One Day At The Critical Race Theory Menace Convention

Cartoon by Barry


If you like this cartoon, help me make more by supporting my Patreon. Thanks!


TRANSCRIPT OF CARTOON

This cartoon has four panels. The first three panels show a podium, on a stage, with a light purple curtain behind it. A sign on the podium says “The Critical Race Theory MENACE Conference.”

PANEL 1

A white man with a tidy beard and mustache and nice hair, wearing a collared shirt and a striped necktie, is standing behind the podium, yelling.

NECKTIE: Critical Race Theory is how the Marxist left brainwashes our children!

NECKTIE: Critical Race Theory is the new face of Jim Crow!

PANEL 2

Now smiling pleasantly, Necktie man takes a step back from the podium, waving to a bald white man wearing glasses, a suit jacket, and a wine-red turtleneck. Turtleneck man is also smiling pleasantly as he walks to the podium.

NECKTIE: Thank you very much. Our next speaker is columnist Richard Thomas, here to tell us more about Critical Race Theory. Welcome, Richard.

TURTLENECK: Thank you.

PANEL 3

Turtleneck man is now standing behind the podium, yelling and waving his arms wide.

TURTLENECK: Critical Race Theory is a plague! A pestilence!

TURTLENECK: Critical Race Theory is the boil on America’s butt and it must be lanced!

PANEL 4

A new scene. We’re now in a coffeeshop, where Necktie Man and Turtleneck man, talking sedately, are sitting at a small round table with coffee cups in front of them. Turtleneck man also has a muffin. Necktie is rubbing the back of his head with one hand, looking puzzled, and Turtleneck man is shrugging.

NECKTIE: So, um… What is critical race theory?

TURTLENECK: I dunno. Some academic thing?


This cartoon on Patreon.

Posted in Racism & Racists, Social Justice |

White People (But With Subtitles)

Cartoon by Barry


Help me make more cartoons by supporting my Patreon! (Patrons got to see this cartoon over two months ago!)


TRANSCRIPT OF CARTOON

This cartoon has nine panels, arranged in a 3×3 grid. The central panel has no images other than large title lettering, which says “White People, But With Subtitles.”

Each of the other panels has an image of a single white person talking directly to the reader. All of the panels have yellow printed subtitles, “translating” what the person is saying.

PANEL 1

A cheerful looking white man stands in front of flowering bushes. He’s holding out one hand towards us, shaking it in a “no no no” gesture. He’s wearing a tee-shirt that says “Close The Border” with an illustration of the border wall (although the illustration is kind of unclear and I suspect a lot of readers won’t get that, but that’s okay).

MAN: It’s not about race!

SUBTITLE: It’s completely about race.

PANEL 2

A light-haired white woman leans casually against a stone wall as she talks to the reader, smiling.

WOMAN: Of course I have Black friends!

SUBTITLE: I ask my Black doorman about his kids if I’m not in a hurry.

PANEL 3

A white man with glasses, a mustache, and a necktie sits at a desk, a laptop open in front of him. He has one hand raised, palm up, in a sort of half-a-shrug gesture.

MAN: They’d feel better if they talked less about racism.

SUBTITLE: I’d feel better if they talked less about racism.

PANEL 4

A white woman stands on a city street; we can see bits of two buildings, and an alleyway, behind her. She has glasses and her red hair is in a bun. She’s smiling, and holding one hand to her chest (just below her collarbone) in a somewhat surprised manner.

WOMAN: You’re so articulate!!!

SUBTITLE: I’m surprised that Latinos are intelligent.

PANEL 5

This panel has nothing but large lettering, which says “White People, But With Subtitles.”

PANEL 6

A white man with a van dyke beard and a full-of-himself expression is at some sort of party (we can see a few other partiers in silhouette in the background) and holding a wine glass.

MAN: I’m one-twentieth Indian myself, so I know all about reservations.

SUBTITLE: Your culture, my party chatter.

PANEL 7

A white woman with a checkered shirt is behind the wheel of a car, speaking out the window to us with a somewhat grumpy expression.

WOMAN: I’m not against assistance to hardworking families.

SUBTITLE: I’m against assistance to brown families.

PANEL 8

A redheaded white man clasping his hands in front of him and standing on a grassy hillside smiles wide and speaks directly to the viewer. His tee shirt has a manga drawing of a pretty woman.

MAN: Asian women are so beautiful and quiet!

SUBTITLE: Let me tell you what kind of porn I enjoy.

PANEL 9

A light-haired white woman holding a book (possibly a bible) open, as if she was just reading it, speaks to us. She has a pleasant smile, and is standing in front of a small but nice church building, which features a bell tower with a large clock on it.

WOMAN: Judeo Christian values built this country!

SUBTITLE: If I put “Judeo” at the start of sentences, I sound less like a Christian theocrat.


This cartoon on Patreon.

Posted in Barry's favorites, Racism & Racists |

Arguing On The Internet

Cartoon by Barry


Please help us make more swell cartoons by supporting my Patreon!

(Patrons got to see this cartoon months before I posted it in public.)


This cartoon is drawn by my awesome and frequent collaborator, Becky Hawkins. I especially love what she did with the expression and lighting on the character’s face in the last panel.


TRANSCRIPT OF CARTOON

This cartoon has four panels, plus a tiny additional “kicker” panel under the fourth panel.

PANEL 1

We see a woman with bright purple hair is sitting at a desk, facing a desktop computer, and facepalming. The room looks like an apartment or house, not a place of business.

There’s an open soda can next to her. In the background we can see a window with blue sky, a poster that combines the anarchy “A” symbol with a drawing of a cat face and the caption “Equality! Justice! Naps!,” and a cat lying on a cat bed below the window.

