me!

WOMAN: Er… I meant, Trump disgusts me!

WOMAN: Whichever!

PANEL 5

A man, wearing glasses and a “this is what a feminist looks like” tee shirt, stands pointing to something on the screen of his tablet. There’s a hillside with paths and a couple of trees behind him.

MAN: When I see pro-life women, I think, who’d even want to get them pregnant?

PANEL 6

A person sits at a small round table, a coffee mug in front of them. They have heavily tattooed arms, the side of their head is shaved, and they’re wearing a small ring on their nose and several more in their ear. They’re smiling and holding one hand up to their mouth as if telling a dirty joke.

PERSON: Guys obsessed with protecting big guns are just making up for they lack downstairs, ifyaknowwhatImean.

PERSON: You do know what I mean, right?

PERSON: I mean penises!

PANEL 7

A woman stands outdoors, dressed for a cool day. She’s got a jacket, a scarf, and a big knit hat. She’s looking a bit aggravated as she speaks.

WOMAN: You know who votes Republican? Inbred, flyover state hillbilly retards!

PANEL 8

A redheaded man sits on a curb, leaning on one hand. He’s wearing a button-up collared shirt, open, over a striped long-sleeved tee. He’s grinning.

MAN: I love it when right-wingers get sent to prison. “Don’t drop the soap!” Ha!

PANEL 9

There is no art in this panel. Instead, the entire panel is black, except for a caption in big white letters.

CAPTION: Shut up and get the hell off my side.


This cartoon on Patreon

Posted in Ableism, Barry's favorites, Fat Acceptance, LGBT cartoons, Racism & Racists, Sexism & Misogyny, Social Justice |

Global Warming and the Politics of Personal Purity

Cartoon by Barry


Help me make more cartoons by supporting my Patreon! A $1 pledge means so much to me.


TRANSCRIPT OF CARTOON

This is a five-panel cartoons; four ordinary sized panels at top, and an enormously tall final panel.

PANEL 1

We see a close-up of a woman with kinky hair, wearing a dark collared polo shirt, speaking intently, hands raised to about the height of her chin.

POLO SHIRT: Whenever I do something that contributes to global warming, I imagine smoke rising off me, fouling the atmosphere.

PANEL 2

The “camera” has zoomed out a little, and we now see that Polo Shirt is talking to a woman with dark short hair, a black tank top, and glasses. The woman with glasses has a friendly expression.

GLASSES: That’s not how climate change works.

POLO SHIRT: I know! But picturing it that way keeps me motivated.

PANEL 3

The “camera” has backed out a bit more, and we can now a large shiny black object at the right side of the panel.  Polo Shirt is checking off points on her fingers.

GLASSES: So what sort of things do you do?

POLO SHIRT: I take pubic transit, I never drink bottled water, stuff like that.

PANEL 4

The “camera” has backed up still more. Polo Shirt has spread her arms apart, palms out, as she talks. To the right, we can now see more of the large dark object, which reaches up past the top of the panel, taller than the two characters.

PANEL 5

This is a very tall panel,. The “camera” has backed WAY up. The two women talking are now very tiny; we can see that the huge object next to them was a shiny black shoe. The shoe, which is approximately the same height as the women, is worn by a businessman. He’s wearing a dark three piece suit and towering above the two women like a skyscraper. The businessman is looking blankly out, holding a bottle of water in one hand and a briefcase in the other. Smoke rises from the suitcase and the water bottle, filling the air around the businessman’s head completely.

Polo Shirt is continuing to talk, and hasn’t noticed the giant businessman. Glasses is leaning back and looking up, beginning to notice the businessman.

POLO SHIRT: The most important thing we can do is clean up our own lives. There’s no better way to fight global warming.


This cartoon on Patreon.

Posted in Environmental cartoons |

Doctor Austerity

Cartoon by Barry


Help me keep drawing cartoons! Support my Patreon! A $1 pledge really matters to me.


Austerity – the policy of cutting government social spending in order to appease fiscal hawks (and investors and creditors) – is arguably the most harmful economic policy in the world. The economist Paul Krugman describes what was going on in 2010:

…elites all across the western world were gripped by austerity fever, a strange malady that combined extravagant fear with blithe optimism. Every country running significant budget deficits – as nearly all were in the aftermath of the financial crisis – was deemed at imminent risk of becoming another Greece unless it immediately began cutting spending and raising taxes. Concerns that imposing such austerity in already depressed economies would deepen their depression and delay recovery were airily dismissed; fiscal probity, we were assured, would inspire business-boosting confidence, and all would be well. …

Since the global turn to austerity in 2010, every country that introduced significant austerity has seen its economy suffer, with the depth of the suffering closely related to the harshness of the austerity.

And it’s important to understand that even countries that wouldn’t choose austerity policies for themselves, can have those policies forced on them. (This thought is what inspired my cartoon). Creditors from larger, more powerful economies can insist on austerity policies. Nobel-prize winning economist Joseph Stiglitz, regarding the economic disaster in Greece, wrote:

Of course, the economics behind the program that the “troika” (the European Commission, the European Central Bank and the International Monetary Fund) foisted on Greece five years ago has been abysmal, resulting in a 25 percent decline in the country’s GDP. I can think of no depression, ever, that has been so deliberate and had such catastrophic consequences: Greece’s rate of youth unemployment, for example, now exceeds 60 percent.

It is startling that the troika has refused to accept responsibility for any of this or admit how bad its forecasts and models have been. But what is even more surprising is that Europe’s leaders have not even learned. The troika is still demanding that Greece achieve a primary budget surplus (excluding interest payments) of 3.5 percent of GDP by 2018.

I think the reason austerity policies have such a hold on certain economic elites (turns and glares at Germany), as well as on many ordinary citizens, is that it tells a story which makes intuitive sense to us. Austerity is a morality play: If a country’s economy is bad, it’s because that country has been spending too much. So the solution is to starve for a while. Tighten your belt, Greece!

But at a country level, belt-tightening is the very worst thing a country can do in a recession. When governments slash spending, that means less people have work; when less people have work, they spend less, and recessions become worse. And if the recession getting worse leads to creditors demanding further cuts, a country can get caught in a vicious cycle.

In the Krugman article I linked to, written in 2015, Krugman wrote that no one believes in austerity anymore. But the idea – or, rather, the ideology – hasn’t gone away, and is currently causing great suffering in the UK.

In the U.S., any time the economy takes a downturn, the austerity ideologues emerge and call for cuts, cuts and more cuts. The more influence they have the next time we’re in a recession, the longer it’ll take us to recover.

In his article “How Austerity Ripped The World Apart,” Umair Haque takes a big-picture view, arguing that austerity is ultimately derived from economic thinking developed in slave-owning America. I don’t agree with everything Haque says, but his definition of austerity really struck me.

Austerity simply means a lack of investment by societies in themselves, in people, in public goods. Things like healthcare, education, transport, energy, retirement, decent jobs, incomes, savings. The problem is that all those things are what underpin the stability of societies, by ensuring that prosperity is something that is realized by all — not just something greedily seized by a tiny few.

 


TRANSCRIPT OF CARTOON

This cartoon has four panels. All four panels are set in a doctor’s office. There are three people in each panel. The first is an extremely wealthy looking man – he looks like a stereotypical banker – in a three-piece suit, smoking a pipe. The second man is the patient, a disheveled and emaciated man in boxer shorts and a sleeveless shirt. The third man is Doctor Austerity. Doctor Austerity wears a white doctor’s coat, a stethoscope, and a head mirror. (That’s what they’re called, honest!). Doctor Austerity is a huge, hulking, powerful looking man, with large hands and deep-set eyes.

A caption at the bottom of the cartoon says “DOCTOR AUSTERITY.”

PANEL 1

The Banker and Doctor Austerity talk. Both are patting the Patient on the shoulder. The Patient is sitting on the examination table.

BANKER: Doctor Austerity, my friend’s economy is weak. Could you give him your treatment?

DOCTOR AUSTERITY: Of course! My treatment never fails!

PANEL 2

Doctor Austerity has his hands around the patients neck, squeezing hard, and has lifted the patient right off the examination table. The patient has wide eyes and his tongue is sticking out of his mouth.

PATIENT: Choke! Ack!

DOCTOR AUSTERITY: Soon he’ll be completely better!

PANEL 3

Doctor Austerity has let go of the patient; the patient is bent over, panting and gasping for air. The Banker peers at the patient; Doctor Austerity thinks hard, with one hand on his chin.

BANKER: That’s odd… He’s getting worse.

DOCTOR AUSTERITY: Hmnn!

PANEL 4

Doctor Austerity and the Banker smile at each other, chatting, while the doctor resumes choking the patient to death.

BANKER: Better apply more treatment.

DOCTOR AUSTERITY: Good plan!

Posted in Economic cartoons |

Inheriting the Economy

Cartoon by Barry

This cartoon was drawn by Becky Hawkins. who I’ve collaborated with several times before.


Help me make more cartoons: Support my patreon! A $1 pledge really helps.


TRANSCRIPT OF CARTOON

There are four panels in this cartoon.

PANEL 1

Two youngish adults, a man and a woman, are thrilled as they look at a yellow sports car with a big red bow wrapped around it. Their clothes and hairdos both suggest the 1970s.

MAN: Wow! What a GREAT economy we’ve inherited.

PANEL 2

The two of them are speeding along in the car, going so fast that the car is several feet above the ground. A rabbit flees in terror. He is grinning; she is throwing a fist into the air.

MAN: Zoom! ZOOM!

WOMAN: Whoopie!

PANEL 3

The same man and woman, but now looking in their 60s (and with updated wardrobe and hair), are standing by the now completely wrecked and smoking car. They’ve put a red bow on the wreckage, and they look very cheerful, maybe even proud. There’s a young man and a young woman, looking like they’re in shock. The older man holds out car keys to the young man.

MAN: Okay, kids, take the keys! It’s all yours now!

PANEL 4

The older man and woman talk to each other. In the background, the yellow sports car wreckage has burst into flames; the young woman looks shocked, and the young man, unnoticed by the older couple, is giving them the finger.

MAN: Why don’t they drive like we did?

WOMAN: Millennials are so lazy.

 

Posted in Becky Hawkins collaborations, Economic cartoons |

The Five Stages of Finding Out Your Fave is Trash

Cartoon by Barry


Help me keep drawing cartoons by supporting my Patreon! A $1 pledge helps, and is greatly appreciated.