There is a computer-drawn rectangular word balloon, with sound effects reading “tap tap tap tap” leading from the balloon towards the computer, showing what she’s typing on the computer.

TYPED ON THE COMPUTER: If you’d look at the evidence for even a second you’d see tha

PURPLEHAIR (in a thought balloon): What am I even doing?

PANEL 2

The same shot. The purple-haired woman has leaned back a bit and has a hand on her chin as she thinks. In the background, the cat has looked up at her with a little ? floating over its head.

PURPLEHAIR (in a thought balloon): I’ve been arguing online for hours. He’s not gonna change his mind. There are so many better things I could be doing.

PANEL 3

A close shot of her, now with wide eyes and a big smile, looking up a bit in anticipation.

PURPLEHAIR (in a thought balloon): Yes! I’ll organize a zoom with friends I haven’t seen lately! And take a walk! And I’ll finally volunteer for that anti-hunger group. Starting right now!

PANEL 4

The same shot as the first two panels. But it’s much darker now; through the window we can see the moon and stars. The only source of light in this room seems to be the computer monitor, shining on Purplehair’s face. There are now many more empty soda cans scattered around her.

Purplehair is typing, leaning foward, looking angry but also exhausted; her eyes are wide and bloodshot (in a cartoony comedy fashion). Her cat is leaning against her shoulder, trying to get her attention. The cat has a little thought balloon with a picture of a can of cat food in it.

Another computer-style speech balloon has the “tap tap tap tap” sound effect leading from the balloon towards the computer keyboard.

TYPED ON THE COMPUTER: And ANOTHER thing! Why do YOU guys ALWAYS SAY you’re fo

TINY KICKER PANEL BELOW THE BOTTOM OF THE COMIC STRIP

We see Purplehair’s face; she has a huge satisfied smile and is glowing.

PURPLEHAIR: I’ve done it – I’ve proven that a stranger on the internet is wrong!

PURPLEHAIR: Now I’ll never have to do that again!


This cartoon on Patreon.

Posted in Barry's favorites, Becky Hawkins collaborations, Uncategorized |

O How They Suffer

Cartoon by Barry


Like these cartoons? Support them on Patreon!


This one is a collaboration between myself, Kevin Moore, Glenn Greenwald, and Joe Rogan.


TRANSCRIPT OF CARTOON

This cartoon has four panels. All four panels are set in a sound recording studio, where Glenn Greenwald – a white man with neatly-combed hair, strong eyebrows, and wearing a suit – is talking to Joe Rogan – a white man with a shaved head, a furrowed brow, and dressed casually in a hoodie over a tee shirt. Rogan is wearing professional-looking headphones. There’s a double microphone on the table between them. In the background we can see a window to another room, a bulletin board, and a painting of an American flag.

PANEL 1

Glenn and Joe are talking. Glenn, looking a bit peeved, is poking a forefinger up as he makes a point. Joe looks a little stoned.

GLENN: Joe, the minute you declare yourself “non-binary” or “trans,” you kind of catapult up the ladder. But if you’re a cis white gay man, you’re now at the bottom of the hierarchy!

JOE: Right! We live in crazy fucking times, Glenn.

PANEL 2

A close-up of Joe, who is speaking seriously. Someone off-panel sticks a hand into the panel, holding two envelopes, marked “Glenn” and “Joe.” Joe holds up a finger in a “hold on a sec” gesture.

JOE: Eventually, straight white men won’t be allowed to talk! Or be allowed to go outside! I’m not joking!

JOE: Hold on just a second.

PANEL 3

A close-up of two hands – presumably, Glenn’s and Joe’s – holding checks. One check is for $1,000,000 from Substack for Glenn Greenwald, with the memo line “For: Subscription Earnings.” The other check is for $100 Million, from Spotify to Joe Rogan, with the memo line “For: Podcasting.”

PANEL 4

A shot of Glenn and Joe. Glenn looks pleased but also cool and collected as he puts his check into his inner jacket pocket. Joe looks very happy and kind of awed, and frankly probably still stoned, as he puts his check into his wallet.

GLENN: As I was saying, the bottom of the hierarchy.

JOE: When will white dudes ever catch a break?


This cartoon on Patreon.

Posted in Kevin Moore collaborations, Media criticism |

Look Who’s Oppressed Now!

Cartoon by Barry


I can do these cartoons because lots of people support me with small donations! Join our cult!


TRANSCRIPT OF CARTOON

This cartoon has two panels. Each panel features a variety of people on abstract pillars of various heights – a Black woman, an Asian person in a wheelchair, a Latina woman, a gay male couple, and a couple more in the background who we can’t make out in any detail. On top of the central pillar, wearing a suit, is a prosperous-looking white man in a suit and tie. The well-off white guy’s pillar is significantly taller than any of the others.

PANEL 1

A large caption at the top of the panel says “Fifty Years Ago.”

The white man’s pillar is so tall that the top of his head is actually out of the panel. He’s cheerfully/aggressively talking down to all the others, who variously look annoyed at him or are ignoring him.

WHITE MAN: I don’t see what you’re all whining about.

PANEL 2

A large caption at the top of the panel says “Today.”

It’s the same scene, but now the wealthy white man’s pillar is shorter than it was in panel 1 – but still taller than anyone else’s pillar. The white man, now sad-looking, is weeping and screaming. The others look up at him with annoyance, except that one of the gay men is pointing and laughing at him.

WHITE MAN: Look how I’ve fallen! Now I’M the oppressed one!


This cartoon on Patreon.

Posted in LGBT cartoons, Racism & Racists, Sexism & Misogyny, Social Justice |

Are Women’s Sports Destroyed Yet?

Cartoon by Barry


Help me make more cartoon by supporting my Patreon! Patrons got to see this cartoon back in February.


TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

A bald man with a furrowed brow, wearing a shirt with a necktie, is in a recording booth; there’s a big microphone held up by a pro-looking microphone holder thingy (that’s the technical term).  He isn’t yelling, but he looks a bit angry and intense.

A large caption says “2004.”

FURROW: Now that trans “women” can compete in the Olympics, no biological women will ever win! This will destroy women’s sports!

PANEL 2

We are looking at an iphone being held in someone’s hand. On the screen, an angry woman, with a high hairdo and hoop earrings, is talking. A graphic at the bottom of her window says “FOX.”

A large caption says “2013.”

TALLHAIR: If California allows trans “girls” on high school teams, they’ll dominate! Other girls will never be able to compete! This will destroy women’s sports!

PANEL 3

The same two characters are together at a table in a diner. They both look aggravated.

A large caption says “TODAY.”

TALLHAIR: It’s been years and trans girls still haven’t dominated high school sports!

FURROW: Only one trans woman has even reached the Olympics—and she lost! Other women beat them all the time!

PANEL 4

Same shot and scene. The tall-haired woman looks even more frustrated; the man rests his face in his hands, looking dejected.

TALLHAIR: Dammit, why aren’t women’s sports destroyed yet?

FURROW: I know. I’m disappointed too.

CHICKEN FAT WATCH

In panel 1, the brand name on the laptop is “Brand Name.”

In panel 2, a chyron says “Next: Is Obama Satan? Or does he just worship Satan?” Graphic boxes on the upper corners say “FEAR” and “PANIC.”


This cartoon on Patreon.

Posted in LGBT cartoons |

Irreproachable Taste

Cartoon by Barry


If you like these cartoons, please support them on Patreon! Every $2 or $1 pledge really helps. Patreon supporters saw this cartoon more than two months early.


Another collaboration with Becky Hawkins.

I particularly liked the way Becky, inspired by some photos of ceramic art galleries, colored the backgrounds. She also created a recognizable aesthetic that’s carried through on all three of the pieces seen on display – certainly not something I called for in my script! Seeing details like that, which I hadn’t even thought about, is a big pleasure of collaboration.


TRANSCRIPT OF CARTOON

This comic strip has four panels. There is an additional small fifth panel, the “kicker” panel, underneath the comic strip.

PANEL 1

This panel shows a man with a van dyke beard, a cable knit sweater, and a fisherman’s cap (although the man doesn’t look at all like a fisherman!) in a fancy art gallery. The gallery is displaying artistically wrinkled pottery; we can see two pieces on pedestals, and a third piece hung on a wall in the background. Soft spotlight lighting picks the art out.

The man is leaning his elbow on a pedestal, looking confident and happy as he lectures a small crowd of people in the gallery.

MAN: John Smyth is the biggest influence on my pottery. Whatever I know as a potter, I learned studying Smyth’s work.

PANEL 2

A longer shot as the man continues to smile and speak. However, he’s interrupted by a glasses-wearing person in the audience, who raises a finger.

MAN: No one potting today is as innovative and exciting as…

GLASSES: Did you see four women just came forward with #Metoo accusations against Smyth?

PANEL 3

The exact same shot as panel 2, but now the man is no longer confident; he is wide-eyed, his mouth has dropped open a bit, and he’s sweating. The audience looks at him, waiting for his response.

PANEL 4

A closer shot as the man puts a hand over his heart as he speaks to the crowd. His eyes are shut; he’s trying to look sincere.

MAN: I never liked Smyth’s work.

SMALL KICKER PANEL UNDER THE BOTTOM OFTHE COMIC STRIP

A blonde woman with nice earrings speaks directly to the viewer, looking just a bit angry.

WOMAN: I know nothing about Mr. Smyth or these allegations… but clearly this is yet another anti-male witch hunt!


This cartoon on Patreon.

Posted in Becky Hawkins collaborations, Sexism & Misogyny |

Boxing Up Labor

Cartoon by Barry


If you like these cartoons, help me make more by supporting my Patreon. Thanks!


TRANSCRIPT OF CARTOON

This cartoon has six panels, all of which show a man and a woman on a hillside. There is a mostly-constructed crate there, large enough for a person to stand in.

PANEL 1

The woman, who is wearing a dark vest over a purple dress, and glasses, is explaining something, gesturing with her hand and looking grumpy. She is standing inside a partly-built wooden crate. The man, who is wearing a suit without the jacket (but with a necktie) and is holding a hammer, is concentrating on hammering the crate and doesn’t seem to be listening to the woman at all.

The crate is missing two sides, which are leaning against the panel border behind the man.

WOMAN: It isn’t a free society unless workers have a strong voice!

PANEL 2

The man is now hammering one of the missing sides into place, leaving only one side of the crate open. The woman, looking intense, leans out of the open side to talk more.

WOMAN: So when you pass laws that make it harder for workers to form unions, that harms the whole country!

PANEL 3

The man is lifting the final side of the crate into place. The woman keeps on talking, raising one palm in a “hey, stop that” gesture.

WOMAN: And when you find excuses to fire organizers, and force workers to watch anti-union propaganda-

PANEL 4

The man, smiling, hammers the final side of the crate into place. The woman, inside the crate, is no longer visible.

MAN: Done! That’s over with.

PANEL 5

Suddenly a whole crowd of people, some smiling, some angry, is marching up to the box. Some of them carry signs; we can read that one says “STRIKE” and another says “Fight Until We Win.” One is carrying a saw; another, a short-haired woman in front, is carrying a crowbar. The man yells at them, a little hysterically.

MAN: Hey, who are you people? What are you doing? Help! Thugs! Vandals!