TRANSCRIPT OF CARTOON

This cartoon has six panels.

PANEL 1

There is nothing in this panel but title lettering. The title lettering is done in large, friendly white lettering, but the letters are casting some gritty-looking shadows.

THE FIVE STAGES OF FINDING OUT YOUR FAVE IS TRASH

PANEL 2

This panel shows a woman with black hair yelling angrily at something she’s read on her tablet. She’s holding the tablet in one hand and pointing angrily to something on screen with the other hand.

CAPTION: ANGER

BLACK HAIRED WOMAN: Unfounded rumors! Jealous attention seekers!

PANEL 3

A man sits in front of his laptop. His hair is messy and his eyes are wide, and he looks desperate as he taps taps taps at the keyboard.

CAPTION: BARGAINING

MAN (typing): What he did was bad. But not Weinstein or Polanski bad, right? Right?

PANEL 4

A person lies in bad, with the bedsheet pulled up high enough so that all of their face is covered. They are, however, holding one hand up, forefinger extended, in a “making a point” gesture. Next to the bed, a somewhat bored-looking friend sits in a chair, her face resting on one of her hands.

CAPTION: DEPRESSION

PERSON (in a shaky word balloon): I never want to see a movie again. Or read a book. Or look at a picture. Or…

FRIEND: Er… Wanna try hiking?

PANEL 5

A cocktail party in an art gallery. We can see people milling about and chatting to each other in the background. In the foreground, a person wearing a bowtie is speaking somewhat self-importantly to a couple of other party goers.

CAPTION: DENIAL

PERSON: I never liked his work.

PANEL 6

Two women are in this panel. One, with curly hair, is looking inside a large book of art. Behind her, the black-haired woman from panel one, still holding her tablet, leans towards the curly-haired woman.

CURLY HAIRED WOMAN: Wow, these paintings are amazing!

BLACK HAIRED WOMAN: They are! Too bad the painter’s a creep.

Posted in Barry's favorites, Media criticism, Social Justice |

If Taxation Really WERE Just Like Theft

Cartoon by Barry


Help me make more cartoons: Support my patreon! A $1 pledge really means a lot.


TRANSCRIPT OF CARTOON

This cartoon has six panels, with a caption underneath the bottom of the strip.

PANEL 1
Two women pull back in shock from a mugger holding a gun pointed at them. They are all on a sidewalk; there’s a cracked wall behind them, covered with graffiti. The mugger is dressed like a very stereotypical criminal: Black knit cap, dark sweatshirt, and even a domino mask.

MUGGER: Hand over your money!

PANEL 2
The mugger walks down a sidewalk, cheerfully talking to himself and holding a wad of cash. There’s some grassy hills and trees next to the sidewalk; it might be a park.

MUGGER: Phew! That was a long day of stealing! Now to go use this money!

PANEL 3
The mugger is handing a wad of cash to a workman; the workman is carrying a shovel and wearing a hardhat. They are on a city street, with a sidewalk and alleyway behind them; there are a few large potholes visible on the sidewalk. Both are smiling.

MUGGER: Here’s some money. So you’ll fill in these potholes?
WORKMAN: That’s the job!

PANEL 4
In a supermarket, a mom, pushing a nearly empty shopping cart, is talking to her son. The mugger is nearby, holding out a wad of money to her.

MOM: I don’t know how we’ll afford groceries this month, sweetie.
MUGGER: Pardon me, I’m your mugger. Here’s some money for food.

PANEL 5
The mugger and a businessman in a suit are in a boardroom type place. The mugger is leaning forward on the table to look intently at a big diagram of a missile; there’s also a stack of papers on the table next to him. The businessman is speaking, with a slightly predatory smile on his face, raising a forefinger as if making a point. Both mugger and businessman are seating in plush chairs. There’s a huge window behind them, with a view of the cityscape beyond.

BUSINESSMAN: We have drone missiles that can flatten a city block from half a world away.
MUGGER: Impressive. I’ll buy ten thousand.

PANEL 6
The mugger (still wearing his domino mask, as he has been the entire strip) is standing on A little stage platform in a park. Next to him is a man wearing a hoodie and a ski mask. Both are speaking into microphones; a little crowd is listening to them. The ski mask guy is holding out a hand dramatically; the mugger is holding a hand to his chest in an “I’m just a regular guy” sort of gesture.

SKI MASK DUDE: I’ve got the experience to be your next mugger!
MUGGER: Which mugger would you rather have a beer with? Me!

Below the entire strip is a caption. The caption says: IF TAXATION WERE JUST LIKE THEFT.

Posted in Barry's favorites, Economic cartoons |

A Woman In The Primary

Cartoon by Barry


Help me make more cartoons by supporting my Patreon! A $1 pledge means a lot.


 

TRANSCRIPT OF CARTOON

This cartoon has nine panels, plus an additional tiny “kicker” panel below the bottom of the cartoon. Each panel shows a single speaker, talking directly to the reader.

PANEL 1

A youngish white man with square glasses speaks cheerfully to the reader, holding up one forefinger in a “making a point” gesture.

MAN: We’d love to vote for a woman in the primary! As long as she’s the right woman.

PANEL 2

A middle-aged man with a long face, sunglasses, and a tiny mustache holds his arms wide as he complains. His t-shirt is mostly cut off by the bottom panel border, but we can make out that it says “Biden.”

MAN: She’s so old. Can’t we have some fresh blood?

PANEL 3

A woman with shiny black hair holds a coffee mug and speaks, looking concerned.

WOMAN: She just seems too ambitious. I don’t like that in a President… Plus she’s so inauthentic!

PANEL 4

A benign-looking older man, wearing a dark suit and a striped tie, speaks to us, a small smile on his face.

MAN: Her? No. She doesn’t have enough experience…. Yes, I voted Obama over Hillary in 2008. That’s different.

PANEL 5

A middle-aged man wearing a sports jersey and a baseball cap is looking at his smartphone, tapping it with one finger as he speaks.

MAN: She SAYS she listened to Tupac in 1989… But Tupac’s first album was in 1991! I won’t vote for a liar!

PANEL 6

A young man with pierced ears, tattoos, a shaggy haircut, and a cheerful demeanor waves a hand dismissively, as if he’s laughing at a dismissable concept.

MAN: C’mon, her voice is so shrill! IT’d be like voting for my mom!

PANEL 7

A man with neatly combed hair, perfectly round glasses, shrugs. He’s wearing a black shirt, a necktie, and a jacket with a plaid pattern.

MAN: I’d vote for a woman. But think of all the backwards people who won’t. That’s why we have to choose a man.

PANEL 8

A young man in a hoodie, wearing large glasses, is partly turned away from us, but looks back at us out of the corner of his eyes, raising a hand for emphasis.

MAN: She’s just not likable, okay?

PANEL 9

The youngish man from panel 1 is back. He’s grinning a bit too big, and holding two thumbs up towards the viewer.

MAN: So that’s a “no” for 2020! But if an acceptable woman ever runs, we’ll totally vote for her!

KICKER PANEL

A tiny panel below the bottom of the stirp shows a young man with his hair buzzed on teh sides, looking smugly amused, talking to Barry the cartoonist. Barry has a pained expression and has slapped a palm over one of his eyes.

YOUNG MAN: So you’re saying it’s “sexist” to ever criticize a female politician?

BARRY: OW! Eyeball rolling injury!

Posted in Elections, Sexism & Misogyny |

Magic Ball

Cartoon by Barry


If you enjoy these cartoons, please support my patreon! A $1 pledge really means a lot.


Transcript of Cartoon

This cartoon has four panels, and is colored in various tones of sepia.

Panel 1

A man stands alone in a room, holding out a shiny ball in one hand. He is speaking to the ball. Nearby, an open box with “Magic Ball” written on it lies open on the floor. The man is looking a little anxious, and is dressed in a slightly old-fashioned style, with a bow tie and a vest with thin vertical stripes.

MAN: Oh, magic ball… I wish I lived in the old days. Society was better then. Life was better.

MAGIC BALL: I, the Magic Ball, will grant your wish!

Panel 2

The man continues speaking to the magic ball, now with an overjoyed expression.

MAN: Wow, it works! Thank you, magic ball! It’s been my lifelong dream to live back when everything was civilized!

MAGIC BALL: I’ll send you to any century you wish! But choose carefully, because when you get there, you’ll be Black.

Panel 3

Still holding the ball, the man looks up as he concentrates, his brow knitted.

MAN: In that case, I’ll go to… Please send me to… To…

Panel 4

Dejected, the man walks away, tossing the ball away over one shoulder.

Posted in Barry's favorites, Racism & Racists |

I am not a person who would ever do or say the things I said and did

Cartoon by Barry

Help me make more cartoons! Lots of people pledging $1 or $2 on my Patreon is what makes these cartoons possible.


TRANSCRIPT OF CARTOON

This cartoon has four panels, plus an small extra “kicker” panel below the bottom of the strip. Each panel features a man in a suit, standing at a podium, speaking directly at the viewer.

PANEL 1

The man presses one hand against his chest, in a “this is me” sort of attitude.

MAN: When I got drunk and said all those things about Jews and gays… That’s not me. It goes against everything I believe.

PANEL 2

The man spreads his arms wide, indicating that this is a big sentiment.

MAN: And when I was recorded using the “n word” over and over… That is not the type of person I am. I don’t have a racist bone in my body.

PANEL 3

He raises one index finger, making a concluding point.

MAN: As for pleading guilty for battering my wife… That’s not me. That’s not what I stand for.

MAN: And regarding my many other scandals: Nothing I’ve said or done has anything to do with me, my beliefs, or my character.

PANEL 4

He folds his arms and tips his head back, looking a bit above-it-all and a bit strict. He’s putting his metaphorical foot down.

MAN: And now that I’ve taken full responsibility, it’s time to move on. Let us never mention this again.

“KICKER” PANEL BELOW THE BOTTOM OF THE STRIP

The same man, now smiling and holding up an Oscar.

MAN: And in conclusion, I’d like to thank the academy for this award…

Posted in Social Justice |

How The Climate Change Hoax Works

Cartoon by Barry


If you like these cartoons, please support my Patreon! A $1 pledge helps keep me drawing cartoons.


I drew this one back in June, but as far as I can tell, I never got around to posting it on Leftycartoons until now.


Transcript of Cartoon

This cartoon has four panels.