PANEL 6

The crowd is taking the box apart; the front side of the box is being carried away by two people in the foreground, and the woman with the crowbar is prying off another side. We can now see the woman in the box again, who has her arms folded and is smiling. One sign in the background says “Union Pride”; another says “sign.”

The man stands near the box, waving his fists in the air and stomping his foot ineffectively and cry-yelling.

MAN: How dare you! This isn’t fair!

MAN: WAAAAH!

Posted in Labor rights & Unions |

Feminism Used To Be Good

Cartoon by Barry


If you like these cartoons, help me make more by supporting my Patreon! (Patrons got to see this cartoon three months early!)


Another collaboration with Becky Hawkins!


TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL ONE

We are looking at a smartphone being held by a hand. On the phone, a man is cheerfully talking to the camera (and presumably, to the person holding the phone). He’s wearing a t shirt that says “Make Orwell Fiction Again,” and on the wall behind him is a “V for Vendetta” poster with the Guy Fawkes mask pictured, and a poster showing a sad kitten face and the caption “FACTS don’t care about your FEELINGS.” In the upper right corner of the screen, there’s a smaller image of a woman’s face, presumably the person he’s talking to.

MAN: Feminism used to be about fixing inequality but now that’s solved and it’s just about giving women unfair advantages!

PANEL TWO

A group of protestors stands holding protest signs, mostly about apartheid and about President Reagan – “Musicians against apartheid,” “human rights now,” “Reagan sucks,” and “Divestment now” can be read. A big red brick building and trees in the background make this look like it’s probably a college campus in autumn. Centered on the panel, A man with glasses is talking to a woman (the woman is wearing a pink triangle button).  This panel is pretty much how I remember protests at Oberlin College in the 1980s.

MAN: Feminism used to be about fixing inequality…

PANEL THREE

A hillside in what looks like a public park on a warm, sunny day. In the background, we can see groups of young people sitting on the grass. In the foreground, we see a man and a woman dressed as hippies – her in long straight hair, loose floral dress, flower headband, and holding a tambourine, him with long hair and a full beard, wearing a necklace of large beads, and a vest, and holding a guitar.

MAN: But now that’s all solved…

PANEL FOUR

We are inside a cave, looking at two stereotypical cartoon cavepeople, one female and one male. They are holding big drumstick-looking pieces of meat and sitting around a small fire.

CAVEMAN: …and it’s just about giving women unfair advantages!


This cartoon on Patreon

Posted in Becky Hawkins collaborations, History, Sexism & Misogyny |

Corporate Diversity Training

Cartoon by Barry


If you enjoy these cartoons, please support them on Patreon.


TRANSCRIPT OF CARTOON

This cartoon has four panels, showing a zoom conversation between someone who looks like a successful middle aged executive (vest, tie, bald on top, drapery in the background) and someone who looks much younger, with a light yellow polo shirt and deferential body language. Behind him we can see a neat, uncluttered room with a plant on a bookcase and some sort of framed certificate or degree on the wall.

PANEL 1

We are looking at a laptop, open; on the laptop’s screen, we see a zoom-style conversation with two people, who I’ll call the executive and yellowshirt. The executive is holding up a finger as he gives out an assignment, and looks demanding. Yellowshirt is holding up a hand as he tries to explain something.

EXECUTIVE: This company needs to say it’s done something to become more diverse.

YELLOWSHIRT: Sir, I’ve been reading the research on this.

PANEL 2 

A medium shot of Yellowshirt, now raising both palms as he warms to his subject.

YELLOWSHIRT: Quickie “diversity seminars” don’t help, and can even make things worse because of the resentment factor. We won’t become really diverse until we commit to changing how we recruit and mentor, starting from the top.

PANEL 3

A long shot of Yellowshirt. We can now see that the room outside the view of his webcam is actually incredibly sloppy; there’s an open pizza box, a pile of laundry, a half eaten apple. a sock hanging off a bookshelf, an empty soda can on its side, and other sorts of junk. Yellowshirt, arms spread, is looking enthusiastic as he warms to the subject.

YELLOWSHIRT: It’ll take years of hard work. We’d have to change our company culture. But if we do it, we can make our company more diverse and more profitable.

PANEL 4

Back to the split-screen showing both the executive and Yellowshirt. The executive is leaning forward, towards the camera, and is holding a flat hand out in a “cutting you off now” gesture. Yellowshirt is face-palming.

EXECUTIVE: Listen to my words. We need to say we’ve done something. To SAY it.

YELLOWSHIRT: I’ll schedule a diversity seminar right away, sir.

Posted in Economic cartoons |

The Triheads vs The Squareheads

Cartoon by Barry


This cartoon is a collaboration between myself (script and lettering), Becky Hawkins (classroom scenes), and Naomi Rubin (Triheads vs Squareheads scenes).


If you like these cartoons, help me make more (and help me pay my swell collaborators!) by supporting my Patreon. Thanks!


TRANSCRIPT OF CARTOON

This cartoon has six panels. Each panel shows a schoolteacher reading from an illustrated children’s book; in some panels, we also see images from the book.

PANEL 1

This panel shows a teacher, who is white, reading aloud from a book. Above her, we can see the illustration from the page she’s reading. The illustration shows a bunch of cartoon people, some of whom have triangle-shaped heads, some of whom have rectangular heads. They are smiling and shaking hands and putting arms on each others backs in a companionable manner. In front of them, two children – one with a rectangular head, one with a triangular head – kick a ball around in the grass.

TEACHER: “And when they saw Jumball Trihead and Bigapie Squarehead playing happily together, the grown-ups realized it was silly to hate each other just because they looked different!”

TEACHER: “And that’s how they all stopped being racist!”

TEACHER: Any questions?

PANEL 2

The “camera” zooms out a little, and we can see that there are small children seated on the floor listening to the teacher. One small girl, who is Black, has gotten up and is handing the Teacher a book. The teacher accepts it cheerfully.