PANEL 1

Two scientists are talking. We can tell that they’re scientists because they’re wearing lab coats and there’s sciency-looking equipment in the background. Also a reel-to-reel projector and a photo of Al Gore. The Young Scientist is talking animatedly to the Older Scientist; Young’s eyes are wide and naive.

YOUNG: Doctor Goldberg, I know it’s my first day on the job, but I found data proving that global warming is a hoax!

PANEL 2

Older Scientist holds a hand high in the air, gesturing towards a brighter future. Young Scientist turns away, looking up in a noble fashion, his left fist clasped over his heart.

OLDER: It’s true, we made it all up! But play along and you’ll be rich!
YOUNG: Never! The people have a right to the truth!

PANEL 3

OLDER has produced a handgun and shoots YOUNG in the back; YOUNG is in great pain and looks like he’s about to fall over.

OLDER: What a shame.
YOUNG: AAAGH! I die and the spirit of science dies with me!

PANEL 4

Two completely different characters, a man and a woman, in a completely different scene. (We know it’s different because there’s no longer science stuff in the background, and because the color scheme has changed). The man is telling a story.

MAN: …So that’s what I think happens.
WOMAN: It does sound more likely than global warming being true.


This cartoon on Patreon

Posted in Barry's favorites, Environmental cartoons |

Forced Kidney Donation

Cartoon by Barry


If you enjoy these cartoons, help me make more by supporting my Patreon! A $1 pledge really helps.


TRANSCRIPT OF CARTOON

This cartoon has seven panels, arranged in a grid of six small panels (three across, two down), followed by a final panel which is quite large.

Panels 1-6 are colored in a minimalist color scheme featuring shades of brown and yellow.

PANEL 1

Panel 1 shows a close-up of man with a van dyke beard with his head on a pillow, snoring. A voice speaks from off-panel.

MAN: Zzzzz…
OFF PANEL VOICE: Wake him up.

PANEL 2

Panels 2 and 3 have a continuous background, showing a bedroom. In panel 2, Man is still asleep in bed, but a man in a solider-or-guard-like uniform is standing over him, with a hand on his shoulder.

SOLDIER: Get up! You’re going to the hospital!

PANEL 3

The man is now out of bed, with another soldier handcuffing him. The man is dressed only in a tee shirt and underwear. In front of him, a middle-aged woman, wearing a jacket and skirt, with a bun and a clipboard, is addressing him.

MAN: What’s HAPPENING?
CLIPBOARD: We’re taking your kidney.

PANEL 4

A close-up of Man and Clipboard. Man is wide-eyed with shock and fear; Clipboard is officious.

MAN: What? WHY?
CLIPBOARD: Your son is ill. He needs your kidney to live.

PANEL 5

We’ve changed locations; Man is now strapped won to an operating table. His tee-shirt is gone, and he’s yelling, futility. Two people in surgical gowns, gloves and masks – one of whom is Clipboard – stand over him. Clipboard is pointing to something on her clipboard.

MAN: But I don’t HAVE a son!
CLIPBOARD: You do. He’s from a one-night stand 20 years ago.

PANEL 6

No dialog in this panel. We see Man’s terrified face and, in the foreground, a gloved hand holding a scalpel.

The bottom border of the above six panels forms a word balloon, which is pointing to MAN in panel 7, indicating that the first six panels are a story that Man is telling in panel 7.

PANEL 7

The same man from the first six panels. He is now standing in a parking lot in front of a building, cheerfully telling a story to another man. Man and his friend are both holding signs that say “PRO LIFE” in big letters. They are surrounded by at least five other protesters, both men and women, also holding “PRO LIFE” signs.

Unlike the first six panels, this panel is in full color.

MAN: And that’s when I woke up. Thank goodness it was only a terrible nightmare!


This cartoon on Patreon

Posted in Abortion, Barry's favorites, Sexism & Misogyny |

Fosta-Sesta and the Art of Not Listening

Cartoon by Barry


If you like these cartoons, please help me make more by supporting my Patreon! A $1 pledge really matters.


TRANSCRIPT OF CARTOON

This cartoon has four main panels, plus a tiny “kicker” panel below the bottom of the cartoon.

Panel 1

There is a large caption saying “THEN“.

Three women — one wearing a hoodie, one wearing a leather jacket, one wearing a pony tail and a “casual nice” office outfit – are talking to a middle-aged white man at a desk, who is wearing a vest and necktie. The women are of various ages and races, and are all looking at the dude in the necktie, who is a Senator. The Senator is holding up a finger in front of Pony Tail in a “wait just a sec” gesture, while he turns in the opposite direction and speaks to someone off-panel.

PONY TAIL: Senator, if the Fosta-Sesta bill becomes law, it’ll harm sex workers like us – the people this bill is supposed to protect!
SENATOR: Julie, bring me a sandwich, please.

Panel 2

The same set-up, but now Hoodie is speaking.

HOODIE: We use the internet to avoid pimps and screen clients. Fosta-Sesta will censor all that. Some of us will be forced onto the streets.
SENATOR: Make it roast beef.

Panel 3

Same set up, but now Leather Jacket speaks, looking angry and holding her hands extended, palms up, in a “come ON!” sort of gesture. The Senator is now holding a sandwich, which he eyes warily.

LEATHER: Fosta-Sensa will make more vulnerable to predators of all kinds. This bill will help pimps and traffickers!
SENATOR: Julie, there’s no mayo on this, is there?

PANEL 4

There is a large caption saying “NOW“.

The Senator is pictured on his own, reading a newspaper. We can see a huge headline on the front page – “Report: Fosta-Sesta Helping Pimps and Traffickers.” The Senator, with a mildly distressed expression, has turned his head and speaks directly to the viewer. (The newspaper’s masthead says it’s called “The Useful Trope.”)

SENATOR: No one could have known this would happen!

SMALL KICKER PANEL BELOW BOTTOM OF STRIP

The three women are again talking to the senator, the women looking stern, the Senator responding cheerfully.

HOODIE: So NOW will you listen to sex workers before making laws about us?
SENATOR: Definitely not.

Posted in Social Justice |

Debate THIS, Libtards! (Or, The Difference Between Effective and Marginal Tax Rates)

Cartoon by Barry


If you enjoy my cartoons, please help me make more by supporting my Patreon! A $1 pledge really matters to me.


TRANSCRIPT OF CARTOON

This cartoon has four panels, plus an extra fifth “kicker” panel, with much smaller artwork, below the bottom of the strip.

Panel 1

Two people, a man and a woman, are standing inside some sort of building, talking. He has neatly combed and blow-dried blonde hair, and is wearing a polo shirt. She has dark hair combed back into a bun, and is wearing a simple pale dress with a dark belt. He is grinning in a somewhat mocking way; she is responding seriously, arms spread a bit.

POLO: I hear liberals want to raise income taxes to 70 percent! How stupid can you guys be?

BUN: I know it sounds strange, but top tax rats of 70 percent or higher were normal until the 1980s.

Panel 2

A close-up of Bun, with a bit of the back of Polo’s head in the foreground. Bun is smiling and holding one palm up in an “explaining” gesture.

BUN: The 70 percent rate we’re talking about would only apply to the ultra-rich. And even the ultra-rich would pay much less than that on their first 10 million dollars of income!

Panel 3

Another closeup on Bun, who is still talking with her hands, and now has a serious expression.

BUN: When top tax rates were at 70 percent – or even 90 percent – the rich didn’t stop working or flee the country. Anyhow, shouldn’t billionaires start paying their fair share?

Panel 4

A shot of Polo and Bun. Polo is laughing. A third man, wearing a necktie, has come in and is talking to Polo while pointing at his watch. Bun is startled by what Necktie says.

POLO: Ordinary workers can’t live on 30 percent of their income! You’re stupid!

NECKTIE: Congressman, sorry to interrupt, but you’re due on Fox News in ten minutes.

Kicker panel below the bottom of the strip

Bun speaks to Polo.

BUN: I should go, too. I’m getting “do not engage” tattooed inside my eyelids.

Posted in Economic cartoons |

The Trans Story Journalists Love To Tell

Cartoon by Barry


If you like these cartoons, please help me make more by supporting my Patreon! A $1 pledge really matters to me.


TRANSCRIPT OF CARTOON

This cartoon has four panels. The first two panels are more or less square shaped; the third and fourth panels are wider than they are tall.

PANEL 1
Three people – A dapper man wearing a bow tie and suspenders, a woman with a bob haircut and a hoodie, and a woman with tattoos and a skirt with a donut pattern – are walking along a path on a grassy hill. Behind them we can see clouds, a tree, a house. The guy with the bow tie is cheerfully reading something aloud from his cell phone. The woman with the donut skirt, also smiling, is hitting her forehead with her palm in a “duh!” gesture. The woman with the hoodie isn’t smiling.

BOW TIE: Another study ahs found that transitioning improves life for nearly all trans people.
DONUTS: Well, duh. Transitioning turned my life around.

PANEL 2
The three have come to a stop, as Hoodie speaks, looking a bit nervous, shrugging and scuffing the toe of one sneaker into the side of another. The other two are a bit surprised by what she’s saying.
HOODIE: Not me. Honestly, I’ve found the whole experience miserable.

PANEL 3
A long horizontal shot of a crowd of legs, in various types of clothing and shoes, all running fast in the same direction. There is a very large sound effect.
SFX: RRRRUMBLE!

PANEL 4
The largest panel in the cartoon shows Bow Tie and Donuts looking very surprised as Hoodie is suddenly surrounded by a crowd of at least 16 reporters, all holding out their cell phones towards her to record what she says. Hoodie, looking left and right, is shocked and panicked. The reporters are yelling out questions and offers.
REPORTER 1: I’m a reporter – can I interview you?
REPORTER 2: Me first!
REPORTER 3: …write a profile of you?
REPORTER 4: …write a column for the Times?
REPORTER 5: …TV segment?
REPORTER 6: …appear on our podcast?

Posted in LGBT cartoons, Media criticism |

If Global Warming Is Real, Then Explain All This Snow!

Cartoon by Barry


If you like these cartoons, please help me make more by supporting my patreon. A $1 pledge really matters to me.


Here’s the graph that’s partly visible in panel 2. The graphic was created by Mike Shibao for the University Corporation for Atmospheric Research.


Related link: Does cold weather disprove global warming?


TRANSCRIPT OF CARTOON
This cartoon has six panels.