IMANI: Miss Martin? My mommy wrote more about the triheads and bigheads. She said it’s a “corrected version.”

TEACHER: Oh, it’s about the same characters! How marvelous! Thank you, Imani.

PANEL 3

The teacher, with a concerned and slightly frightened expression, is reading aloud from the new book. Above her, we see an illustration from the book: A Trihead, speaking straight out to the reader with an angry expression, slams a fist into a palm. Behind him, in silhouette, several Squareheads are trudging along, bowed and weary, chained together chain-gang style.

TEACHER: It says, “The story you’ve heard about the triheads and squareheads is lies. Here’s what really happened.”

TEACHER: “The Triheads kidnapped the Squareheads and enslaved them for hundreds of years.”

TEACHER: “Oh dear.”

PANEL 4

We see the children listening with wide-eyed, somewhat stunned expressions.

Above them, we see an illustration from the book. Two Squareheads lean against a gray wall, as if preparing to be frisked. A Trihead wearing a police or prison guard uniform glares at them. They all seem to be in a barred area. In front of the bars, another Trihead sits at a desk, reading a copy of “The Bell Curve.”

TEACHER: “It took a whole war to free the enslaved squareheads. But even after the war, triheads used laws, violence, and prisons to crush squareheads.”

TEACHER: “This was racism. It was too big and structural to be fixed by Jumball and Bigapie playing together.”

PANEL 5

A close-up of the teacher, who now looks very frightened but keeps on reading aloud. Above her, we see an illustration from the book. A Trihead is lying on the grass, head leaning against a tree, crying a spout of tears from each eye. Next to the Trihead, a standing Squarehead rolls their eyes, arms folded. And next to the Squarehead, a second Trihead is talking to the Squarehead with an accusatory expression, while pointing at the crying Trihead.

TEACHER: “Whenever a Squarehead complained about all the racism, Triheads yelled “How dare you accuse me of racism! Stop imagining things!”

PANEL 6

A shot of the classroom, no illustration. The teacher is turning towards Imani and asking her a question.  The teacher looks worried. Imani, now sitting cross-legged on the floor, replies with an “I don’t know” shrug.

TEACHER: “Another hundred years later…”

TEACHER: Imani, when does this story end?

IMANI: Mommy says we don’t know yet.


This cartoon on Patreon.

Posted in Becky Hawkins collaborations, Racism & Racists |

Teaching Cops To Be Healers

Cartoon by Barry


This cartoon is a collaboration with Kevin Moore.


Help me make more of these cartoons (and to pay collaborators like Kevin and Becky!) by supporting my Patreon! Even a $1 or $2 pledge really matters.


TRANSCRIPT OF CARTOON

This cartoon has four panels. In addition, there’s a tiny fifth “kicker” panel under the comic strip.

PANEL 1

A middle-aged politician-looking dude wearing a suit and tie, and with thick hair neatly parted in the middle, is standing behind a podium with microphones on it. Behind him, we can see a building with a large sign above the entrance saying “City Hall.” Let’s call this guy “Mayor.”

MAYOR: The protesters say the police cannot be reformed – that police culture is beyond saving. That we must abolish and start over.

PANEL 2

A couple of hands are holding a tablet; on the tablet, the mayor, raising a finger and with a very serious expression, continues speaking.

MAYOR: The protestors are wrong! Nothing’s wrong with police culture. We don’t need major reform, just some slight adjustments!

PANEL 3

Another panel showing the mayor at the podium. This is a wider shot, and we can see that the “City Hall” building behind him is just a flat image on a backdrop.  In front of him is a large professional looking video camera, and next to the camera a man with a mustache is grinning and giving the mayor a “thumbs up” signal. The mayor is grinning and pumping one fist victoriously in the air.

MAYOR: For example, the city just purchased new CPR dummies for police to train on. We will show people that police can be heroes and healers!

PANEL 4

We’re in a new location – a large empty room with wood-paneled floors (or vinyl with a wood pattern, more likely), like some gymnasiums have. There are three men here, all wearing blue police tees and shorts. The nearest cop is holding a CPR dummy in a chokehold. Next to him, another cop, wearing a helmet and visor, is raising a nightstick to hit the CPR dummy with. In the background, a third cop is watching and taking notes in a little notepad.

FIRST COP: Okay, let’s train! I’ve got the dummy in a choke hold… Harry, you beat it with your nightstick.

HARRY: Can’t I shoot it instead?

SMALL KICKER PANEL UNDER THE BOTTOM OF THE STRIP

The third cop from panel 4 – the one who was taking notes – is asking the mayor a question. The mayor looks at the cop with a somewhat distressed expression.

COP: Do CPR dummies come in Black?

Posted in Kevin Moore collaborations, Racism & Racists |

Now!

Cartoon by Barry


I can make these cartoons because of readers supporting my Patreon. Join us!


TRANSCRIPT OF CARTOON

This cartoon has four panels. All four panels show two people, one bald and stubbled, the other with shoulder-length black hair and glasses, walking through a hilly park area. Both of them are wearing face masks. A third person – not with them but a little distance away – has neatly combed hair and is not wearing a mask.

PANEL 1

Stubble and Glasses walk and talk. Glasses is holding up a finger to make a point, and Stubble is clasping his hands together and looking skyward in a hopeful manner. Well behind them, Combed is waving a hand and yelling towards them.

GLASSES: People are getting vaccinated! If we can stay safe for another three or four months, we can beat Covid!

STUBBLE: I dream of eating in a restaurant again!

COMBED: I want restaurants open now!

PANEL 2

Stubble and Glasses walk on, Glasses looking a little worried, and Stubble glancing back over his shoulder at Combed, who is now definitely following them.