PANEL 1
Two women stand outside a building. It is snowing heavily; the ground is covered with snow, and there’s a snowman in the foreground. One woman has red hair and is wearing a down vest, while the other has a red jacket and glasses. The Readhead is talking cheerily with one hand raised in a dismissive “get outta here” sort of gesture; Red Jacket is doing the “explaining hand” thing (upturned palm at a bit above waist height).
REDHEAD: Global warming can’t be real! Look at all this snow!
RED JACKET: I can see why you’d think that, but can I try to change your mind?

PANEL 2
The two characters have apparently gone somewhere sheltered from the snow. Red Jacket is holding up a graph, which shows red lines (increasing) and blue lines (decreasing) superimposed over a map of the USA. Redhead is leaning forward to examine the graph.
RED JACKET: …there are still record-setting cold days, but look at this graph – we’re having them much less often nowadays, and we’re having record hot days much more often.

PANEL 3
The two characters are standing on a beach, looking out at the water. It’s snowing, and the beach is covered in snow except near the shoreline. There’s foam from a little wave coming in. Red Jacket is gesturing towards the wave, while Redhead scratches her head thoughtfully.
RED JACKET: Looking at the ocean, we can see that there are still some waves coming in even when the tide is heading out.
REDHEAD: So the waves are like cold days?

PANEL 4
The two characters are now standing by a building, which has a satellite dish on the roof and the NASA logo on the side. It’s still snowing. Red Jacket is introducing Redhead to a third woman, who is wearing a white coat, glasses, and a knit hat. Redhead is listening attentively.
RED JACKET: …now let’s go visit NASA!
NASA PERSON: Hi, ladies! Let’s talk about the difference between climate and weather.

PANEL 5
The two characters are back on their won, standing outside a building and talking. It’s still snowing; in the foreground, a snowman appears to be checking their cell phone. Redhead is talking energetically and cheerfully, with her hands spread wide, as Red Jacket listens.
REDHEAD: Wow, that was incredible! You’ve proved your point – cold weather really doesn’t mean global warming isn’t real!

PANEL 6
This panel shows Redhead, in the same vest as the previous five panels but with different clothes on under it, talking to a balding man wearing a red scarf. Redhead is in exactly the same pose as in panel 1. Around the corner, unseen by Redhead, we can see Red Jacket looking surprised and annoyed. It’s still snowing.
CAPTION: Literally the next day.
REDHEAD: Global warming can’t be real! Look at all this snow!

Posted in Environmental cartoons |

Top Ten Border Patrol Excuses For Tear Gassing Babies

Cartoon by Barry


If you enjoy these cartoons, please support my Patreon. A $1 pledge really matters to me.


This is actually a many-years-old comic, originally drawn in response to a baby being peppersprayed by cops at a protest in Portland. (I think this was published in Willamette Week, a Portland weekly newspaper).

I never reprinted or reposted this cartoon, because what’s the point? That sort of thing certainly wouldn’t happen again, right?

Aaargh. I really would have preferred that this cartoon never be current again. (Full disclosure: I don’t know if any actual babies were tear gassed, but small children certainly were.)

I took the old cartoon, changed the uniforms from police blue to border patrol green, and relettered a few panels to make it about border patrol agents rather than cops. Frustratingly, most of the panels required no change at all, other than the colors.


Transcript of Cartoon

This cartoon has eleven panels, the first of which is a title panel.

PANEL 1
This panel shows A baby crying and a nearby Border Patrol Agent hitting a club into one palm, speaking sternly to the baby. A major portion of the panel is taken up by a caption.
CAPTION: TOP TEN BORDER PATROL EXCUSES FOR TEAR GASSING BABIES
BABY: Waaah!
AGENT: Stop being such a baby about it!

PANEL 2
An agent speaks directly to the reader, one hand raised in an “explaining” gesture.
CAPTION: TEN: Wanted to be fair.
AGENT: If I only brutalized adults, that would be discrimination!

PANEL 3
A baby in a polka dot onesie is standing, holding out its hands for balance, and smiling as it speaks.
CAPTION: NINE: Baby was giving agents lip.
BABY: Ga goo! Ga fascist pigs! Aa!

PANEL 4
A border patrol agent walks away from the viewer, hands behind his back, whistling.
CAPTION: EIGHT: Just following orders.

PANEL 5
A baby in a striped onsie is smiling, trying to balance on its feet, and holding a big black ball-shaped bomb with a fuse going “ssssss” in one hand.
CAPTION: SEVEN: It was a terrorist baby!
BABY: Baby wuvs Al Qaeda!

PANEL 6
A border patrol agent is holding one hand to his mouth, in a “whoops” gesture.
CAPTION: SIX: Agent mistook tear gas for a nice lollipop.
AGENT: Oopsie!

PANEL 7
A border patrol agent speaks directly to the readers, looking stern, shrugging.
CAPTION: FIVE: Just doesn’t like babies.
AGENT: They smell funny.

PANEL 8
A baby in a pink onesie is lying on a polka-dot blanket. The baby is wearing a shade visor with a paper that says “press” in it, and is holding a notebook in one hand and a pen in the other.
CAPTION: FOUR: Baby was a reporter.

PANEL 9
A border patrol agent poses, one hand’s fingers pressed to his chest, like a pretentious arteest.
CAPTION: THREE: Throwing kids in cells has grown stale.
AGENT: I need room for growth!

PANEL 10
A baby, scowling, points a gun aggressively.
CAPTION: TWO: Baby gave agents no choice!
BABY: Eat hot lead, fascists!

PANEL 11
A border agent, arms crossed, eyes covered by the bill of his cap, talks to the readers without deigning to look at us.
CAPTION: And the number one excuse is…
AGENT: What makes you think we NEED an excuse?

Posted in Immigration |

Walter, The Guy Who Thinks Nothing’s Changed Since 1860

Cartoon by Barry


If you like these cartoons, please help me make more by supporting my Patreon. A $1 pledge means a lot to me!


TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1
This panel is mostly the title of the cartoon: “WALTER, THE GUY WHO THINKS NOTHING’S CHANGED SINCE 1860!”
The title is in large, cartoon-style lettering.
At the bottom of the panel we see Walter, a man with black sideburns and a black top hat, wearing an 1860s style suit.
WALTER: What’s a “phone”?

PANEL 2
Walter and a woman are on a sidewalk. The woman is walking towards a car that’s parked nearby. Walter is pointing at her and laughing as she looks back in annoyance.
WALTER: How will you move this carriage without any horses? HA!

PANEL 3
Walter is walking down a grassy hillside, talking at two women who are walking away from him and trying to ignore him. One of the women is rolling her eyes. Both women are wearing pants.
WALTER: A train that goes from coast to coast? HA! What a fairy tale!
WALTER: Kansas isn’t a state!
WALTER: Why are ladies wearing trousers?

PANEL 4
Walter, smiling, is inside a house (or some sort of building, anyway, talking to an annoyed-looking Black man with glasses and a goatee.
WALTER: You can’t call Republicans racist when it’s the Democrats who support slavery! HA!


This cartoon on Patreon

Posted in Barry's favorites, Racism & Racists |

What Racism Is(n’t) About

Cartoon by Barry


If you like these cartoons, please help me make more by supporting my Patreon! A $1 pledge really helps.


Transcript of Cartoon

This cartoon has four panels.

PANEL 1
A middle-aged white man, balding, with glasses, a van dyke beard and a v-neck long-sleeved tee, is speaking. He’s in a park, with trees and grass. He holds one palm out in an “explaining” gesture. This is a fairly close shot, mainly showing his head and shoulders.

He is facing towards the left. An unseen person off-panel, on the right, responds to him.

WHITE PERSON: When you say I’ve benefited from racism, it hurts my feelings.
OFF-PANEL PERSON: Racism isn’t about your feelings.

PANEL 2
The camera backs up a bit, but the other speaker is still off-panel. The white guy closes his eyes and puts one hand over his heart, as if he’s swearing a vow.

WHITE PERSON: In my heart, I don’t even see color!
OFF-PANEL PERSON: Racism isn’t about what’s in your heart.

PANEL 3
The camera has backed up enough so we’re seeing the white guy from his waist up. We can also see, just barely in panel, the head of the other speaker, who is a Black man. They seem to be walking The white man is holding up a forefinger to make a point, smiling, and looking ahead rather than looking at the Black man. The Black man looks stressed and is sweating.

WHITE PERSON: My intentions are good!
BLACK PERSON: Racism isn’t about your intentions.

PANEL 4
The camera has backed away enough so we can see both characters from head to toe. The white man, still looking ahead, is making another “explaining” gesture as he walks. The Black man is bent over double as he walks, due to the enormous boulder he’s straining to carry on his back.

WHITE PERSON: Well, if it’s not about my feelings, my heart, or my intentions, then what’s left?
BLACK PERSON: Do you even hear yourself?

Posted in Racism & Racists |

Centrists and Civility

Cartoon by Barry


If you enjoy these cartoons, please help me make more by supporting my Patreon. A $1 pledge really helps.


Transcript of cartoon

This cartoon has three panels, plus a small additional “kicker” panel underneath the bottom of the cartoon.

PANEL 1
This panel shows three well-coiffed white people – they could be politicians, or pundits on TV – on the right side of the panel, facing towards the left side of the panel. They look angry and are speaking with hostile expressions. There is a large caption superimposed over the image.
CAPTION: RIGHT
WHITE GUY: Cattle don’t get to keep their kids. Why should immigrants?
WHITE GAL: Teh law should protect elections from Black vot- I mean, from illegal voters!
OTHER WHITE GUY: George Soros paid scientists to make up global warming!

PANEL 2
This panel shows two lefties, dressed like college students or protesters, on the left side of the panel, facing towards the right side of the panel. They look angry and are speaking with hostile expressions. The woman’s race and ethnicity is ambiguous, the man is Black. There is a large caption superimposed over the image.
CAPTION: LEFT
WOMAN: $#%*! those people!
MAN: They’re terrible hateful bigots!

PANEL 3
This panel shows a white man and probably white woman, both facing towards the left with scornful expressions. The man is making a “stop that, get away” hand gesture towards the left; the woman has her arms on her hips. There is a large caption superimposed over the image.
CAPTION: CENTRISTS
MAN: Tsk! Why must the left be so uncivil?
WOMAN: Do they want Trump re-elected?

SMALL KICKER PANEL BELOW THE BOTTOM OF THE STRIP
This panel shows the leftists glaring at the centrists, while the centrists smile back.
CENTRIST WOMAN: We’re only saying, both sides are equally bad!

Posted in Media criticism |