GLASSES: I wish it was quicker. But we can mask a little longer.

COMBED: I don’t want to wear a mask.

PANEL 3

Now Glasses is glancing back. Stubble is facing forward and walking quicker. Behind them, Combed is jogging after them and yelling.

COMBED: I have a right to live like nothing has happened!

COMBED: I DEMAND NORMALICY! I DEMAND IT NOW!

STUBBLE (quietly): Just keep walking.

PANEL 4

In the foreground, Glasses and Stubble are walking on without looking behind them. Glasses is saying something to Stubbles; Stubbles is looking downcast, with his hands shoved into his jacket pockets. Well behind them, Combed is no longer following them, and his just screaming and railing at no one in particular.

GLASSES: We are so fucked.

COMBED: NOW! NOW! NOW! NOW!


This cartoon on Patreon.

Posted in COVID-19 |

Covid is Made Up by Greedy Hospitals! A True Story.

Cartoon by Barry


I can only make these cartoons because people support them on Patreon! Most only pledge a dollar or two – but collectively, they make these cartoons happen, which is awesome. Join us! One of us… one of us… one of us…


Many thanks to Jake Richmond (who also drew the Capitalism/Socialism cartoon back in April) for the great job he did with this strip. Jake’s a terrific cartoonist who knows me very well in real life, so he was a natural choice to draw this strip, and I’m very happy with how it came out.


TRANSCRIPT OF CARTOON

This cartoon has five panels. The first four panels are square-shaped, arranged in a two by two grid. The fifth panel is twice as wide as the other four.

PANEL 1

Large, friendly lettering at the top of panel 1 says “A TRUE STORY.” Below that, we see someone’s hand pressing a key on a laptop. On the screen of the laptop is some sort of split-screen video conferencing, on which two people – a red headed woman and a dark-haired man with a beard, who is me, Barry – are talking. They both look cheerful.

REDHEAD: Hospitals made up COVID! Becuase they can charge more for COVID than for a flu.

PANEL 2

We’ve switched to another room, where Barry is sitting on a chair in front of a desktop computer. On the computer screen we can see Redhead. Barry, smiling, has his hands in front of him in a “let me explain” gesture while he talks.

BARRY: But between nurses, doctors, and hospital administrators, there’d have to be tens of thousands people in the conspiracy!

BARRY: Something that big can’t be kept secret! Hundreds of people would have leaked it by now!

PANEL 3

We see Redhead, sitting in front of her open laptop as she responds. She’s holding a cat in her lap with one hand, and with the other she’s holding up a forefinger in a “let me make this telling point” sort of gesture. She’s smiling cheerfully, almost laughing. The backside of the laptop is facing us, so we can’t see the screen, but Barry’s word balloon points to the laptop.

REDHEAD: I read a doctor saying it. So it hasn’t been kept secret.

BARRY: You can always find a few people saying anything! Some people say the moon landing was faked!

PANEL 4

A shot of Barry at his computer; Barry looks very taken aback (open mouth, wide eyes). We’re looking at the back of the monitor, so we don’t see Redhead on the monitor, but her word balloon points to the monitor.

REDHEAD: Well, yeah. The moon landing was faked.

PANEL 5

A complete change of scene. We are now out in a park, with trees and green grass and wooden picnic tables. Barry and a friend (not the same person as Redhead) are talking. They are both wearing masks; Barry is standing, and about six feet away, his friend is sitting at a picnic table.

Barry’s wearing a different shirt now, so probably at least a day has passed since panel 4.

BARRY: So that’s when I gave up on arguing with people.

FRIEND: Mmm

Posted in COVID-19 |

It’s Always The Sick Person’s Fault

Cartoon by Barry


Today’s cartoon is another collaboration with Becky Hawkins.


Help me keep making cartoons by supporting my patreon!


TRANSCRIPT OF CARTOON

This cartoon has nine panels, all the same size, arranged in a three by three grid. The panels show figures on a blank colored background, mostly alternating between light blue and cream. Every panel features “Bob,” a white man in a blue polo shirt and tan pants. Bob has a mustache and beard, and wears glasses.

PANEL 1

Bob addresses the reader directly, calmly, spreading his palms to make a point.

BOB: Whenever someone whines that they can’t afford medical care, they don’t deserve help. Because when I look, it’s always their own fault!

PANEL 2

Bob continues speaking, but turns to the side to greet Dr. Jones, a woman wearing a white lab coat over blue scrubs, carrying a clipboard, and wearing a stethoscope around her neck, because Becky and I really, really wanted it to be really, really obvious that this character is a doctor. Cartooning!

BOB: Maybe they’re fat. Or they smoke. Maybe they didn’t save enough. Or maybe they—

BOB: Oh, hello, Dr. Jones.

PANEL 3

In a closer shot, the doctor speaks seriously to Bob while pointing at something on her clipboard. Bob’s eyes have gone wide.

DR JONES: Bad news, Bob — you’ve got a serious condition that will require months of expensive treatment.

PANEL 4

As the doctor walks out of the right edge of the panel, Bob nervously watching her, a gray-haired man in a suit and tie enters from the left.

DOCTOR: You should have gotten tested sooner. Or had better genes. Bye!

SUIT: Hi, Bob! I’m from your insurance company.

PANEL 5

A close shot shows the man in the suit leaning close to Bob and pointing at something on a piece of paper. Bob still looks in shock.

SUIT: Good news! We found a loophole in your policy! Wo we only have to pay $20,000 of your expected $700,000 medical bill!

PANEL 6

Bob leans towards the departing guy in the suit, yelling big with both his arms upraised. A sound effect pointing towards a rectangular lump in Bob’s pocket – “brring! brring!” – indicates Bob’s cell phone is ringing.

BOB: THAT’S NOT GOOD NEWS!

SUIT: Next time, read the 12th page of small print more carefully.

PANEL 7

Here we see Bob, looking very lost and frightened in a close-up, holding his cell phone up to an ear as he listens. His boss’ voice comes from the cell phone. Reflecting Bob’s mood, this panel is colored completely in shades of red.

BOSS: Bob, it’s your boss. You’ve used all your sick leave and you still can’t work. We’re letting you go.

BOSS: It’s your own fault for not working while sick.

PANEL 8

There’s no dialog in this panel. Bob, biting his nails and seeming very nervous, looks towards the readers out of the corner of his eye, as if just remembering that the readers are there.

PANEL 9

Bob, having calmed down, returns to addressing the reader directly, with a somewhat smug expression.

BOB: Well, of course I’m virtuous and deserve help. But other sick people have only themselves to blame!

Posted in Becky Hawkins collaborations, Health care |

The Bullshit Tragedy

Cartoon by Barry


If you like these cartoons, please support them on Patreon!


TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

A man wearing a red baseball-style hat is in the foreground, yelling with brown spittle flying out of his mask. He’s yelling at two “Black Lives Matters” protesters, one holding a bullhorn and the other a BLM sign. The two protesters are wearing face masks; he is not.

MAGA DUDE: What about blue lives? All lives matter! You’re the real racists! If you can protest, why can’t we invade the capital? Double standards!

BLM DUDE: What? No!

PANEL 2

The MAGA dude’s mouth has turned into a spout, shooting out foul brown liquid like a firehose, soaking the bullhorn protester (who has raised her arms to block it) while the other protester tries to shield himself with his protest sign.

MAGA DUDE: It was a stolen election! Everyone knows Trump won in a landslide! Real Americans won’t stand for this!

BLM WOMAN: Aaaah! Stop it!

PANEL 3

As the MAGA dude continues yelling, the degusting, thick brown liquid is pouring out of is mouth in a torrent that is flooding the landscape. He seems able to stand in it fine; the two BLM protesters, however, are struggling to keep their heads above the surface, and are in danger of drowning.

MAGA DUDE: The violence was antifa in disguise! Trump was backstabbed by critical race theory wokes! Masks are totalitarian illiberal losers sad fake news…

BLM WOMAN: Help me!

BLM DUDE: Arrgh!

PANEL 4

We’re looking at a smart phone being held by someone’s hand. On the smartphone, we can see a female newscaster with very carefully styled hair talking with a disturbed expression. A graphic in a box next to her head says “Holy Crap”.  Another graphic, at the bottom of the screen, says “ZNY News.” There are two horizontal scrolling chyrons at the bottom of the screen; the first says “…udy shows nobody reads chryon te…” and the second says “…ZNY news is your only real friend you…”

NEWSCASTER: Tragedy struct today as the public square was literally drowned in bullshit.

Posted in COVID-19, Kevin Moore collaborations |

Patriarchy is Everywhere

Cartoon by Barry


If you enjoy these cartoons, support them on Patreon! My goal is to make a living from lots of tiny contributions!


TRANSCRIPT OF CARTOON

This cartoon has three panels.

PANEL 1

A hand is holding out a smartphone; on the smartphone, we can see a split-screen showing two people, apparently having a Zoom or Skype call. One of the people is a slightly chubby woman with dyed pink hair; the other is a man wearing a striped shirt and glasses; he has a beard and mustache, and is either naturally bald or (more likely, since he’s doesn’t look very old) has shaved his head.

On the screen, we can see the man is reaching one arm out, towards the camera; presumably, he’s the person holding up the smartphone.

WOMAN: I mean, why would I take my husband’s name? I’ve already got my own name!

MAN: Ha! Feminists are so stupid!

PANEL 2

A shot of the man inside a nice-looking home – there’s an arched doorway behind him, and through the doorway we can see part of a tidy kitchen – as he talk/laughs at the phone he’s holding up. The woman’s voice is coming from the phone.

WOMAN: Excuse me?

MAN: Newsflash, sweetie: “Your” name came from your father, and he’s a man!

PANEL 3

A shot of the woman, inside her home. Behind her is a window, and through the window we can see a hillside with a couple of trees. On a table next to her is an open laptop, with the man on the screen, and a coffee mug. She has slapped a palm to the side of her forehead, as if having a revelation, and is looking up instead of looking at the screen. On the screen, we can see his face looking a little bit panicked as he tries to walk it back.

WOMAN: I see your point! The patriarchy is literally everywhere! You’re right! I have to get more radical!

MAN: Er… No, that’s not what I…

Posted in Sexism & Misogyny |

Now That Trump’s Leaving…

Cartoon by Barry


Please support these cartoons on my Patreon! Lots of low-level donations from lots of readers is how I make my living, and I think that’s so cool.


TRANSCRIPT OF CARTOON

This cartoon has a single panel.

The panel shows a blighted and ugly landscape. It’s a hillside, bleak and barren, with ugly green storm clouds against a dark red sky.

There is a huge, monstrous head sticking out of an lifeless hillside. The head has bumps and a dozen or so horns, irregularly shaped and in one case broken off. It has a tiny nose and tiny, glaring eyes. It’s mostly green and yellow, but on one cheek a flap of skin has come off, showing some red underneath. The huge mouth is open like a garage, and we can see huge and irregular pointy teeth and a bulbous tongue covered with warts.

A sign sticking out of the ground, just in front of the head, says “G.O.P.”

A trail of slime leads out of the open mouth, to the lower left corner of the cartoon, where a sluglike creature with Donald Trump’s face is crawling away. Trumpslug is wearing a shirt collar and a long red necktie.

Nearby, a couple of ordinary-looking people, a man and a woman, are happily watching Trumpslug depart. They are facing away from the awful gigantic head looming over them and don’t appear to have noticed it.

MAN: He’s leaving!

WOMAN: Democracy is safe from the monster!

Posted in Elections |

What Kind of People Sexualize Children?

Cartoon by Barry


Please support these cartoons on Patreon! A $1 or $2 pledge really helps.


This strip was drawn by my frequent collaborator Becky Hawkins.  As usual, Becky excels at communicating setting after setting in small panels; I think the store interior in panel 3 is particularly nice. I also love the way she ages Lucy and Lucy’s dad from panel to panel.


TRANSCRIPT OF CARTOON

This cartoon has four panels, plus a tiny “kicker” panel below the bottom of the comic.

PANEL 1

Two toddlers, one a blonde girl dressed in pink, and the other a boy in blue, are playing in a sandbox in a park. They aren’t paying any attention to each other. The girl is just sort of making a pile of sand; the boy is experimentally biting on the handle of the little plastic shovel (and seems to be enjoying it). In the background, two adults are watching the kids and talking to each other, a red-headed man (who I’ll call “Dad”) and a blonde woman.

DAD: Look at Lucy, flirting and making eyes at him!

WOMAN: Look at him, showing off for her!

PANEL 2

We seem to be outside a school building or daycare; the building is made of red bricks, and we can see paper cut-out hearts taped to the large windows. In front of the building, near a hopscotch game chalked onto the pavement, is Lucy (two or three years older, but we can recognize her by the similar shade of pink and the blonde hair) and another boy. The boy is yanking on Lucy’s pony tail, and Lucy looks annoyed. In the foreground, two adults – including the redheaded dad from panel 1 – are watching, looking amused. (The other adult is a woman, but not the same woman as the woman in panel 1).

DAD: I think Lucy has a boyfriend!

WOMAN: It’ll be so cute if they marry each other someday!

PANEL 3

We are in a shop with fancy, bright-colored dresses and costume jewelry and stuff. The redheaded man, now maybe a bit fuller around the waist, is chatting to a shopgirl while gesturing towards a burgundy outfit on a mannequin. The outfit is very fancy, and has two pieces, a band shirt and a short skirt, leaving the mannequin’s waist bare. Lucy, now looking a few years older, is looking up at the outfit expressionlessly.

MAN: I just couldn’t wait to get Lucy on the pageant circuit! Lucy, let’s try this one on you!

PANEL 4

Some years later, Lucy – now looking like a young teen – and her dad (now quite a bit chubbier, and his hairline is beginning to recede) are sitting at home, dad in a comfortable looking armchair, while Lucy sits at a table in the background doing homework. Lucy is looking up at her dad, and a “!” has appeared next to her head. Dad is speaking and gesturing angrily at something on his smartphone.

DAD: Just look at this! Diagnosing children as “trans”… Prescribing “puberty blockers”… What kind of people sexualize children?

SMALL KICKER PANEL BELOW THE BOTTOM OF THE CARTOON

Barry the cartoonist is speaking to the redheaded dad. The redheaded dad – apparently older, as his hairline has receded further – is turning away from Barry the cartoonist.

BARRY: Trans children’s healthcare isn’t about “sex.” It’s about identity, comfort, and—

DAD: Can’t talk — Lucy and I need to practice our purity ball dance.

Posted in Barry's favorites, Becky Hawkins collaborations, LGBT cartoons |

A Trans Man Walks Into The City Clerk’s Office…

Cartoon by Barry


This cartoon is a collaboration with Becky Hawkins.


Please support these cartoons on Patreon!


TRANSCRIPT OF CARTOON

There are four panels, plus an additional small “kicker” panel under the cartoon.

PANEL 1

Inside a mustard-yellow government building – an old one with arched ceilings – people wait on line to talk to a woman in one of those windows embedded in an internal wall, for government workers to talk to people without being in the same room as them.

What are those windows called? I have no idea.

Next to the window, a sign on the wall says “Office of the City Clerk.”

On the public side of the window, a young man wearing a blue shirt, and carrying a brown document bag slung over a shoulder, is talking to a blonde woman on the other side of the window. The woman has short hair with spiky bangs, pink cats eye glasses, and is wearing a purple shirt with sleeves that end about halfway down her forearm. We’ll call him “BLUE” and her “CLERK.”

BLUE: Hi! I need to change my name and switch my gender marker to “M.”

CLERK: Oh, so you’re trans? Okay!

PANEL 2

A closer shot of the two of them. She’s handing a document to him as she talks cheerfully. His back is to us, so we can’t see his face.

CLERK: First, you’ll need to pay to have your name change announced in a newspaper. You’ll need an appointment for a court hearing… That can take months. Meanwhile, hire a notary to watch someone you know sign this affidavit.

PANEL 3

The “camera” has moved to a position from which we can see both characters’ faces. She is handing him a HUGE stack of papers. His eyes are wide and he looks shocked as he eyes the stack.

CLERK: When you go to court, bring money for court fees and a letter from your therapist. And that’s just for your driver’s license. There’s lots more for your social security and birth certificate. Here are some of the forms you’ll need.

CLERK: Next!

PANEL 4

Blue has left, and now a young woman with long brown hair is standing at the window, showing the Clerk a piece of paper. The clerk is smiling and making a thumbs up gesture.

WOMAN: Hi! I’m a bride, and I need to change my name. Here’s my marriage license.

CLERK: Done! Have a nice day.

SMALL KICKER PANEL UNDER THE BOTTOM OF THE CARTOON

Barry the cartoonist is talking to the clerk.

BARRY: Is this the state rewarding people for being gender normative?

CLERK: I can tell you for a fee.

Posted in Becky Hawkins collaborations, LGBT cartoons |